He begins with a group of light but haunting fables, populated by figures like the King, a tiny creature in ermine who has lost his desire to rule, and by the poet’s own alter ego, who recounts the fetching mystery of the title poem: “I sat on the porch having a smoke / when out of the blue a man and a camel / happened by.” The poet has Arctic adventures and encounters with the bearded figure of Death; in his controlled tone, he creates his bold visions and shows us, like a magician, how they vanish in a blink. Gradually, his fancies give way to powerful scenes of loss, as in “The Mirror,” where the face of a beautiful woman stares past him into a place I could only imagine . . . as if just then I were steppingfrom the depths of the mirror into that white room, breathless and eager,only to discover too latethat she is not there.Man and Camel concludes with a small masterpiece of meditations crafted around the Seven Last Words of Christ. Here, this secular poet finds resonance in the bedrock of Christ’s language, the actual words that have governed so many generations of thought and belief. As always with Mark Strand, the discovery of meaning in the sound of language itself is an act of faith that enlightens us and carries us beyond the bounds of the rational.

    

    She is working as a software engineer in an investment bank in USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    New Collected Poems now brings the record of her achievement up to date, adding material from her subsequent volumes and filling out key poems from the early years. Following the chronology of publication, the reader experiences the exhilarating sense of development, now incremental, now momentous. Boland’s work traces a measured process of emancipation from conventions and stereotypes, writing now in a space she has cleared not by violent rejection, but by dialogue, critical engagement, and patient experimentation with form, theme, and language.

    These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow!With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars.The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

    This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.” —Maggie Nelson“A Bestiary is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head¬long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘literature’ and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.” —Wayne Koestenbaum“The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writing can be has been restored.” —Lidia YuknavitchLily Hoang is the author of four books, including Changing, recipient of a PEN Open Books Award. She has two novels forthcoming: Old Cat Lady and The Book of Martha and she co-edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She teaches in the MFA program at New Mexico State University, where she is Associate Department Head. She serves as Prose Editor at Puerto del Sol and Non-Fiction Editor at Drunken Boat.

    Following Pulitzer Prize finalist Ron Padgett's 2013's Collected Poems (winner of the Los Angeles Times Book Prize and the William Carlos Williams Prize) Alone and Not Alone offers new poems that see the world in a clear and generous light.From "The World of Us":Don't go around all daythinking about life—doing so will raise a barrierbetween you and its instants.You need those instantsso you can be in them,and I need you to be in them with mefor I think the world of usand the mysterious barricadesthat make it possible.

    Three long poems interspersed with prose pieces, Souls of the Labadie Tract takes as its starting point the Labadists, a Utopian Quietest sect that moved from the Netherlands to Cecil County, Maryland, in 1684. The community dissolved in 1722. In Souls, Howe is lured by archives and libraries, with their ghosts, cranks, manuscripts and scraps of material. One thread winding through Souls is silken: from the epigraphs of Edwards ("the silkworm is a remarkable type of Christ...") and of Stevens ("the poet makes silk dresses out of worms") to the mulberry tree (food of the silkworms) and the fragment of a wedding dress that ends the book. Souls of the Labadie Tract presents Howe with her signature hybrids of poetry and prose, of evocation and refraction:     There it is there it is—you     want the great wicked city     Oh I wouldn't I wouldn't     It's not only that you're not     It's what wills and will not.

    The late Kenneth Rexroth ( 1905-1982) is surely one of the most readable of this century's great American poets. He is also one of the most sophisticated.

    This is the first collection to draw on the full range of Zukofsky's poetry-containing short lyrics, versions of Catullus, and generous selections from "A", his 24-part"poem of a life"-and provides a superb introduction to a modern master of whom the critic Guy Davenport has written: "Every living American poet worth a hoot has stood aghast before the steel of his integrity." The most formally radical poet to emerge among the second wave of American modernists, Louis Zukofsky continues to influence younger poets attracted to the rigor, inventiveness, and formal clarity of his work. Born on New York's Lower East Side in 1904 to emigrant parents, Zukofsky achieved early recognition when he edited an issue of Poetry devoted to the Objectivist poets, including George Oppen and Charles Reznikoff. In addition to an abundance of short lyrics and a sound-based version of the complete poems of Catullus, he worked for most of his adult life on the long poem "A" of which he said: "In a sense the poem is an autobiography: the words are my life." Zukofsky's work has been described as difficult although he himself said: "I try to be as simple as possible." In the words of editor Charles Bernstein, "This poetry leads with sound and you can never go wrong following the sound sense... Zukofsky loved to create patterns, some of which are apparent and some of which operate subliminally... Each word, like a stone dropped in a pond, creates a ripple around it. The intersecting ripples on the surface of the pond are the pattern of the poem." Here for the first time is a selection designed to introduce the full range of Zukofsky's extraordinary poetry.

    The book is in two sections, the first a focused collection of wildly inventive lyrics that take as launch pad such far flung subjects as allergenesis, the contents and significance of swamps, a revised notion of marriage, and ancestors—both actual and dreamed. The eponymous second section is a cogent series, or long poem, based on a persona named "the eater," who, along with the poems themselves, storms voraciously through tablefuls of Chinese delicacies (each poem in the series takes its titles from an actual Chinese dish), as well as through doubts and confident proclamations from regions of an exploratory self. Hymn for the Black Terrific has Falstaffian panache; it is a book of pure astonishment.Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.

    He, an accountant worn down by the day-to-day struggles of the nine to five, is dreaming of a white Christmas, a little garden and someone to love. She attempts, with scornful wit, to shock him out of his commuter's habits and into an experience of ecstasy.Man Booker Prize shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this passionate work of dramatic poetry.Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company. Her most recent novel, Swimming Home (2011 And Other Stories, UK publication, and 2012 Bloomsbury US publication), was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards (UK Author of the Year) and 2013 Jewish Quarterly Wingate Prize, while her most recent collection of short stories, Black Vodka: ten stories, was shortlisted for the Frank O'Connor International Short Story Award and its title story "Black Vodka" shortlisted for the 2012 BBC International Short Story Award. An Amorous Discourse in the Suburbs of Hell was first published in 1990 in the United Kingdom and appears now in a new edition, its first US edition.

    Many years later, a couple sailing around the world take refuge on an uncharted island. Although they believe the tiny atoll to be uninhabited, it is actually home to a mysterious woman who has been stranded there for more than forty years. As that woman ponders whether to stay hidden or step back into society, a tempestuous storm threatens to change the course of all their lives.

    Her poems are already making waves--several from this collection have received award attention, including: "The Fiddlehead"'s 23rd annual Ralph Gustafson Poetry Prize, "The Malahat Review"'s 2012 Far Horizon's Award for Poetry and an Editor's Choice Award in "ARC Poetry Magazine'"s 2012 Poem of the Year Contest. They have also been shortlisted for "The New Quarterly"'s 2013 Occasional Verse Contest, longlisted for CBC's 2013 Canada Writes Poetry Contest and have appeared in literary publications across North America.The poems in "For Your Safety Please Hold On" move in thematic focus from family, to girlhood, to adulthood, each permeated by Czaga's lively voice and quick-witted, playful language. They test the line between honest humour and bitter reality in a sophisticated, incisive manner that tugs at the gut and feels true.The linguistic hopscotch of Czaga's poems about girlhood is often beautifully juxtaposed with feelings of menace or a first taste of smothering expectations--"She sits. She sips her bright pink fingers. / She slips into smart short haircuts, yes, / she does so, and does herself up just so." While her pin prick meditations on contemporary adulthood suggest a yearning for personal meaning and purpose on a larger scale--"I still wander, sometimes, / my coat closing the world out of my body, with pockets / full of garbage, with my slender steady want. I still / make the bed and at bedtime unmake it."The irrepressible energy of the poems in "For Your Safety Please Hold On," paired with their complex balancing act between light and dark, humour and melancholy, innocence and danger, make this collection an extraordinary first offering.