P. Lovecraft, this stylish new collection of adventure stories fizzes with wit and invention. They can be enjoyed separately, but read them in one sitting and the pieces fit horribly together into a larger and more terrible nightmare. †These tales constitute David Hambling’s initial foray into the realm of Lovecraftian fiction. The fertility of imagination, the crisp character delineations, and the smooth-flowing prose that we find in these seven tales leave us wishing for more of the same, and Hambling will no doubt oblige in the coming years. For now, we can sit back and relish a brace of stories that not only evoke the shade of the dreamer from Providence, but which that dreamer himself would have enjoyed to the full. —S. T. Joshi(from his foreword)

    But he's keeping a secret that may unlock a darker destiny. FINAL REPORT “Entry One has been breached. Time to get this show on the road. They have no idea the kind of Hell I've prepared for them. May God have mercy on my soul.” MY FATHER’S SON A Delta Green agent with a mysterious past may learn more than he ever wanted to know when his current case leads where he never dared to go. THE DARK ABOVE In the face of madness and horror, two lonely Delta Green agents reach out to each other. Can they really afford such fragile bonds when the secrets of the night surf roll in? THE RULES OF ENGAGEMENT An agent’s disappearance pulls a Delta Green team into a vortex of horror in this novel of personal apocalypse. The secrets they uncover threaten to ignite a war between the Delta Green conspiracy and its bitterest enemy, Majestic-12 — secrets buried within time itself. Foreword by Kenneth Hite.

    Somerset Maugham; Ring Lardner; Ivan Bunin; Saki (H.H. Munro); W.W. Jacobs; O. Henry; Anton P. Chekhov; Robert Louis Stevenson; Guy de Maupassant; Anatole France; Mark Twain; Bret Harte; Leo N. Tolstoi; Edgar Allan Poe; Honoré de Balzac

    Here's what you'll find in this issue:"Jenny's House" is a great place to play, but an unexpected playmate makes for a dark session of show-and-tell.Three kids seek to steal from a traveling carnival and get more than they bargained for in "A Lullaby for Caliban"In "The Last Nephew", Nephew yearns to be free of Uncle's depredations, but when Uncle leaves his pocket watch behind one night, it gives him the key to his escape.Crossing "The Cornfield" is harrowing on the best of winter nights, but this night, Jack turns to see eyes in the darkness, and knows that something is following him...In "The Ginger Men", mother is baking a special ingredient into a treat for father, an ingredient that gives her pie dough a life of its own. Featuring stories by Ada Hoffmann, Julie Jansen, Mark Onspaugh, Mike Trier, and Elizabeth Twist.Be sure to check out the other volumes in this ongoing anthology series, and watch for new volumes coming soon!

    See far-flung worlds, they said. Meet interesting creatures, and kill them all. Soldiers fighting aliens in unforgiving landscapes, where every breath could be their last. Featuring stories by Weston Ochse, Mike Resnick, and others. From near-future to far-future, featuring some of the best writers working in the field today.

    Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author. The hardcover, a Multimedia Bundle Edition, includes the e-book and audiobook editions as downloadable bonus content.Excerpt from Introduction:"When the first Conan of Cimmeria story appeared in the pages of Weird Tales magazine in December 1932, nothing quite like it had ever before appeared in print.Author Robert E. Howard had been writing stories broadly similar to it for half a decade; but it was with Conan, and the Hyborian Age storyworld in which he was placed, that Howard finally fully doped out the sub-genre that would become known as “sword and sorcery,” of which Howard is today considered the founding father."Conan’s origins date back to an experiment in 1926 titled “The Shadow Kingdom,” featuring the character Kull, exile of Atlantis. The idea — Howard’s great innovation — was, at its core, historical fiction set in a pre-historical period. That pre-historical period — being, of course, lost in the mists of time — could contain anything Howard might like to include: evil races of sentient snake-things, sorcerers, undead creatures, demons walking upon the earth, anything."In other words, Howard was creating a secular mythology."And as with any mythology, secular or no, there would be a hero, a Ulysses or a Theseus, an exceptional man of legend striding through that myth-world, sword in hand, righting wrongs and slaying supernatural monsters and, along the way, providing metaphorical insight onto his world and ours."At the same time, he was finding success with another historical-fiction-fusion innovation: The grim, savage English Puritan Solomon Kane. Kane’s world was the skull-strewn chaos of Europe and north Africa during the Thirty Years War, in the early 1600s. Little enough is known about specific events during that dark time that it was possible to take historical liberties with it as a storyworld, so that it could accommodate dark magic, walking skeletons, vampires, magic staffs, and, of course, N’Longa the witch-doctor."Howard quickly realized he was onto something with Solomon Kane. The first Solomon Kane story, “Red Shadows,” appeared in August 1928 in Weird Tales, and readers loved it. Here was a dark, brooding world of menace and witchcraft connected pseudo-genealogically to their own. It was easy for readers to “take the ride” — to suspend their disbelief and envision Kane’s adventures as a part of the real world."But, perhaps the connection with the real world was too close. The countries of 1630s Europe are well known; the causes of the conflict fully understood. There was only so much Howard could do in Solomon Kane’s world. Moreover, Solomon Kane is just a hard character to root for. Unlike Kull, he is, not to put too fine a point on it, really not a sane man."So it makes perfect sense that after the shadowy, prehistoric world of Kull and the dark, necromantic world of Solomon Kane, Howard would combine these two precursors to develop a world that was far enough into the distant past to be free of actual historical constraints — like Kull’s — yet close enough to the present to still exist as echoes and legends in the world’s mythologies."And so Howard created The Hyborian Age, circa 10,000 B.C. And to play the role of our avatar as we explore this shadowy, almost-historical  world, he gave us Conan the Cimmerian - to tread the jeweled thrones of the Earth under his sandalled feet."

    * New Edition. * Includes a new translation of 'Fotikchand'.

    Reading it is like attending a late night secret banquet where you know each course will serve up something unexpected, forbidden and unforgettably chilling. Take your private seat now for 50 luscious courses of terror, from 50 of the strongest voices in modern horror.

    But Button was only dimly aware of the sounds. Her consciousness had shrunk down to focus on the body that was blocking her hole— —and the warm, thick liquid that was dripping onto her hand.” Button is an 11 year old, bubbly and intelligent girl who is haunted in her dreams by a tapping sound… Living with her mother and father in Cottsborough, Vermont, Button had been trained to hide and not ever answer to her secret name, ‘Rachel’. One day, two men arrive at Button’s family home searching for her by this secret name. Refusing to give Button up, things turn violent and the men shoot her father dead. Through a narrow crack in the floor boards, Button bears witness to the murder. Eluding the two men who tried to catch her, Button uses her wits to navigate herself from Vermont to Boston and then to New York. Button has a plan to find her uncle Dromkin. When her search seems hopeless, Button is taken in by a resident of her uncle’s apartment building, Phil, who claims he can help. But when they find Dromkin sprawled on the floor with his throat cut, Button is convinced she is somehow the cause of these family murders... Will Phil be able to keep her identity hidden long enough for her to find out the truth? Praise for Michael Kurland: "A perfect tale of childhood terror." - Tom Kasey Michael Kurland grew up in New York City, attended Columbia University, spent four years in the Army, much of it in Europe, and now lives in California with his partner, novelist Linda Robertson, a dog, a cat, and an occasional visiting family of raccoons. He has been a teacher of obscure subjects to disinterested children, the editor of a magazine even more idiosyncratic than himself, a seeker of absent persons, a magical explainer, and guest lecturer at numerous unrelated events. Kurland has written a dozen or so science fiction novels, a brace of mysteries, and several books that fit into that tenuous genre known as “mainstream.” He has been nominated for an Edgar (twice) and for the American Book Award. His books have been translated into eleven other languages. His other novel with Venture Press is Psi Hunt.

    

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

     THE STICK WOMAN - Priscilla has been held hostage, physically mutilated, and fed feces for years. And her situation is about to get much, much worse. SHIT-HOUSE - How bad is the world around you? How much worse could it get? How far would you go to fix it? THE USHERS - They are always there - somewhere in the background and just out of sight. A force of violence and lust. They are the ushers... THE SEA-SLOP THING - June needs a new job - and she's found it, along with something from the deepest depths of the sea.

    From exploring an empty house with dreadful secrets to the account of an eccentric children’s ayah and from vengeful animals carrying a spirit to a bunch of anxious children in a stark landscape—these are some of the most interesting stories about the supernatural. Selected and compiled by Ruskin Bond, this collection includes stories by authors like Rudyard Kipling, Algernon Blackwood, R.L. Stevenson and Alice Perrin, among others.

    Borderlands is about breaking the mold and pushing the genre and its finest writers to the edge. Hailed as the anthology series of the 90s, Borderlands will remind you that horror can indeed be horrific. Read about a farmer who disdains his wife for a giant potato...women's clothing made from fetal tissue..an executive who slowly slips into the reality he sells...and more.CONTENTS'Introduction' -- Thomas F. Monteleone"The Calling" -- David B. Silva"Scartaris, June 28th" -- Harlan Ellison"Glass Eyes" -- Nancy Holder"The Grass of Remembrance" -- John DeChancie"On the Nightmare Express" -- Francis J. Malozzo"The Pounding Room" -- Bentley Little"Peeling It Off" -- Darrell Schweitzer"The Raw and the Cooked" -- Michael Green"His Mouth Will Taste of Wormwood" -- Poppy Z. Brite"Oh What a Swell Guy Am I" -- Jeffrey Osier"Delia and the Dinner Party" -- John Shirley"Suicide Note" -- Lee Moler"Stillborn" -- Nina Kiriki Hoffman"Ladder" -- T.E.D. Klein"Muscae Volitantes" -- Chet Williamson"The Man in the Long Black Sedan" -- Ed Gorman"His Frozen Heart" -- Jack Hunter Daves Jr."Evelyn Grace" -- Thomas Tessier"By The Light of the Silvery Moon" -- Les Daniels"A Younger Woman" -- John Maclay"But You'll Never Follow Me" -- Karl Edward Wagner"Stephen" -- Elizabeth Massie"Alexandra" -- Charles L. Grant"The Good Book" -- G. Wayne Miller"By Bizarre Hands" -- Joe R. Lansdale

    Rocky is a large man suffering from gigantism, and Twig is a foul-mouthed and perverted midget. Separately, they had always been mistreated and bullied, but together, they are unstoppable, unleashing sadistic and barbaric acts of violence on the assholes of society.Warning! This is an extreme-horror/ splatterpunk story that contains adult content, including, but not limited to: profanity, sexuality, brutality and obscenities. If you’re not a seasoned extreme-horror reader, it’s highly advised not to embark on this journey. It will save you distress and me a negative review.