Recalling his youth on the eve of his assassination - as if sensing his impending death - Caesar looks back over his early life up to his forty-third year and the conquest of Gaul. He analyzes and evaluates the worth of the great men he has known - Marius, Sulla, Pompey, Cicero, Cato - and the great military deeds and political upheavals which marked his time. Caesar is a shrewd psychologist and he brilliantly penetrates the underlying causes of events as well as the factions and manoeuvres through which they were perpetrated by the leaders of Rome. Caesar is cynical yet kindly, patient, proud, watchful, a bitter defender of social justice. If the memory he displays in the narrative is keen and circumstantial, it is also particularly impressive in its sentient, purpose-ridden forcefulness and shapes these vital reflections of a major world figure at the height of his powers. The narrative (and one may hope that there will be a second volume describing Caesar's maturity) carries the validity and significance of an historical document; it is fictional biography of a high order. - from the Kirkus review of 1958

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    His Nobel Lecture offers a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive world politics.

    She writhes her way across the nation and beyond, seducing us all with her light and noise. Love her or hate her, you can’t escape her. She’s the American media–and nobody understands her better than Scott Singer.A rising star in the world of public relations, Scott is a master at manipulating the news, especially when the news isn’t good for his clients. To journalists, he’s the dark prince of deception. To others, he’s merely the product of an amoral corporate culture. Not that their opinions matter to Scott, who shelved his ego years ago. It’s the only way to stay sane in a business that thrives on flying off the handle.The trouble begins on the first day of Sweeps, when a fifteen-year-old girl goes on a fatal shooting spree in her high school cafeteria. For the news networks, it’s a ratings bonanza, especially when clues suggest that the tragedy was loosely inspired by a popular rap song. Suddenly America’s outrage is focused on Hunta, a young L.A. hip-hop artist who was on the verge of becoming a mainstream star. Now he’s Public Enemy Number One, and his life is about to get infinitely worse.Saving Hunta could be the crowning achievement of Scott’s career, but he knows it won’t be easy. To take control of the story, he’ll have to upstage it. And to do that, he’ll have to engineer a hoax more ambitious and more elaborate than any publicist has ever attempted before.From the Hardcover edition.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    M. Forster's most celebrated works. Forster explores love among a cast of eccentric characters gathered in an Italian pension and in a corner of Surrey, England. Caught up in a world of social snobbery, Lucy Honeychurch must make a decision that will decide the course of her future: She is forced to choose between convention and passion.

    The books penned by him are well known all over the world, although they were not so popular during Lovecraft's life. The main theme of his creativity is the Cthulhu Mythos. Lovecraft created an entire fictional world; his tales are even classified into a subgenre known as Lovecraftian horror. The tales The Call of Cthulhu, The Color Out of Space, Dagon and others are among the most famous works of Howard Lovecraft.

    The story concludes with the stark contrast between high-minded Stoicism and the collapse of values witnessed by Tacitus and Juvenal.

    In Evening Class, she applies her signature warmth, wit and understanding to something new--a wickedly funny book for anyone who's checked into the hospital, headed for an operation or convalesced at home. Maeve Binchy can always be counted on to spin an involving tale about ordinary people that brings out the extraordinary in everyone. Here, she zooms in on the working-class of Dublin. Schoolteacher Aidan Dunne organises an evening class in Italian with the help of Nora O'Donoghue, an Irishwoman returning home after 26 years in Sicily. When the somewhat squashed-by-life denizens of the surrounding neighbourhood take the unexpected step of enrolling in the class, they find their lives transformed. Binchy tells her story from the viewpoints of eight different characters and rewards both them and her readers with happy endings after the requisite rocky road. Reading a novel by Maeve Binchy is like catching up with old friends--you know everything will turn out fine in the end, but you're still interested in how things get that way.

    A reexamination of the importance of the classics reminds readers of the contributions those early thinkers made to present-day society, including philosophy, theater, rhetoric, oratory, biology, zoology and other arts and sciences.

    Despite their mortality, heroes, like the gods, were objects of cult worship. Nagy examines this distinctively religious notion of the hero in its many dimensions, in texts spanning the eighth to fourth centuries bce: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; and dialogues of Plato. All works are presented in English translation, with attention to the subtleties of the original Greek, and are often further illuminated by illustrations taken from Athenian vase paintings.The fifth-century bce historian Herodotus said that to read Homer is to be a civilized person. In twenty-four installments, based on the Harvard University course Nagy has taught and refined since the late 1970s, The Ancient Greek Hero in 24 Hours offers an exploration of civilization s roots in the Homeric epics and other Classical literature, a lineage that continues to challenge and inspire us today.

    In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus.Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages.""Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal"Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy"In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas"Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College"For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition"The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

    For these readers, Malcolm M. Willcock provides a line-by-line commentary that explains the many factual details, mythological allusions, and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.  The notes, which always relate to particular lines in the text, have as their prime aim the simple, factual explanation of things the inexperienced reader would be unlikely to have at his or her command (What is a hecatomb? Who is Atreus' son?). Second, they enhance an appreciation of the Iliad by illuminating epic style, Homer's methods of composition, the structure of the work, and the characterization of the major heroes. The "Homeric Question," concerning the origin and authorship of the Iliad, is also discussed. Professor Willcock's commentary is based on Richmond Lattimore's translation—regarded by many as the outstanding translation of the present generation—but it may be used profitably with other versions as well. This clearly written commentary, which includes an excellent select bibliography, will make one of the touchstones of Western literature accessible to a wider audience.—from the back cover