A novel mingling mysticism, madness, sadistic cruelty and nascent sexuality, it gives a scathing insight into the effects of forced vocations and the unnatural life of the convent. A succès de scandale at the end of the eighteenth century, it has attracted and unsettled readers ever since. For Diderot's novel is not simply a story of a young girl with a bad habit; it is also a powerfully emblematic fable about oppression and intolerance.This new translation includes Diderot's all-important prefatory material, which he placed, disconcertingly, at the end of the novel, and which turns what otherwise seems like an exercise in realism into what is now regarded as a masterpiece of proto-modernist fiction.

    In my case, blinking my left eyelid is my only means of communication.’In December 1995, Jean-Dominique Bauby, editor-in-chief of French ‘Elle’ and the father of two young children, suffered a massive stroke and found himself paralysed and speechless, but entirely conscious, trapped by what doctors call ‘locked-in syndrome’. Using his only functioning muscle – his left eyelid – he began dictating this remarkable story, painstakingly spelling it out letter by letter.His book offers a haunting, harrowing look inside the cruel prison of locked-in syndrome, but it is also a triumph of the human spirit.

    It is the tale of how one newly takes on the world, having lived in the midst of corpses strewn about in the scores of thousands, and how one can possibly resume life in the aftermath of such experiences. It is the story of the child who decides, upon growing up, that the only career that makes sense for him in light of these years of horror is to become someone sensitive to the deepest flaws of humanity, a teacher of God’s role in history amidst the traditions that attempt to understand it—and to become a rabbi. Readers will not emerge unscathed from this searing work, written by a distinguished, Boston-based rabbi and academic.

    On its first publication, the reviewer of Books observed: "It is impossible not to admire this painter as writer ... (Dalí) succeeds in doing exactly what he sets out to do ... communicates the snobbishness, self-adoration, comedy, seriousness, fanaticism, in short the concept of life and the total picture of himself he sets out to portray." Superbly illustrated with over eighty photographs of Dalí and his works, and scores of Dalí drawings and sketches.

    Haunted by the crimes in which he'd participated, the soldier wanted to confess to--& obtain absolution from--a Jew. Faced with the choice between compassion & justice, silence & truth, Wiesenthal said nothing. But even years after the war had ended, he wondered: Had he done the right thing? What would you have done in his place?In this important book, 53 distinguished men & women respond to Wiesenthal's questions. They are theologians, political leaders, writers, jurists, psychiatrists, human rights activists, Holocaust survivors & victims of attempted genocides in Bosnia, Cambodia, China & Tibet. Their responses, as varied as their experiences of the world, remind us that Wiesenthal's questions are not limited to events of the past. Often surprising, always thought provoking, The Sunflower will challenge you to define your beliefs about justice, compassion & responsibility.

    Perfect for fans of THE TATTOOIST OF AUSCHWITZ, THE VOLUNTEER and THE LIBRARIAN OF AUSCHWITZ. _______________________________ Against all odds, love will lead them home.Shurka, her husband and their two small children never thought the war would reach their remote Polish village. They were wrong. Forced to flee their family home, they find shelter with their fellow Jews in the ghetto - but every night more and more people disappear, taken away on trucks to never be seen again. As terrible rumours of extermination camps swirl, Shurka realises that the longer they stay in the ghetto, the lower their chances of survival.Their best hope is to flee into the Polish forest, where Jewish resistance fighters hold out against Nazi search parties. Their new life is precarious in the extreme - and will test them more than they ever thought possible... Even in the dark, hope can be found. _______________________________ Surviving The War is the international Amazon bestselling survival and holocaust story, based on an incredible true story and previously published as Surviving The Forest. It has been translated into English from the original Hebrew.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    During the second world war Eric Lomax was forced to work on the notorious Burma-Siam Railway and was tortured by the Japanese for making a crude radio.Left emotionally scarred and unable to form normal relationships Lomax suffered for years until, with the help of his wife Patti and the Medical Foundation for the Care of Victims of Torture, he came to terms with what had happened and, fifty years after the terrible events, was able to meet one of his tormentors.The Railway Man is an incredible story of innocence betrayed, and of survival and courage in the face of horror.

    His struggle to survive a war he scarcely comprehends is rendered in the urgent, beautifully spare, memorable prose of a born storyteller.

    It was August 3, 1943, just one day after Sam escaped the Camp during a prisoner uprising. With 870,000 murdered at Treblinka, Sam was one of approximately 65 to survive and live until the end of the war. Esther had been hiding in that patch of forest for a year and was out that morning, looking for mushrooms to eat. They met and after hearing of the prisoner revolt, she took him to the Righteous Gentiles who, at great danger to themselves, hid them in their barn for three days while the Nazis, Ukrainians and Poles scoured the area looking for escapees. Deciding to stay and hide with Esther, they dug a forest pit where they “lived” when it was not freezing. They subsisted in the pit and the barns – hungry, cold, and scared – for another year until they were liberated by the Red Army in July of 1944. This is only one piece of their harrowing story of survival. This book tells the story of Sam and Esther, Holocaust survivors, who lost their entire families because of Hitler’s Final Solution. After four years in Displaced Person’s Camps, they arrived in New York Harbor to build a new life. The author, Karen Treiger, is Sam and Esther’s daughter-in-law, and with in-depth research and a bit of luck was able to find the three surviving children of the Styś families – those Righteous Gentiles who helped Sam and Esther during that dark time. She and her family traveled to Poland to walk in Sam and Esther’s footsteps and to meet the Styś children. It was intensely emotional, and the family heard some of what Sam and Esther lived through from those who helped them survive. Also, with the help of a Polish Priest, she was able to locate and meet a Goldberg cousin they never knew they had. My Soul is Filled with Joy: A Holocaust Story brings to life the horror of the Nazis’ actions and the toll that it exacted on so many Jewish families. This is also a story of hope, love and determination; of a family rediscovering the path taken by their parents to find life and freedom in a new world. Sam and Esther’s story is one of love and the will to live no matter what they had to endure. It reminds us that we are still learning the lessons of the Holocaust. TRIBUTES “Karen has written a powerful and personal account of Sam and Esther Goldberg. This book is a must read for those interested in the greatest crime in the history of mankind.” Chris Webb, Author/Historian, Founder of the Holocaust Historical Society,br> “It is vital that this book—as well as other accounts of the Holocaust— be preserved and disseminated widely to future generations to help prevent anything similar from ever happening again.”Marion Blumenthal Lazan, Holocaust Survivor and Co-Author, Four Perfect Pebbles“One can only bow one’s head, out of an unutterable gratitude, to the author for her contribution to the sacred narrative of our people. I call this book sacred, for (as with all forms of scripture) it tells not only what happened - but how to live in light of the story.”Rabbi Yitz Greenberg, President Emeritus, CLAL: The National Jewish Center for Learning and Leadership; chairman, the United States Holocaust Memorial Council, 2000-2002. “We are haunted by the question of inexplicable evil. If you want to be inspired in spite of the horrors one human being can do to another human being, read this book.

    But his subject seems more interested in finding out about Robert's past than he does in revealing his own. For years, Robert has refused to discuss his past. After the war ended, he refused to go to reunions, believing in some way that denying the killing and the deaths of his friends and fellow soldiers would mean he wouldn't be defined by the experience. Suddenly, he can't keep the memories from overtaking him. But can he trust his memories and can we believe what other people tell us about theirs?Moving between the present and past, between France and Italy, New York and London, this is a powerful story about love and war, memory and desire, the relationship between the body and the mind. Compelling and full of suspense, Where My Heart Used to Beat is a tender, brutal and thoughtful portrait of a man and a century, which asks whether, given the carnage we've witnessed and inflicted over the past one hundred years, people can ever be the same.

    Hugo's epic follows three protagonists through this tumultuous year: the noble royalist de Lantenac; Gauvain, who embodies a benevolent and romantic vision of the Republic; and Cimourdain, whose principles are altogether more robespierrean.The conflict of values culminates in a dramatic climax on the scaffold.

    With only their bare hands and the crudest of homemade tools, they sank shafts, forged passports, faked weapons, and tailored German uniforms and civilian clothes. They developed a fantastic security system to protect themselves from German surveillance.It was a split-second operation as delicate and as deadly as a time bomb. It demanded the concentrated devotion and vigilance of more than six hundred men—every one of them, every minute, every hour, every day and night for more than a year.Made into the classic 1963 war film of the same name starring Steve McQueen, James Garner, and Richard Attenborough.

    . . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different—“girlish,” intellectually precocious, and attracted to other men.Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result—a critical and popular triumph—has made him the most celebrated French writer of his generation.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.