But twenty-one-year-old Saffron Sinclair feels she has no choice but to take the place of her beautiful and timid sister and present herself to the lumberjack instead. Her hope is that he’ll find her undesirable on sight – with her tattoos and the red streaks in her black hair – and send her back home. She’d cite the no refund clause and everything would be fine.But, when Saffron arrives at the mansion in the forest, she discovers there’s not only one but three dangerously gorgeous lumberjacks. Worse, they have no plans to return her, and walking away would mean giving them their money back.Prepared to see this through for her family’s sake, Saffron stays and is determined to remain unscathed. Except their shameless examinations and their bold and intimate methods of discipline shatter her boundaries, leaving her curiously aroused and desperately craving more…A Baby for the Mountain MenShe was promised to the mysterious mountain men in order to have their baby. Now they’re ready to collect their reward.Twenty-one-year-old Soraya has lived almost her whole life under the shadow of being promised to the mysterious men in the mountain – a deal struck in return for saving her father’s life. Now the time to present herself at their door has arrived.For Soraya, this means going from the sheltered, friendless, cruel and unloving care of her grandmother to an equally daunting and strange situation in the eerie mansion hidden deep in the dark mountain. There are rumored to be hideous monsters gracing the dilapidated castle-like house, but nothing prepares Soraya for when she meets the three men determined to extract their repayment in full.For the sake of her father, she’ll pay the debt, then she’ll start living the life she was meant to live…A Baby for the BratvaThe Bychkov Bratva need an heir. Now.They wanted a woman quickly, so they chose a home where no one would ask questions. Instead, they got twenty-one-year-old American, Starla Anderson. When the Russian Mafia invades the orphanage where she lives, in the middle of the night, throwing the nuns who raised her into a petrified frenzy, it’s Starla who is chosen as the only one who could possibly survive the Bratva and their demands.In spite of her own fear of the three massive, glowering and scary men, Starla has to think and act fast. With her heart thundering in her chest, her body on fire at their mere presence, she sees an opportunity, something that might help the other girls at the impoverished home get a chance of a better life. She lays out her only condition: her body for a fee…Except… No one says no to the Bratva.

    The Devil and Dr. Barnes traces the near-mythical journey of a man who was born into poverty, amassed a fortune through the promotion of a popular medicine, and acquired the premier private collection of works by such masters as Renoir, Matisse, Cézanne, and Picasso. Ostentatiously turning his back on the art establishment, Barnes challenged the aesthetic sensibilities of an uninitiated, often resistant and scoffing, American audience. In particular, he championed Matisse, Soutine, and Modigliani when they were obscure or in difficult straits. Analyzing what he saw as the formal relationships underlying all art, linking the old and the new, Barnes applied these principles in a rigorous course of study offered at his Merion foundation. Barnes's own mordant words, culled from the copious printed record, animate the narrative throughout, as do accounts of his associations with notables of the era--Gertrude and Leo Stein, Bertrand Russell, and John Dewey among them--many of whom he alienated with his appetite for passionate, public feuds. In this rounded portrait, Albert Barnes emerges as a complex, flawed man, who--blessed with an astute eye for greatness--has left us an incomparable treasure, gathered in one place and unforgettable to all who have seen it.

    His painting Net of Being--inspired by a blazing vision of an infinite grid of Godheads during an ayahuasca journey--has reached millions as the cover and interior of the band TOOL’s Grammy award–winning triple-platinum album, 10,000 Days. Net of Being is one of many images Grey has created that have resulted in a chain reaction of uses--from apparel and jewelry to tattoos and music videos--embedding these iconic works into our culture’s living Net of Being. The book explores how the mystical experience expressed in Alex Grey’s work opens a new understanding of our shared consciousness and unveils the deep influence art can have on cultural evolution. The narrative progresses through a successive expansion of identity--from the self, to self and beloved, to self and community, world spirit, and cosmic consciousness, where bodies are transparent to galactic energies. Presenting over 200 images, including many never-before-reproduced paintings as well as masterworks such as St. Albert and the LSD Revelation Revolution and Godself, the book also documents performance art, live-painting on stage throughout the world, and the “social sculpture” called CoSM, Chapel of Sacred Mirrors, that Grey cofounded with his wife and creative collaborator, artist Allyson Grey.

    Book of the Sandman, The: and the Alphabet of Sleep, by Huygen, Wil