Salik was taken prisoner by the Indian forces after the fall of Dhaka and remained a prisoner of war until 1973. His was the first detailed account of the war to appear from Pakistan after the separation of the eastern wing. This authoritative, dispassionate narrative, firmly anchored in fact, sets the scene with a comprehensive overview of the political turbulence of the period and goes on to offer a detailed account of the war.

    This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.

    The Cold War is in full swing. Richard Brodick decides to follow in his father’s footsteps and seeks an exciting role in what used to be called the Great Game, only to find that it turns out to be less of an adventure and more brutal betrayal.What he had thought would be an adventure spying on the Soviets and their Afghan communist allies turns sour when he’s ordered to kill his best friend. Will he betray his country or his friend? Which side will he choose?

    With the intimacy and good humor available only to the most fearless and open-eyed reporters, Schmidle narrates what was arguably the most turbulent period of Pakistan’s recent history, a time when President Pervez Musharraf lost his power and the Taliban found theirs, and when Americans began to realize that Pakistan’s fate is inextricably linked with our own.In February 2006 Schmidle had traveled to Pakistan hoping to learn about the place dubbed “the most dangerous country in the world.” It was while there that he befriended a radical cleric (who became an enemy of the state and was killed), came to crave the smell of tear gas (because it assured him that he was sufficiently close to the action), and in the end, was deported by the Pakistani authorities, managed to get back into the country, and was chased out a second time.

    

    If she didn’t marry the man her parents had chosen for her, they would lose everything. Nandini wasn’t willing to sacrifice her life for the sake of paying her father’s gambling debts. And the groom, while handsome and very successful, was not the kind her parents would ever pick under ideal circumstances. In fact, he would be the most unsuitable groom since he didn't have a long line of royal ancestors like Nandini's family. But something about the groom’s proposal touched Nandini's heart. Will Nandini agree to marry the man her parents had picked? Find out in—The Proposal Note: This is a fictional short story with an approximate length of 4500 words or 25 pages. It is a lighthearted and clean romance that is meant for entertainment purposes only.

    He connects with the richness of the Urdu language, observes the syncretic evolution of mystical Islam in India and its deep connections with Hindustani classical music – so much a part of his own selfhood. And every so often, he returns to the refuge of Hazrat Nizamuddin Auliya, the twelfth-century pir, whose dargah still reverberates with music and prayer every evening.His wanderings through Delhi lead Raza back in time to recollections of a long-forgotten Hindu ancestry and to comparisons with his own city of Lahore – in many ways a mirror image of Delhi. They also lead to reflections on the nature of the modern city, the inherent conflict between the native and the immigrant and, inevitably, to an inquiry into his own identity as a South Asian Muslim.Rich with history and anecdote, and conversations with Dilliwalas known and unknown,Delhi By Heart offers an unusual perspective and unexpected insights into the political and cultural capital of India.About the AuthorRaza Rumi is an international development professional based in Lahore. He has worked for national and international organizations such as the United Nations and the Asian Development Bank. He also edits and writes for the Friday Times and contributes to leading national dailies in Pakistan and abroad. He blogs at Jahane Rumi, a website devoted to Sufism and the arts and cultures of South Asia.

    

    It is also the most violent. Since the mid-1980s, it has endured endemic political conflict and criminal violence, which revolve around control of the city and its resources (votes, landand bhatta-protection money). These struggles for the city have become ethnicized. Karachi, often referred to as a Pakistan in miniature, has become increasingly fragmented, socially as well as territorially.Despite this chronic state of urban political warfare, Karachi is the cornerstone of the economy of Pakistan. Gayer's book is an attempt to elucidate this conundrum. Against journalistic accounts describing Karachi as chaotic and ungovernable, he argues that there is indeed order of a kind in thecity's permanent civil war. Far from being entropic, Karachi's polity is predicated upon organisational, interpretative and pragmatic routines that have made violence manageable for its populations. Whether such ordered disorder is viable in the long term remains to be seen, but for now Karachiworks despite-and sometimes through-violence.

    Elegantly weaving together different voices into a striking portrait of a city and its people, The Scatter Here Is Too Great is a tale as vibrant and varied in its characters, passions, and idiosyncrasies as the city itself.

    Set in modern-day Islambad, Pakistan, the book depicts an extraordinary child who enables her mother, Sajida, and her grandfather, Ali, to confront the pasts they have chosen to suppress. Through Noor's artwork, her family members are transported through their haunted memories of the 1970 cyclone that claimed the lives of a million people and the violent atrocities of the 1971 conflict between East and West Pakistan that eventually created the independent country of Bangladesh. As Noor's drawings bring to life sights, sounds, smells, and sensations from the past, her family is forced to admit of the betrayals and disillusionments that they thought had been buried with time. Moving, heartbreaking, and unsettling by turns, Noor is a novel about the horrors of war, the power of forgiveness, and, most important, the strength of the human spirit.

    Bhutto's political rise and fall were so meteoric that his name became a legend in the land he once ruled. Indeed, a full decade after his execution his continuing popularity ensured the election of his daughter, Benazir, to the premier position he once held. As she campaigned in Sind and Punjab, the crowds cried "Jiye Bhutto "--"Bhutto Lives "--and the Bhutto they meant was Zulfi. Zulfi Bhutto of Pakistan tells the story of this remarkable life in a vivid, insightful narrative. Written by Stanley Wolpert, a leading authority on South Asia and the author of the acclaimed biography Jinnah of Pakistan, the volume traces the life of this remarkable figure from the colorful days of his feudal ancestors to his imprisonment and hanging at the hands of a military dictatorship.Bhutto, Wolpert writes, was a charismatic and contradictory man, a microcosmic reflection of Pakistan itself--a nation born out of division with India which later fell victim to its own internal split with the creation of Bangladesh. Wolpert follows him from his privileged youth in British-ruled India, to his years as a student at USC and UC Berkeley (where he sported a thin moustache, shiny two-tone shoes, and proved a keen, if rakish, fraternity brother), to Oxford and back to Pakistan. Bhutto climbed to the heights of power with amazing swiftness, winning a seat in the central Cabinet of Pakistan at the unprecedented age of thirty. Wolpert weaves Pakistan's turbulent politics and repeated wars with India together with Bhutto's ambitious maneuvering, tracing his rise to Foreign Minister, the founding of his own political movement, and finally leadership of the nation. The story of Bhutto's sometimes brilliant, sometimes quixotic career is a fascinating one, and Wolpert tells it well, through Bhutto's triumphant years in the mid-1970s, the military coup in 1977, and his treacherous imprisonment and execution in 1979. Like the nation he embodied, Bhutto led a sprawling, ambitious, and tragic existence. Wolpert's intensively researched, engagingly written account captures the scheming, the grandeur, and the contradictions of one of modern history's most fascinating figures.

    His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world's pulse. How to Get Filthy Rich in Rising Asia meets that reputation, and exceeds it. the astonishing and riveting tale of a man's journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over "rising Asia." It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else, on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along. How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hopes it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.

    But Ruttie was just sixteen and her outraged father forbade the match. But when Ruttie turned eighteen, they married and Bombay society, its riches and sophistication notwithstanding, was scandalized. Everyone sided with the Petits and Ruttie and Jinnah were ostracized. It was an unlikely union that few thought would last. But Jinnah, in his undemonstrative, reserved way was unmistakably devoted to his beautiful, wayward child-bride—as proud of her fashionable dressing as he was of her intelligence, her wide reading and her fierce commitment to the nationalist struggle. Ruttie, on her part, worshipped him and could tease and cajole the famously unbending Jinnah, whom so many people found intimidating and distant. But as the tumultuous political events increasingly absorbed him, Ruttie felt isolated and alone, cut off from her family, friends and community. The unremitting effort of submitting her personality to Jinnah’s, his frequent coldness, his preoccupation with politics and the law, took its toll. Ruttie died at twenty-nine, leaving her daughter, Dina and her inconsolable husband, who never married again. Sheela Reddy, well-known journalist and former books editor of Outlook magazine, uses never-before-seen personal letters of Ruttie and her close friends as well as accounts left by contemporaries and friends to portray this marriage that convulsed Indian society, with a sympathetic, discerning eye. A product of intensive and meticulous research in Delhi, Bombay and Karachi and based on first-person accounts and sources, Reddy brings the solitary, misunderstood Jinnah and the lonely, wistful Ruttie to life. A must-read for all those interested in politics, history and the power of an unforgettable love story.

    The phenomenon of prostitution coupled with music and dance performances had ancient roots in South Asia. Regardless of the stigma attached to prostitution, it has given birth for centuries to many well known performing artists. The book paints a more realistic picture of the phenomenon through the stories of the people living there: the musicians, the prostitutes, and their pimps, managers and customers.