Burns clones a plant full of Smitherses, and Homer contracts amnesia and thinks he is Radioactive Man. This is the eighth book in our comic book compilation series by Matt Groening. Here' s a look at the Simpsons' latest antics:#28: Come to the land ruled by the funniest man ever to secede from the United States for tax purposes: Krusty the Clown! See a page torn from our nation' s history and a new chapter taped in neatly so the pages don' t stick together!#29: Let' s get ready to Ruuuuuuuuuumble! Prepare yourself for a battle royale with cheese as Homer J. throws his fat into the ring in a quest to become the wrasslin' champeen of all Springfield!#30: Montgomery Burns has fired every one of his employees and has replaced them with clones of Waylon Smithers! Yet, it isn' t long before these Smitherses are at each others throats, throwing the plant into chaos as each vies to be the object of Burns' affections! Can the one, true Smithers save the plant before it' s torn apart by his neatly dressed, gene-spliced brethren?#31: Homer Simpson IS Radioactive Man! At least, that' s what he thinks after contracting a nasty case of amnesia en route to a costume party. This fusion delusion leads to confusion and forced seclusion in Springfield' s foremost mental institution!

    O, here comes another batch of goofy gags crammed with little frames showing the mishaps of Mr. i, who, no matter what he tries, always ends up killed, poor fellah. You gotta love him, he’s a walking disaster.

    From the witty, shameless writing to the amusing, colorful comic illustrations, MAD is a timeless American classic. For the first time ever, here is a “greatest hits” collection of one of MAD's most popular and prolific artists—Sergio Aragonés—hand-picked by the artist and featuring his greatest work from his debut with MAD in 1963 to the present. Assembled chronologically, it's packed with memorable cartoons, insightful interviews, new cover artwork commissioned for this book, and a special pull-out poster of Sergio's “Marginals,” the wildly popular mini-cartoons that have appeared in MAD's margins for over 40 years.

    Now, he takes the role of the eminent icon of caffeine culture in his new book; Too Much Coffee Man's Parade of Tirade. Fill your cup with dark satire and drink deep from these thoughtful, award-winning comics. Witness TMCM's secret origin! Marvel as our hero battles corporate oppression! Experience the anxiety of the author as he claws his way to the top! Gawk at Joel as he throws up on his girlfriend's door step! And revel in Too Much Coffee Man's wisdom; If you can't be happy naturally, be unnaturally happy.This book collects eight Too Much Coffee Man comic books and many newspaper strips, as well as new material. It's a complete book. All the characters are motivated. All the cliffhangers are resolved. All the plot threads are tied up. And all the jokes have punchlines.

    Her designs define the look of the wildly popular Netflix animated series Bojack Horseman. Her culinary-focused comics and illustrated essays in Lucky Peach magazine won her a James Beard Award.Now, Hot Dog Taste Test collects Hanawalt's devastatingly funny comics, gorgeous art, and screwball lists as she tucks into the pomposities of the foodie subculture. Hanawalt dismantles the notion of breakfast; says goodbye to New York through a street food smorgasbord; shadows chef Wylie Dufresne, samples all-you-can-eat buffets in Vegas; and crafts an eerie comic about being a horse lover yet an avid carnivore.Hot Dog Taste Test explodes with color, hilarity, charm, and, occasionally, reproductive organs. Lush full-spread paintings of birds getting their silly feet all over a kitchen, a fully imagined hot dog show (think Best in Show but with hot dogs), and a holiday feast gone awry are the creamy icing on this imaginative rainbow-colored cake. But Hanawalt's wit and heart extend far beyond gags--her insightful musings on popular culture, relationships, and the animal in all of us are as keen and funny as her watercolors are exquisite.

    A Far Side retrospective, celebrating its tenth anniversary.

    Anchored by the title story, considered the first apotheosis of Clowes' seminal Eightball underground comic book series, Caricature also includes eight other stories, including "Green Eyeliner," a six-page full-color short story originally published in Esquire as the first work of comics to be featured in the magazine's fiction issue (and commissioned by then-editor Dave Eggers). Also included are: a rare fully-painted short, "MCMLXVI," the full-color "Gold Mommy," "Glue Destiny," "Gynecology," "Immortal, Invisible," "Blue Italian Shit," "Like a Weed, Joe," "Black Satin," an all-new cover, and more.

    Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources—his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers—none of which has been available to the book trade.The book is designed as a "flip book" in the tradition of the old Ace paperbacks, with one side featuring comedic work (or as comedic as Hornschemeier's mind allows), and the other decidedly more morose. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities.On the "funny" menu, we are treated to Dr. Rodentia (an unfortunate-looking fellow with only apathy as his weapon), a detailed artist's catalogue exploring such modern masterpieces as "Accidental Late-Night Sex With a Radiator," musings on the cancerous nature of civilization as observed by a deceased cat and a cotton-based airbus, the scatological "Feelings Check," the ever pathetic Vanderbilt Millions and his fantasies of self-worth, and the multi-narrative story that started the Forlorn Funnies comics series: "The Men and Women of the Television."Clearly, there is a fine line in the Hornschemeier lexicon between funny and morose.On our "forlorn" plate we are served the cold examination of the dyslexic narcoleptic and his bungled plans of murder, a sea creature's balancing of morality and sustenance, the Western romance "Wanted," a metal man's self-destructive search for meaning, and the story the alternative website Ain't It Cool News describes as delivering "a complicated mixture of disgust and pity."Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.

    (As the title indicates, this volume favors Jason's pantomime works.) You Can't Get There From Here, the longest story of the book (and the only one to be printed in color well, a color), tells the tale of a love triangle involving Frankenstein, Frankenstein's Monster, and The Monster's Bride: Jason cleverly alternates between totally silent sequences involving the three characters and scenes in which Frankenstein's hunchbacked assistant discusses the day s events with a fellow hunchbacked assistant to another mad scientist. (You didn't know they had a union?) Tell Me Something is a brisk (271 panels), near-totally-silent (just a few intertitles) graphic novelette about love lost and found again, told with a tricky mixture of forward- and back-flashing narrative. Meow, Baby is a collection of Jason's short stories and gags, and finally, The Living and the Dead is a hilariously deadpan (and gory) take on the traditional Romero-style zombie thriller. All of these yarns star Jason's patented cast of tight-lipped (or -beaked) bird-, dog-, cat- and wolf-people, and show off his compassion and wry wit. Almost Silent is a perfect starting point for a new reader wanting to know what the fuss is all about, and a handsome, handy, inexpensive collection for the committed Jason fan.

    It now appears in 250 newspapers, including the Los Angeles Times, San Francisco Examiner, Chicago Tribune, Boston Globe, Detroit Free Press, Philadelphia Inquirer, and Seattle Times. Readers can't get enough of the goofy trio that populate this hilarious strip: Rob Wilco, the single, mild-mannered advertising executive, and his two rambunctious pets, Bucky, the sharp-fanged, self-absorbed cat, and Satchel, the easygoing mixed-breed dog who ends up on the receiving end of Bucky's mischief. The combination creates Get Fuzzy's astutely witty take on relationships between the species.Now, in a size and format that's perfect for die-hard fans and those looking for the perfect gift, I Would Have Bought You a Cat, But . . . will become the must-have little treasure for everyone who craves a bit more of the trademark Get Fuzzy foolishness, or just enjoys a good chuckle.

    Creator Lynn Johnston's commentary adds a behind-the-scenes element, as she describes some of her thoughts about the strip over the years.Author's web site: http://fbofw.com/

    Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    Beloved for the expressive scrawl of Gregory's line and her take-no-prisoners satirical approach, it was particularly notable for introducing the world to Bitchy Bitch—a woman who is eternally, magnificently, and for the most part, quite justifiably pissed off at the world around her! This extra-thick volume collects the entire first half of the Bitchy Bitch saga, and it ranges widely in her eventful life. There are stories about Bitchy's travails as a little girl (when she was just "Bitsy Bitch"), including that greatest horror of all, the holidays; a long sequence about her hippie free-love days in the '70s (and the harrowing abortion that followed); tales of her miserable days as an office drone surrounded by dunces, lechers, and the occasional ultra-Christian maniac; and the hilarious full-length graphic novel "Bitchy Takes a Vacation," where a tropical getaway turns into a fiasco (romanic and otherwise) of epic proportions. The book will also feature a brand new full-length story that chronicles the (never before shown) death of Bitchy's tempestuous father (well, she had to get that temper from somewhere), as Gregory once again finds the humor in even the grimmest situation. If anger is an energy, as Johnny Rotten once said, then Life's a Bitch is a 240-page slab of caffeinated fury... but laugh-out-loud funny!

    This commemorative issue features their creation, history and illustrious late creator, Prohias. Illustrations.

    Cannon's internationally popular strip features a disturbing and sidesplitting cast of characters that includes latex-clad fathers, sadistic milkmen, vomiting robots, malformed neighbors, incontinent interdimensional beings, decomposing clowns, and dozens of other bizarre Red Meat denziens who will keep you laughing until it hurts. Pure Gold!