It’s where reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool… The dead woman had a red-hot secret about up-and-coming leading man Nick Tremayne, a scoop that Irene couldn’t resist—especially since she’s just a rookie at a third-rate gossip rag. But now Irene’s investigation into the drowning threatens to tear down the wall of illusion that is so deftly built around the famous actor, and there are powerful men willing to do anything to protect their investment. Seeking the truth, Irene finds herself drawn to a master of deception. Oliver Ward was once a world-famous magician—until he was mysteriously injured during his last performance. Now the owner of the Burning Cove Hotel, he can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago… With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under…

    Saved by a local orphanage, she knows she owes her life to the kindness of others. And she’s determined to repay her debt by working as a nurse.Strong, kind and patient, Angelina is a natural on the ward. But when war breaks out in 1914 and she is sent to The Front, her courage is tested like never before…As war rages around her, a chance meeting with a familiar soldier sends Angelina’s whole world into turmoil. Can she hold her nerve, save the men around her – and protect her heart?

    J. Robinson comes a family saga amidst the backdrop of the Civil War and a deadly hurricane, rising floodwaters in the Big Easy, or Crescent City, as a plantation on River Road in Vacherie, Louisiana, is threatened. Will Hurricane Katrina destroy what the Civil War spared? Margaret Jane Turnrow first laid eyes on River Oaks Plantation amid lush foliage and oak trees dripping with Spanish moss when she returned from her honeymoon as a petite hazel-eyed fifteen-year-old bride to the antebellum mansion. She immediately fell in love with the house and grounds and beautifying the garden with plants. Her first task involved lining the oak drive with azaleas. Determined to have the best plantation gardens, she soon recreated formal ones designed from precious memories of France, Italy, and England she'd toured on her honeymoon. Before the Civil War, she imported plants, and gardening became her passion. During the war, it was her only one. The fertile Louisiana soil loved and nursed her plants as much as she did, and they grew like the cotton and sugarcane. Pale as a magnolia blossom, she sparkled like the sun reflecting off Lake Pontchartrain when she flashed pearly white teeth with her camellia red smile, but small white hands tucked demurely into the folds of her gown as she sat quietly during elegant dinners, concealed her true vivacious spirit. The war would change the shy woman-child as it ravaged through her life and took its toll on the home and family life she came to know and love with all of her heart. Before the Civil War, dashing Danny Paul Turnrow stood six-foot-two-inches, as tall and elegant as the white-columned plantation home he'd purchased on the banks of the Mississippi River. He led a charmed life as a charismatic cotton baron known as one of the richest men on River Road. River Oaks boasted over thirty-five-hundred acres of fertile Louisiana soil, mostly planted in cotton with the exception of some sugarcane along the Mississippi River banks and his wife's gardens. He returned from the war a different man, as broken as the pillared splendor of the South. Surrounded by cypress swamps and sugarcane fields on the river's end and white blankets of cotton edging the dirt roads, River Oaks Plantation still stood, but the grand life he'd led turned to one of backbreaking toil. He no longer stood so tall and proud with an aching back hunched over Louisiana cotton fields. With the future uncertain, fear lurks in his heart and soul and clouds his mind. What will sustain his marriage through the loss? Can they defend what's most precious to them and maintain River Oaks as a working plantation? The manor home is the only legacy he has left and the only life he has ever known. Will he lose it? Years later, Amaryllis Camilla O'Brien is stranded alone with two dogs on the top floor of an antebellum plantation in Vacherie, Louisiana, as a deadly hurricane rips and roars through the city and raging floodwaters threaten to devour the old home. She discovers a yellowed diary. Will family secrets drown in the flood with her? Will the diary matter? She's determined to save it and the dogs, or die trying. Has her grandmother left her a sinking ship? Noah Gautreaux, the plantation manager, took vehicles to higher ground and is supposed to return, but will he make it in time to save Amaryllis and his pet girls? The old house withstood the floods of 1973, 1983, and 1993. He doesn't think he has to worry about it floating off down the Mississippi River, but as excessive rain and wind continue to batter the area and the water continues to rise when the levee breaches, he realizes there's a first time for everything and this could be it for the white-columned beauty of ages past.

     As one of the first female reporters on 1880s Fleet Street, Penny Green has her work cut out. Whether it’s investigating the mysterious death of a friend or reporting on a serial killer in the slums, Penny must rely on her wits and determination to discover the truth. Fortunately she can rely on the help of Inspector James Blakely of Scotland Yard, but will their relationship remain professional? Read The Penny Green Series: Books 1-3 today and discover this entertaining Victorian mystery series. The Penny Green Mystery Series is set in 1880s London. The books can be read in any order: Book 1 - Limelight Book 2 - The Rookery Book 3 - The Maid's Secret Book 4 - The Inventor Book 5 - Curse of the Poppy Book 6 - The Bermondsey Poisoner Book 7 - An Unwelcome Guest Also available: The Penny Green Series: Books 1-3 (The Penny Green Series Boxset Book 1) The Penny Green Series: Books 4-6 (The Penny Green Series Boxset Book 2)

    1603. Former ship's surgeon Gabriel Taverner is attempting to re-establish himself as a country physician in rural Devon. But it s not easy to gain the locals' trust, and a series of disturbing incidents, increasing in menace and intensity, convinces him that at least one person does not welcome his presence. Called out to examine a partially decomposed body found beside the river, Gabriel discovers that he has a personal connection to the dead man. Teaming up with Coroner Theophilus Davey to find out how the man died, Gabriel uncovers some darker aspects of the lucrative silk trade which operates from nearby Plymouth. The more he finds out, the more frighteningly apparent it becomes that the people closest to him have been keeping dangerous secrets.

    Jem welcomes the reprieve as she settles into married life, attempting to learn the domestic skills that have cunningly evaded her as a bachelor girl detective. The lull in business is short-lived when a telegram arrives from the detective duo's suffragette friend, Martha Kingston, detailing the mysterious disappearance of a school chum's sister in Concord, Massachusetts. No sooner do Jem and Merinda arrive in the States to investigate than they find themselves embroiled in a world of strange affairs, purloined letters, and a baffling mystery whose clues lead directly to Orchard House, the homestead made famous by its long-time resident, Louisa May Alcott.

    Following a humiliating fourth Season in London, Lady Elizabeth Fraser is on her way back to her ancestral country estate when her train careens off the rails and bursts into flames. Though she is injured, she manages to drag herself and her unconscious mother out of the wreckage, and amid the chaos that ensues, a brilliant young railway surgeon saves her mother’s life. Elizabeth feels an immediate connection with Paul Wilcox—though society would never deem a medical man eligible for the daughter of an earl. After Paul reveals that the train wreck was no accident, and the inspector who tried to prevent it dies under mysterious circumstances, Elizabeth undertakes a dangerous investigation of her own that leads back to her family’s buried secrets. The more she learns, the more she must risk. Not only are her dowry and her reputation at stake; Paul’s very life hangs in the balance when he is arrested for manslaughter. As the trial draws near, and Parliament prepares for a vote that will change the course of the nation, Elizabeth uncovers a conspiracy that has been years in the making. But time is running out for her to see justice done.

    Her great-great-grandmother Ellen was obsessed with the strange legend of Ulla, a Viking maiden who washed up on shore with the nearly lifeless body of her husband—and who inspired countless epic poems and the island’s name.Central to the mystery is an ornate chalice and Libby, an archaeologist, finally has permission to excavate the site where Ulla is believed to have lived. But what Libby finds in the ancient dunes is a body from the Victorian era, clearly murdered…and potentially connected to Ellen.What unfolds is an epic story that spans centuries, with Libby mining Ellen and Ulla’s stories for clues about the body, and in doing so, discovering the darker threads that bind all three women together across history.Infused with Sarah Maine’s signature “meticulous research and descriptive passages of lush, beautiful landscapes” (Publishers Weekly), Women of the Dunes is a beautifully told and compelling mystery for fans of Kate Morton and Beatriz Williams.

    Lydia, who’s never broken any rules, except falling in love with the wrong boy. Lydia, who’s been Piper’s best friend since they were children. Lydia, who never even said good-bye. Convinced the police are looking in all the wrong places, eighteen-year-old Piper Sail begins her own investigation to solve the mystery of Lydia’s disappearance. With the reluctant help of a handsome young detective, Piper goes searching for answers in the dark underbelly of 1924 Chicago, determined to find Lydia at any cost. When Piper discovers those answers might stem from the corruption strangling the city—and quite possibly lead back to the doors of her affluent neighborhood—she must decide how deep she’s willing to dig, how much she should reveal, and if she’s willing to risk her life for the truth.

    But the latest Londoner to seek Ned’s magical aid gives him pause: Mr Edgar Nevett, an arrogant banker, is the father of the bully who made Ned’s life hell at boarding school. Nevertheless, Ned accepts the commission to ensure the Nevett family silver bears no ancient or modern curses, and then prepares to banish the Nevett family to unpleasant memory again. Until Edgar Nevett is killed by an enchanted silver candlestick—one of the pieces Ned declared magically harmless.Calling on his old school friend Julian Lynes—private detective and another victim of the younger Nevett—Ned races to solve the murder, clear the stain on his professional reputation, and lay to rest the ghosts of his past.Assisted by Ned’s able secretary Miss Frost, who has unexpected metaphysical skills of her own, Ned and Julian explore London’s criminal underworld and sodomitical demimonde, uncover secrets and scandals, confront the unexpected murderer and the mysteries of their own relationship.In Death by Silver veteran authors Melissa Scott and Amy Griswold introduce a Victorian London where magic works, influencing every aspect of civilized life, and two very appealing detectives.

    Length: ~100 pages Tang Dynasty China, 849 A.D. Lady Bai, called Wei-wei by her aristocratic family, has always been the perfectly obedient daughter--but only on the outside. Inwardly she dreams of freedom. When she dares to pay a forbidden visit to a public tea garden in men's clothing, only Gao looks close enough to notice her borrowed robes. Alas, looking closely at the enigmatic Gao tells Wei-wei only one thing: he's a scoundrel. When the pair witness a fatal stabbing, Gao surprises her by staying at her side as she investigates the brutal crime. Together they uncover more secrets, somehow tied to her brother and the seedy gambling dens he's been visiting on the sly. Gao seems to know far too much about the brutal ways of the street, but Wei-wei is drawn to him and his habit of seeing through all her disguises. Wei-wei revels in her newfound independence and her growing feelings for her mysterious companion, but all too soon she's faced with a cruel choice -- discover the truth and bring the killer to justice, or protect her family at all costs.

    But by night, she writes very different kinds of stories—the Penny Dreadfuls that are all the rage among the working-class men. Under the pseudonym Mr. King, Elizabeth has written about dashing heroes fighting supernatural threats and dangerous outlaws romancing helpless women. They contain all the adventure and mystery that her real life lacks.   Fletcher Walker began life as a street urchin, but is now the most successful author in the Penny Dreadful market, that is until Mr. King started taking all of his readers--and his profits. No one knows who King is, including Fletcher’s fellow members of the Dread Penny Society, a fraternity of authors dedicated to secretly fighting for the rights of the less-fortunate.   Determined to find the elusive Mr. King, Fletcher approaches Miss Black. As a fellow-author, she is well-known among the high-class writers; perhaps she could be persuaded to make some inquiries as to Mr. King’s whereabouts? Elizabeth agrees to help Fletcher, if only to insure her secret identity is never discovered.    For the first time, Elizabeth experiences the thrill of a cat-and-mouse adventure reminiscent of one of her own novels as she tries to throw Fletcher off her scent. But the more time they spend together, the more she loses her heart. Its upper-class against working-class, author against author where readers, reputations, and romance are all on the line.

    But when Lord Stephen St. Leger requests her help in investigating an alleged psychic’s claims, she can’t deny the ominous feeling she has within the walls of his ancient estate—or the intimately familiar connection she has with Stephen himself. The last time he’d called Blackhope Hall home, Stephen had watched as his elder brother claimed both the family title and the woman he loved. Now, in the wake of his brother’s murder, Stephen has reluctantly returned to find his family ensconced in scandal. Who is responsible for his brother’s untimely death? And what is it about investigator Olivia Moreland that so thoroughly draws him in, reigniting a passion he hasn’t felt in years?

    But that’s Kit Turner’s domain, a swindler who runs a crew that acquires money the old-fashioned way—conning the rich to give to the poor. When a local cab driver goes missing, Jackson is tasked with finding the man, and the only way to do that is by enlisting Kit’s help. If Jackson doesn’t find the cabby, he’ll be fired. If Kit doesn’t help Jackson, he’ll arrest her for thievery. Yet neither of them realize those are the least of their problems.

    Ghostly encounters, a locked door, and a set of photographs pique her curiosity. But Adam and his grandfather refuse to let her investigate. And her marriage is further strained, when Adam, a reservist, is called up to fight in the Gulf War.In 1942, Elsie Flint is already living at Echo Hall with her children, the guest of her unsympathetic in-laws, whilst her husband Jack is away with the RAF. Her only friend is Jack’s cousin Daniel, but Daniel is hiding secrets, which when revealed could destroy their friendship for good.Rachel and Leah Walters meet Jacob Flint at a dinner party in 1911. Whilst Leah is drawn to Jacob, Rachel rejects him leading to conflict with her sister that will reverberate through the generations.As Ruth discovers the secrets of Echo Hall, she is able to finally bring peace to the Flint family, and in doing so, discover what she really needs and wants.Echo Hall is a novel about the past, but it is very much a novel of the now. Does history always have to repeat itself, or can we find another way?