Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.

    Soon a couple of friends join in, and the operation proceeds smoothly up until they quit, vowing to take the secret to their graves. A month later, a phone call at 4 in the morning tells Alvin that the police are on their way.At once a workplace novel and a meditation on history and globalization, The Quiet Ones is a grimly humorous take on a soul-sapping, multi-billion-dollar industry. In interlocking narratives, it explores lives rendered mute by irate callers, scripted apologies, and life’s menial violence, but which manage to talk back every now and then, just as long as the Mute button is firmly pressed.Winner, 2017 Palanca Grand PrizeWinner, 37th National Book Award

    This book of poetry contains musings on: adventure, anniversaries, the beach, breakfast, childhood, clouds, constellations, courage, delayed gratifications, dragonflies, eating alone, falling in love, first dates, frenemies, goodbyes, growing up, half-truths, heartbreak, holding hands, homecomings, insecurities that follow you around, the internet, jealousy, kisses, marshmallows, memory, mornings, mortality, newsletters, opposites, paper cuts, pixie dust, plane crashes, popularity, queues, rain, report cards, room service, science, a sea of coffee, shipwrecks, sick days, souvenirs, space, tattoos, tense lunches with mom, trains, travel, waiting, weekends, white dresses, yoga

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    Caleb is suffering from schizoaffective disorder, and Paul, who is about to start on his first office job in a long while, wants to make sure his brother takes his medication on time. Lillian, at first hesitant, accepts the job for the pay and the perks, but soon starts to wonder about the brothers she is working for. How come she can’t find any information online about the drugs Caleb is taking? And how come the national central database lists them as dead?

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    In this collection, Hidalgo returns to the writing of the realistic short story while remaining true to the style of the travel essays, which some critics believe to be her most inspired work.

    His first play, it was written in 1958 and completed in just three weeks. The play explores themes of isolation, loneliness, miscommunication as anathematization, social disparity and dehumanization in a materialistic world.

    Plus the portrait of a hip chick from then Swinging London as she discourses indelicately on a most delicate topic: the Filipino as Lover.

    Inspire action. Encourage thought. They're also full of sarcastic one-liners, biting wit, and colorful cuss words. Compiled from various events to which Lourd De Veyra - journalist, writer, singer, and blogger - has been invited to speak, some of these 25 speeches may read like an uncontrolled stream of consciousness, and some are precisely written pieces with astute observations about life, work, and the world we live in. But all of them will make you want to keep reading.BONUS! Two new speeches by the Lourd himself, just for this book:Sermon sa Mga FashyownPangks Nat Die: Sa Mga Punks ng Pilipinas

    The son of a legendary fisherman has to give up his studies and start supporting his family following his father’s accident. This kind of sacrifice is a universal problem faced by many children who are forced into child labor because of financial needs. It also tells the struggles of the son as he tries to establish his own identity and get out of his father’s shadow.

    A horribly deformed young man, who has been a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor, who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.

    Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    The third book of the "hardcore" and multiple Palanca winning novelist and short story writer Norman Wilwayco.This book could be downloaded for free in the author's official blog, http://absurdrepublic.blogspot.com

    As Hagedorn points out in her insightful introduction, Manila is a city burdened with a violent and painful past, with a long heritage of foreign occupation. The specters of WWII (during which the city suffered from U.S. saturation bombing), and the oppressive 20-year reign of dictator Ferdinand Marcos live on in recent memory. The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants."--Publishers Weekly (starred review)"This Southeast sampler is unique, possessing an overall gritty tone. Each slice of supernatural splendor pulls the reader in with their nontraditional heroes…Ultimately, readers get a strong taste of the real Manila and all her dark secrets, wanting more of while being slightly afraid of what she might do next. Manila is the perfect place for noir scenes to occur, and it is easy to get sucked into its deadly nightshade of doom."--Criminal Class PressBrand-new stories by: Lourd De Veyra, Gina Apostol, Budjette Tan and Kajo Baldisimo, F.H. Batacan, Jose Dalisay Jr., Eric Gamalinda, Jessica Hagedorn, Angelo Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio.Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.From the Introduction by Jessica Hagedorn:Manila is not for the faint of heart. Built on water and reclaimed land, it’s an intense, congested, teeming megalopolis, the vital core of an urban network of sixteen cities and one municipality collectively known as Metro Manila. Population: over ten million and growing by the minute. Climate: tropical. Which means hot, humid, prone to torrential monsoon rains of biblical proportions.I think of Manila as the ultimate femme fatale. Complicated and mysterious, with a tainted, painful past. She’s been invaded, plundered, raped, and pillaged, colonized for four hundred years by Spain and fifty years by the US, bombed and pretty much decimated by Japanese and American forces during an epic, month-long battle in 1945.Yet somehow, and with no thanks to the corrupt politicians, the crime syndicates, and the indifferent rich who rule the roost, Manila bounces back. The people’s ability to endure, adapt, and forgive never ceases to amaze, whether it’s about rebuilding from the latest round of catastrophic flooding, or rebuilding from the ashes of a horrific world war, or the ashes of the brutal, twenty-year dictatorship of Ferdinand Marcos . . .Many years have passed since the end of the Marcos dictatorship. People are free to write and say what they want, yet nothing is different. The poor are still poor, the rich are still rich, and overseas workers toil in faraway places like Saudi Arabia, Israel, Germany, and Finland. Glaring inequities are a source of dark humor to many Filipinos, but really—just another day in the life . . .Writers from the Americas and Europe are known for a certain style of noir fiction, but the rest of the world approaches the crime story from a culturally unique perspective. In Manila Noir we find that the genre is flexible enough to incorporate flamboyant emotion and the supernatural, along with the usual elements noir fans have come to expect: moody atmospherics, terse dialogue, sudden violence, mordant humor, a fatalist vision.