This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    So when the clever diplomat Nicky Fleming dies suddenly and suspiciously, it’s convenient to brand him the traitor. But was his death an accident, murder, or suicide? As the government investigates Nicky's death, his wife relocates with their three children to a remote Scottish island hoping to save what remains of their family. But the isolated shores of her childhood retreat only intensify their distance between them, and it is the brilliant and peculiar youngest child, Jamie, who alone holds on to the one thing he’s sure of: his father has promised to return and he was a man who never broke a promise.When Jamie sets off to explore the island with his teenage sisters, they discover a tamed grizzly bear has been marooned on shore, hiding somewhere among the seaside caves. Jamie believes the bear may have a strange connection to his father, and as he seeks the truth, Nicky's story begins revealing itself in unexpected ways.

    London, 1931. As growing up looms large in the lives of the Carne sisters, Deirdre, Katrine and young Sheil still share an insatiable appetite for the fantastic. Eldest sister Deirdre is a journalist, Katrine a fledgling actress and young Sheil is still with her governess; together they live a life unchecked by their mother in their bohemian town house. Irrepressibly imaginative, the sisters cannot resist making up stories as they have done since childhood; from their talking nursery toys, Ironface the Doll and Dion Saffyn the pierrot, to their fulsomely-imagined friendship with real high-court Judge Toddington who, since Mrs Carne did jury duty, they affectionately called Toddy. However, when Deirdre meets Toddy's real-life wife at a charity bazaar, the sisters are forced to confront the subject of their imaginings. Will the sisters cast off the fantasies of childhood forever? Will Toddy and his wife, Lady Mildred, accept these charmingly eccentric girls? And when fancy and reality collide, who can tell whether Ironface can really talk, whether Judge Toddington truly wears lavender silk pyjamas or whether the Brontes did indeed go to Woolworths? "The Brontes Went to Woolworths "is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    Confused and unhappy, she discovers the wrecked and flowering wastes around St Paul's, where she finds an echo of the wilderness of Provence and is forced to confront the wilderness within herself.

    Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one night stand.

    At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Their rented cottage is simultaneously their armour against the world and their sanctuary. Inside its walls they make music, in its garden they grow (and sometimes kill) everything they need for sustenance.But when Dot dies suddenly, threats to their livelihood start raining down. At risk of losing everything, Jeanie and her brother must fight to survive in an increasingly dangerous world as their mother's secrets unfold, putting everything they thought they knew about their lives at stake.This is a thrilling novel of resilience and hope, of love and survival, that explores with dazzling emotional power how the truths closest to us are often hardest to see._

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    The country has been invaded and is being governed by a secret organization. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed upon its 1967 publication as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognized as a major work of literature in its own right.

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

    Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations. --back cover

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    M. Forster. The title comes from a line in Alexander Pope's An Essay on Criticism: "For fools rush in where angels fear to tread".In 1991 it was made into a film by Charles Sturridge, starring Rupert Graves, Giovanni Guidelli, Helen Mirren, Helena Bonham Carter, and Judy Davis.[1] A ten-part radio adaptation of the novel was broadcast on BBC Radio 4.[2] An opera based on the novel by Mark Weiser was premiered at the Peabody Institute of Music in 1999, and received its professional premiere at Opera San Jose in 2015

    It is a story about childhood and growing up, loss of innocence, eccentricity, familial ties and friendships, love and life. Stripped down to its bare bones, it’s about the unbreakable bond between a brother and sister.