Inspector Tom Hatcher has faced a madman before, when he tracked down Montreal’s infamous Cannery Cannibal. But can even he stop the slaughter this time?   In Montreal exorcist Father Xavier visits an asylum where the Cannery Cannibal is imprisoned. But the killer who murdered thirteen women is more than just a madman who craves human meat. He is possessed by a shape-shifting demon. Inspector Hatcher and Father Xavier must unravel a mystery that has spanned centuries and confront a predator that has turned the frozen woods into a killing ground where evil has come to feed.

    And when Roscoe is blamed for the killing spree, he begins a heart-stopping race against time to thwart Peter's secret plan of manipulation, terror, and bloodlust. Because Peter has a secret--he's a vampire.

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    His wife, daughter, and son are stripped from him in a flash of lightning revealing something in the darkness with glowing eyes and a mouth of fire. On the brink of madness and past the point of breaking, he enters into a world of evil, wholly unlike our own. There he finds a hellish version of Earth, populated with unspeakable horrors and beset by a malevolence older than time itself. Joining forces with an unlikely trio, he must face his fears, both within and without, to find those that matter most to him and prevent the spreading of a shadow intent on the destruction of both realms.

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    Detective Jack Cardiff and his squad are about to discover the hell of Darkfall, where the impossible and the insane become all to real. Original.

    It's Zach's dream investigation- but there's a catch: the network forces Xavier Paranormal Investigators to partner with the more dramatic-but less ethical-Demon Hunters. Now, Zach must fight for both his show's integrity and his team's loyalty while trying to protect his own secret: that he, himself, is possessed.

    Is it his imagination? He's not sure.A few weeks later, in the nearby town of Cutter's Grove, Lucas is told about the mysterious disappearance of a girl that took place a year earlier. Shown her picture Lucas sees a beautiful child with long, shiny black hair and an angelic smile.She looks nothing like the ruined creature he saw in the desert.But there is absolutely no doubt in his mind ... it's her.Now he's faced with the problem of what to do with this knowledge. If he goes to the authorities and starts expounding about a ghost sighting he'll be locked up for sure, based on irrefutable evidence of insanity. It seems he has little choice - he has to try to determine the girl's fate on his own and, in the process, learn who might have been responsible.

    It took a desperate call from his mother to force him home to see his ailing father. As soon as he returned, Jess found himself embroiled in two suspicious deaths, emotional turmoil with his family, and a supernatural secret that involved them all—winding up in an unmarked grave in the middle of the Coachella Desert. In a tale that spreads from the California Desert to the jungles of Mexico and set in a town that time has practically forgotten, Descending Son is rooted in the sins of Jess’s past and a future that threatens his life. Sure, Jess can go home again, but there’s a heavy price to pay.

    Two young couples are on a lazy Mexican vacation–sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site . . . and the terrifying presence that lurks there.

    Her killer is rich and powerful, beyond the grasp of earthly law.Now, in the murky depths of the local river, a shifting, almost human shape slowly takes form. Night after night it will pursue the murderer. It will watch him from the trees. And in the chill waters of the river, it will claim him in the ultimate embrace.The cold moon rises, the awful squishing sounds begin...

    When a dangerous military experiment on England's Salisbury Plain goes fatally awry, the authorities hastily and secretly bury the bodies of a dozen soldiers and a few other victims. The body of one soldier, Steven, is supposedly returned to his parents, but the coffin is empty. Ten years later, Steven's still grieving father, Tom, locates the place of burial. But when Tom excavates the site, he discovers not his son's remains but the moldering corpse of a little girl animated by a peculiar form of life. Lots more nastiness follows. Fans who prefer their horror to have a sense of humanity should look elsewhere.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    The locals are weirdly obsessed with the film that put their town on the map--and there are strange disappearances, which the police seem determined to explain away.And there's someone--or some thing--stalking her every move.The more Lola discovers about the town, the more terrifying it becomes. Because Lola's got secrets of her own. And if she can't find a way out of Harrow Lake, they might just be the death of her.

    But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants... except for Audrey Lucas.No stranger to tragedy at thirty-two—a survivor of a fatherless childhood and a mother's hopeless dementia— Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her... and for the voice that demands that she build a door? A door it would be true madness to open...