It is a frosty April evening in occupied Belgium when a beautiful young woman finds herself on the run from the enemy. Also being pursued is Ned Scott, a British army major who has been badly injured. The pair find themselves at a hospital run by the famous Edith Cavell, who agrees to treat the major while offering them both refuge and a false identity - she names the young girl Anna.However it seems no one is safe, and as details of Anna's true identity emerge, the enemy's net tightens. Meanwhile, the major is torn between his desire to stand by brave Edith and the knowledge that he must escape.Closely watched wherever they go, is there anyone these three people can trust? And will love have the power to overcome the horrors of war?

    Tolkien assembled in this new paperback edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953.Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-Stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre.The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it A Secret Vice) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.

    In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. Marie, born the last in a long line of women warriors and crusaders, is determined to chart a bold new course for the women she now leads and protects. But in a world that is shifting and corroding in frightening ways, one that can never reconcile itself with her existence, will the sheer force of Marie's vision be bulwark enough?Equally alive to the sacred and the profane, Matrix gathers currents of violence, sensuality, and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith, and a woman that history moves both through and around. Lauren Groff's new novel, her first since Fates and Furies, is a defiant and timely exploration of the raw power of female creativity in a corrupted world.

    Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come. Edward, eager for rapture, frets over Florence’s response to his advances and nurses a private fear of failure, while Florence’s anxieties run deeper: she is overcome by sheer disgust at the idea of physical contact, but dreads disappointing her husband when they finally lie down together in the honeymoon suite. Ian McEwan has caught with understanding and compassion the innocence of Edward and Florence at a time when marriage was presumed to be the outward sign of maturity and independence. On Chesil Beach is another masterwork from McEwan—a story of lives transformed by a gesture not made or a word not spoken.

    In this eShort, readers can compare both versions of this iconic work of fiction, gaining insight into Carver’s aesthetic and the foundations of the contemporary American short story.

    But Rownt has problems of his own: a gang of child-thieves is terrorizing the quiet neighborhood in which he lives, and his neighbors want protection. Then the Fox, head of London’s criminal underworld, becomes involved, and a deadly situation becomes deadlier when one of the Fox’s men stabs the wrong boy. In a world where violence and theft seem everyday occurrences, Rownt searches for justice among A Parcel of Rogues.

    One night at a cocktail party Mary meets Frank Renzo, a reporter who has covered stories from the fall of Dienbienphu to the Emmett Till murder trial in Mississippi. Slowly, reluctantly, they fall in love. Their ensuing affair, in all its desperate elation, plays out against a backdrop that ranges from the jazz clubs of Greenwich Village to the smoke-filled rooms of the Kennedy campaign. A romance in the grand tradition that is also a neon-lit portrait of America at its apogee, On Green Dolphin Street is Sebastian Faulks at the peak of his powers.

    Now, in Mud and Stars, Wheeler takes us into the heart of Russia. Bypassing the major cities as much as possible, she instead goes to the places that produced Pushkin, Dostoevsky, Tolstoy, and other giants of Russia's Golden Age. We see the fabled Trigorskoye ("three hills") estate that Pushkin frequented during his exile, now preserved in his honor. We look for Dostoevsky along the waters of Lake Ilmen, site of the only house the restless writer ever owned. We pay tribute to the single stone that remains of Tolstoy's birthplace. The authors' lives and works are woven into Wheeler's descriptions of their historical homes, giving us full, rich portraits of the many diverse Russias from which these writers spoke. As Wheeler travels, she follows local guides, boards with families in modest homestays, eats roe and pelmeni and cabbage soup, invokes recipes from Mastering the Art of Soviet Cooking, learns the language, and observes the weighty pattern of outcry and silence that characterizes life under Putin. Illustrated with both historic images and contemporary snapshots of the people and places that shaped Wheeler's journey, Mud and Stars gives us timely, stunning, deeply personal and wickedly funny insight into a country that has become more important than ever.

    Early one autumn afternoon in pursuit of an elusive book on her shelves, Susan Hill encountered dozens of others that she had never read, or forgotten she owned, or wanted to read for a second time. The discovery inspired her to embark on a year-long voyage through her books, forsaking new purchases in order to get to know her own collection again. A book which is left on a shelf for a decade is a dead thing, but it is also a chrysalis, packed with the potential to burst into new life. Wandering through her house that day, Hill's eyes were opened to how much of that life was stored in her home, neglected for years. 'Howards End is on the Landing' charts the journey of one of the nation's most accomplished authors as she revisits the conversations, libraries and bookshelves of the past that have informed a lifetime of reading and writing.

    -- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    This book tells the dramatic story of an unlikely friendship between two women, Mariam and Laila, who are married to the same man. The story takes us through each of their lives before the Russians enter Afghanistan, into the horrible years of Taliban rule, and beyond. Watching these women grow in their relationship, we are given a picture of what it has meant to be a woman in Afghanistan during the last four decades. The novel lifts the veil of these women and shows the reader the female face of Afghanistan's population. Readers can use Bookclub-in-a-Box to unravel and be sensitive to the exceptionally difficult situation in Afghanistan today, to appreciate the intricate nature of human endurance, faith, hope and resilience, to explore the complex relationships of Afghanistan's sons and daughters to each other and to the world at large, and to find out what Hosseini and others envision for Afghanistan's future. Every Bookclub-in-a-Box discussion guide includes complete coverage of the themes and symbols, writing style and interesting background information on the novel and the author.

    Benson's edition of these important Middle English poems is here revised and updated by Professor Edward E. Foster, taking into account recent scholarship, to once again be available and accessible to students. The romances included here are two of the best, most significant Arthurian romances in Middle English, which complement each other in terms of style and content. While the Alliterative Morte Arthure belongs to the Alliterative Revival movement, replete with details of fourteenth century warfare, the Stanzaic Morte Arthur represents a briefer, quicker-paced, yet more sentimental English adaptation of the French Mort Artu. This edition-with contextualizing introductions, helpful glosses, plentiful notes, and useful glossary-comprises a great introduction to Middle English Arthuriana for students of the Middle Ages.

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    In the village of Aldwick on the Sussex coast, sixteen-year-old Hazel faces a long, dull summer with just her self-centred mother Francine for company. But then Francine decamps to London with her lover Charles, Oswald Mosley's Blackshirts arrive in Aldwick, and Hazel's summer suddenly becomes more interesting. She finds herself befriended by two very different people: Lucia, an upper-class Blackshirt, passionate about the cause; and Tom, a young working-class boy, increasingly scornful of Mosley's rhetoric. In the end, though, it is Tom who wins Hazel's heart – and Hazel who breaks his.Autumn 1936. Now living in London, Hazel has grown up fast over the past year. But an encounter with Tom sends her into freefall. He must never know why she cut off all contact last summer, betraying the promises they’d made. Yet Hazel isn't the only one with secrets. Nor is she the only one with reason to keep the two of them apart . . .

    He shares a book-laden Victorian house with his loving wife, Zipper. He owns two suits, one of which he was married in. He is a courageous eater, save brussels sprouts. His knowledge of wine is vague and best defined as Napa, good; Australian, better; French, better still. Kir royale is his drink of occasion. For an Englishman he makes a poor cup of tea. He believes women are quantifiably wiser than men, and would never give Zipper the slightest reason to mistrust him or question his love. Zipper simply describes Ambrose as the only man she has ever loved. Without adjustment.Then, just as he is turning fifty, Ambrose is told by his doctor that he has one month to live. Reeling from the news, he and Zipper embark on a whirlwind expedition to the places he has most loved or has always longed to visit, from A to Z, Amsterdam to Zanzibar. As they travel to Italian piazzas, Turkish baths, and other romantic destinations, all beautifully evoked by the author, Zipper struggles to deal with the grand unfairness of their circumstances as she buoys Ambrose with her gentle affection and humor. Meanwhile, Ambrose reflects on his life, one well lived, and comes to understand that death, like life, will be made bearable by the strength and grace of their devotion. Richardson’s lovely prose comes alive with an honesty and intensity that will leave you breathless and inspired by the simple beauty and power of love. The End of the Alphabet is a timeless, resonant exploration of the nature of love, loss, and life.