But behind her seemingly flawless façade lay a dangerous secret—for the better part of her life Cheney had been battling debilitating bipolar disorder and concealing a pharmacy's worth of prescriptions meant to stabilize her moods and make her "normal."In bursts of prose that mirror the devastating highs and extreme lows of her illness, Cheney describes her roller-coaster life with shocking honesty—from glamorous parties to a night in jail; from flying fourteen kites off the edge of a cliff in a thunderstorm to crying beneath her office desk; from electroshock therapy to a suicide attempt fueled by tequila and prescription painkillers.With Manic, Cheney gives voice to the unarticulated madness she endured. The clinical terms used to describe her illness were so inadequate that she chose to focus instead on her own experience, in her words, "on what bipolar disorder felt like inside my own body." Here the events unfold episodically, from mood to mood, the way she lived and remembers life. In this way the reader is able to viscerally experience the incredible speeding highs of mania and the crushing blows of depression, just as Cheney did. Manic does not simply explain bipolar disorder—it takes us in its grasp and does not let go.In the tradition of Darkness Visible and An Unquiet Mind, Manic is Girl, Interrupted with the girl all grown up. This harrowing yet hopeful book is more than just a searing insider's account of what it's really like to live with bipolar disorder. It is a testament to the sharp beauty of a life lived in extremes.

    One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life's deprivations is evident. One glimpse at her photo and you realize, for all her smile's shyness, she must've been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett's meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love. Against all odds, Maud Lewis rose above these constraints—and this is where you'll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

    Bun O’Keefe 14, has an eccentric point of view to tell us her unusual story. Her ma told her to go, so she did.. In the nearest city, the girl is taken in by a street musician. The shared house has an eclectic cast: a pot-smoking dishwasher with culinary dreams; a drag queen with a tragic past; a Catholic school girl desperately trying to reinvent herself; and the landlord to be avoided at all cost.

    In these poems, Purdy ponders the remains of a Native village; encounters Fidel Castro in Revolutionary Square; curses a noisy cellmate in the drunk tank; and marvels at the "combination of ballet and murder" known as hockey, all in the author's inimitable man-on-the-street style.Rooms for Rent in the Outer Planets is destined to become the standard Purdy poetry volume for many years to come.

    They sit in silence, judging each other by what they see, by the stories they've heard over the years. Stuck here with them--could anything be worse?There's Alice: an introverted writer, trapped in the role of big sister to her older autistic brother, Noah.Isabelle: the popular, high-achieving, student council president, whose greatest performance is her everyday life. Hogan: an ex-football player with a troubled past and a hopeless future.Xander: that socially awkward guy hiding behind the camera, whose candid pictures of school life, especially those of Isabelle, have brought him more trouble than answers.Told in five unique voices through prose, poetry, text messages, journals, and homework assignments, each student reveals pieces of their true story as they wait for the drill to end. But this modern-day Breakfast Club takes a twist when Isabelle gets a text that changes everything: NOT A DRILL!! Shooter in the school!Suddenly, the bathroom doesn't seem so safe anymore. Especially when they learn that one of them knows more about the shooter than they realized...

    In June 2013, three upstanding citizens of a small Cape Breton town cold-bloodedly murdered their neighbour, Phillip Boudreau, at sea. While out checking their lobster traps, two Landry cousins and skipper Dwayne Samson saw Boudreau in his boat, the Midnight Slider, about to vandalize their lobster traps. Like so many times before, Boudreau was about to cost them thousands of dollars out of their seasonal livelihood. One man took out a rifle and fired four shots at Boudreau and his boat. To finish the job, they rammed their own larger boat over the top of his speedboat. Boudreau's body was never found. Then they completed the day's fishing and went home to Petit de Grat on Isle Madame.Boudreau was a Cape Breton original--an inventive small-time criminal who had terrorized and entertained Petit de Grat for two decades. He had been in prison for nearly half his adult life. He was funny and frightening, loathed, loved, and feared. One neighbour says he would steal the beads off Christ's moccasins--then give the booty away to someone in need. He would taunt his victims, and threaten them with arson if they reported him. He was accused of one attempted rape. Meanwhile the police and the Fisheries officers were frustrated, cowed, and hobbled by shrinking budgets. Boudreau seemed invincible, a miscreant who would plague the village forever.Cameron, a resident of the area since 1971, argues that the Boudreau killing was a direct reaction to credible and dire threats that the authorities were powerless to neutralize. As many local people have said, if those fellows hadn't killed him, someone else would have. Like Say Nothing, The Perfect Storm, The Golden Spruce, and Into Thin Air, this book offers a dramatic narrative set in a unique, lovingly drawn setting, where a story about one small community has universal resonance. This is a story not about lobster, but about the grand themes of power and law, security and self-respect. It raises a disturbing question: Are there times when taking the law into your own hands is not only understandable but the responsible thing to do?

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    At first she dismisses this revelation, having other problems at hand, but as she and her friends struggle to cope with the challenges of their increasingly volatile lives--from alcoholism, to sex work, to suicide--Wendy is drawn to the lost pieces of her grandfather's life, becoming determined to unravel the mystery of his truth. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.

    Illuminating, completely engaging—it's essential reading for all since we all know someone whose life, family or friends are touched by the disease that directly afflicts a fifth of Canadians. In her early twenties, while outwardly thriving in her dream job and enjoying warm familial support and a strong social network, award-winning journalist Anna Mehler Paperny found herself trapped by feelings of failure and despair. Her first suicide attempt—ingesting a deadly mix of sleeping pills and antifreeze—landed her in the ICU, followed by weeks of enforced detention that ran the gamut of horrifying, boring, hilarious, and absurd. This was Anna's entry into the labyrinthine psychiatric care system responsible for providing care to millions of Canadians.As she struggled to survive the psych ward and as an outpatient—enduring the "survivor's" shame of facing concerned family, friends, and co-workers; finding (or not) the right therapist, the right meds; staying healthy, insured, and employed—Anna could not help but turn her demanding journalist's eye on her condition and on the system in which she found herself. She set off on a quest to "know her enemy," interviewing leading practitioners in the field across Canada and the US—from psychiatrists to neurological experts, brain-mapping pioneers to heroic family practitioners, and others dabbling in novel hypotheses. She reveals in courageously frank detail her own experiences with the pharmacological pitfalls and side effects of long-term treatment, and offers moving case studies of conversations with others, opening wide a window into how we treat (and fail to treat) the disease that accounts for more years swallowed up by disability than any other in the world.

    It's a world in which she can escape some of her more painful childhood realities, like those games her father likes to make her play, where he's the boss and she the naughty secretary. And her mother so fiercely favors her younger brother, the cherubic Willy, that Thelma finds herself perpetually in emotional exile. No wonder Thelma asks practically every adult she meets to adopt her. Along Thelma's bumpy way from a rural English village to Canada to a law degree at Oxford, she meets many potential parents and even makes some friends, but it is with the companions of her fertile imagination—with the scaredy-baby Janawee, moody and timid Ginniger, and big, strong, stoic Heroin—that Thelma finds comfort. With them, too, she loses an already tenuous connection to reality, though ultimately Thelma's spirit and humor prove to be as indomitable as her wit. "Moving and comic at once.... Hallucinatory, hilarious, and haunting."—Boston Globe "Prickly, unsentimental...a portrait of terrible comic humanity."—New York Times Book Review "Mesmerizing.... Lush, visceral prose ... rings with an authority rarely found in first novels."—Washington Post Book World "A novel of astonishing power .... An instantaneous classic."—Baltimore Sun "Elegant ... sings with an almost Victorian delicacy and sophistication."—San Francisco Chronicle

    Over the next four years, the two become inseparable. For him, she breaks her solitude; for her, he leaves his busy circles behind. But knowing Max means knowing his family: the wealthy Rippons, all generosity, social ease, and quiet repression. Theirs is a very different world from Kate’s own upbringing, and yet she finds herself quickly drawn into their gilded lives, and the secrets that lie beneath. Until one evening, at the Rippons home, just after graduation, her life is shattered apart in a bedroom while a party goes on downstairs. What Red Was is an incisive and mesmerizing novel about power, privilege, and consent--one that fearlessly explores the effects of trauma on the mind and body of a young woman, the tyrannies of memory, the sacrifices involved in staying silent, and the courage in speaking out. And when Kate does, it raises this urgent question: whose story is it now?

    She never knew her biological father, and while her mother and stepfather were loving parents, the situation was sometimes chaotic. While still a teenager, she met the love of her life. They were wed at 20, and the first of three children followed shortly. Jetté Knox finally had the stability she craved--or so it seemed. Their middle child struggled with depression and avoided school. The author was unprepared when the child she knew as her son came out as transgender at the age of eleven. Jetté Knox became an ardent advocate for trans rights.For many years, the author had coped with her spouse's moodiness, but that chronic unhappiness was taking a toll on their marriage. A little over a year after their child came out, her partner also came out as transgender. Knowing better than most what would lie ahead, Jetté Knox searched for positive examples of marriages surviving transition. When she found no role models, she determined that her family would become one.The shift was challenging, but slowly the family members noticed that they were becoming happier and more united. Love Lives Here is a story of transition, frustration, support, acceptance, and, of course, love.

    Touch another person’s skin, and Dad’s gone for good. Caddie can’t stop thinking that if she keeps from touching another person’s skin, her parents might get back together... which is why she wears full-length gloves to school and covers every inch of her skin. It seems harmless at first, but Caddie’s obsession soon threatens her ambitions as an actress. She desperately wants to play Ophelia in her school’s production of Hamlet. But that would mean touching Peter, who’s auditioning for the title role—and kissing him. Part of Caddie would love nothing more than to kiss Peter—but the other part isn't sure she's brave enough to let herself fall. Perfect for fans of Laurie Halse Anderson, this debut novel from Rachel M. Wilson is a moving story of a talented girl who's fighting an increasingly severe anxiety disorder, and the friends and family who stand by her.

    She took a dream European vacation to push a restart button on her life, only to end up stranded in the airport. Her tour group is directed to temporary lodging in the castle--every girl's dream come true. When she meets a royal advisor with brooding eyes and broad shoulders, she's tempted to tear up her return ticket.Prince Matteo de Luca must announce his engagement at the Christmas Eve ball. There are several problems.1. The women his parents want him to marry is a troll.2. He doesn't want to get married at all.3. He's met an adorable American who makes him believe in things like love at first argument and the joy of Christmas.4. She doesn't know he's a prince.Pulled apart by centuries of tradition and loyalty to God and king, it's going to take more than a royal rebellion for these two to be together.Find out if Christmas truly is a season for miracles in this new holiday romance today!

     For Stacey May Fowles, the game of baseball is one of "long pauses punctuated by tiny miracles." In this entertaining and thoughtful book, Fowles gives us a refreshingly candid and personal perspective on subjects ranging from bat flips to bandwagoners, from the romance of spring training to the politics of booing, from the necessity of taking a hard look at players' injuries and mental health issues to finding solace at the ballpark. Fowles confronts head-on the stereotype that female fans lack real knowledge about the game, and also calls out the "boys will be boys" attitude and its implications both on and off the field. She also shares her reverence for the no-hitter, her memories of going to the ballpark with her dad, and the challenges of falling in love with someone who didn't like baseball. Throughout the book, she offers exhilarating snapshots of the Toronto Blue Jays' 2015 and 2016 seasons, and gathers a selection of inspiring "baseball life advice" quotes from players and others that provide unexpected insight into how we could all live better lives. With remarkable verve, intelligence, and an unabashed enthusiasm, Fowles explores how we can use the lens of baseball to examine who we are. And in this passionate ode to the game, its culture, and its community, she reminds us that although baseball can break your heart, it will always find a way to make it whole again.