In short, this book indexes virtually every "Doctor Who" event worth noting - starting at the beginning of time and running through to the universe's end. This guide is the vastly updated and revised successor to Parkin's hugely acclaimed "A History of the Universe" (1996), and contains more than double the material of the original. All told, "AHistory" incorporates: More than four decades of the "Doctor Who" TV show, including the 2007 series starring David Tennant; all original "Doctor Who" novels up through "Wooden Heart"; all "Doctor Who" novellas from Telos and all "Doctor Who" audios from Big Finish up through "The Wishing Beast." This Second Edition of "AHistory" also includes all Torchwood episodes and novels, plus the "Doctor Who Magazine" comic strip that's been running since 1979.

    Wenders brings to this collection of photographic essays the same literary and cinematic talents, the same command of the art of storytelling that we find in his films. In the tradition of "Paris, Texas" and "Faraway, So Close," the texts and pictures in "Once" weave ambiguous and moving narratives in fits of rhythmic prose and inventive imagery. Prefaced by Wenders' poetic meditations on the metaphysics of photography and film, "Once" consists of short, autobiographical sketches relating Wenders' experiences-both meaningful and apparently trivial-on his trips across the world scouting locations for his films, as well as photographs taken during these excursions. The resulting book is at once travel diary, photo album, and a series of short films or short stories-revealing the views and sentiments of an auteur inspired by the poetry of the eye and the melody of speech. Fascinating and revelatory, "Once" gives us a unique look at the universe Wenders has created out of the hidden pieces of everyday life.

    The series is written and show-run by Neil himself and stars David Tennant, Michael Sheen, Jon Hamm and Miranda Richardson, to name but a few.**Includes an introduction by Neil Gaiman about bringing GOOD OMENS to the screen**In 1990, dream literary collaborators Terry Pratchett and Neil Gaiman published 'the funniest book they could write' about the end of the world. Now, Neil Gaiman reinvents their groundbreaking classic for 2019 with his original shooting scripts from the show, and gives readers a unique insight into his adaptation and vision for translating this iconic novel to the screen in an introductory essay.This all-new take on a tale about representatives of good and evil who join forces to prevent the coming apocalypse (which is scheduled to happen on a Saturday, just after tea) will be a joy for fans and new readers alike.

    Even though the ’80s are over, Jack Burton, the goofball action hero, continues to be a timeless treasure. This is the sequel to John Carpenter’s cult classic that I’ve been waiting for.

    Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    It also includes a six-page introduction by Simak, and a three-page bibliography of his science fiction books. The book is edited by Angus Wells.Contents:1. A Death in the House2. Day of Truce 3. Final Gentleman4. Madness from Mars5. Shotgun Cure6. Small Deer7. Sunspot Purge8. The Autumn Land9. The Sitters10. The Thing in the Stone

    J. “Jesse” Prieo, a small town Deputy Sheriff, led a life of comfort with a loving family by his side. All that changed in an instant when genetically engineered creatures were set loose on an unsuspecting world. The creatures, terrifyingly similar to velociraptors, were cynically designed to remove humanity's surplus numbers. The situation soon spiraled out of control, and these 'Raptors' quickly became the new apex predator. In this lawless new world 'Justice' has become a forgotten term. Small pockets of civilization remain, but they are few and far between. Most are run by those ruthless enough and mad enough to claw their way to the top. Jesse Prieo still holds on to a personal code. He is not a ruthless man. He is not interested in gaining power. But he will do whatever it takes to lay his ghosts to rest and bring justice to the world. Helped by Cory Melkin, a former radical; Evelyn Phelps, a woman of many hidden talents; and Kate, a lost child who knows more than she is saying, Jesse must survive long enough to uncover the dark secrets that led to The Raptor Apocalypse and prevent the extinction of the human race. “Mad Max meets I Am Legend meets Jurassic Park meets Robert McCammon on speed.” — Harry F. Kane, Goodreads. “This was an unexpected good find.” — Kim Venatries, Amazon. “Loved every horrifying moment.” — K. Blakely, Goodreads. “This was a well written, fast pace, roller coaster of mayhem and emotion.” — Kkline, Amazon. “If you want a believable post-apocalyptic world, this is it.” — Garrett Robinson, Amazon. “It is a dangerous place with real consequences for the characters. They never feel safe. Not everyone is going to survive.” — Carl Sinclair, Amazon.

    A high school rebel, Rant Casey escapes from his small town home for the big city where he becomes the leader of an urban demolition derby called Party Crashing. Rant Casey will die a spectacular highway death, after which his friends gather the testimony needed to build an oral history of his short, violent life.

    What would Terry Gilliam’s Watchmen have been like, and how did Darren Aronofsky almost end up directing the movie? Why was Nicolas Cage paid $20 million for not playing Superman?Also covered are Steven Spielberg’s Night Skies, Stanley Kubrick’s Childhood’s End, Philip Kaufman’s Star Trek: Planet of the Titans, Kevin Smith’s Six Million Dollar Man, Tim Burton’s Superman Lives and James Cameron’s Alien 5!

    Emily Morrison undertakes a controversial drug study over protests from fringe groups and even some colleagues. Soon she’s facing death threats and a letter bomb that maims her secretary. Then a young coed suddenly dies after taking the experimental medication. Emily figures out what killed the girl—not the study drug but DIFP, a toxic chemical from her lab. A diabetic, Emily discovers the same toxin in her insulin. But when the police find a bottle of DIFP in Emily’s office, she suddenly changes from victim to suspect.Then a professional killer comes after her, and he eliminates anyone who gets in the way. Emily knows she must confront this stalker on her terms, but she’ll have to do it without help, using only the element of surprise. And that’s just her first step in uncovering the truth – she needs to find out who hired the killer before someone else tries to finish what he started."An intriguing thriller set against a backdrop of clinical drug tests and medical research." — Kirkus Reviews

    This work also covers various political and social subtexts of the movies.

    Visit to a Small Planet was first presented on February 7, 1957 at the Booth Theatre, New York City.The action of the play takes place in the house of Roger Spelding outside Manassas, Virginia.The time is next summer.Act IEarly evening of a summer's day.Act IIScene 1: The next morning.Scene 2: That evening.Act IIIAn hour later.

    

    Over the course of his career, he has remained true to a vision of the innocent lost in darkness and confusion, balancing hallucination and surrealism with a sense of Americana that is as pure and simple as his compelling storylines. In this volume, Lynch speaks openly about his films as well as about his lifelong commitment to painting, his work in photography, his television projects, and his musical collaborations with Angelo Badalamenti.

    With new entries on several films, it also revisits, revises and expands the commentary on every film in the 1982 and 1986 two-volume edition. In addition to a detailed plot synopsis, cast and credit listings, and an overview of each film's critical reception, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making, often drawing on remarks by the filmmakers that have emerged in the quarter century since the original edition. The book is arranged by film title, contains 273 photographs (many rare, some in color), has seven useful appendices, and concludes with an enormous index.