When she was just five years old, Emma and her older sister went into foster care because of a horrific incident with their mother. Her sister can remember a time when their mother was loving and “normal,” but Emma can only remember her as one thing—a monster. And that monster emerged right around their mother’s fortieth birthday, the same age Emma is approaching now.Emma desperately wants to keep her successful life separate from her past, so she has always hidden her childhood trauma. But then she’s unable to sleep, and now losing time during the day, also one of the first symptoms her mother showed. Is the madness in her blood, just as her mother predicted? Could she end up hurting her family in her foggy, frenetic state? Or is she truly beginning to lose her mind?

    The preacher that rid her of evil didn’t understand that her demon—simply known as Her—was like a sister to Clare. Now, Clare will do almost anything to get Her back. After a chance encounter with the son of the preacher who exorcised her, Clare goes on an adventure through the dark underbelly of her small Southern town, discovering its deep-seated occult roots. As she searches for Her, she must question the fine lines between good and evil, love and hate, and religion and free will. Vivid and sharp, The Good Demon tells the unusual story of friendship amid dark Gothic horror.

    He buys stolen police files on serial killers, and uses them to find and dig up missing bodies. Calls in the results anonymously, taunting the police for their failure to do their job.Detective Sandra Whittal takes that a little personally. She’s suspicious of the mysterious caller, who she names the Finder. Maybe he’s the one leaving the bodies behind. If not, who’s to say he won’t start soon?As Whittal begins to zero in on the Finder, Martin makes a shocking discovery. It seems someone—someone lethal—is very unhappy about the bodies he’s been digging up.Hunted by a cop, hunted by a killer. To escape and keep his family safe, Martin may have to go deeper into the world of murder than he ever imagined.

    So when he’s promised exclusive access to notorious cult leader and death row inmate Jeffrey Halcomb, the opportunity is too good to pass up. Lucas leaves New York for the scene of the crime—a split-level farmhouse on the gray-sanded beach of Washington State—a house whose foundation is steeped in the blood of Halcomb’s diviners; runaways who, thirty years prior, were drawn to his message of family, unity, and unconditional love. Lucas wants to tell the real story of Halcomb’s faithful departed, but when Halcomb goes back on his promise of granting Lucas exclusive information on the case, he’s left to put the story together on his own. Except he is not alone. For Jeffrey Halcomb promised his devout eternal life…and within these walls, they’re far from dead.

    Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, an adult Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma. With little to lose and still grieving after a personal tragedy, Clare returns to her roots to uncover the darkness responsible for Abby’s accident.

    She knows the rhythms of hard work and harder seas. But when she experiences the sudden death of her father, the veil between the living and the dead blurs and she begins to be haunted by a girl on a nearby, uninhabited island. The girl floats a song over the waves, and it is as beautiful as it is terrifying. Familiar and distant.Then Rilla meets Sam, a University of Southern Maine archeology student tasked with excavating the very island where the ghostly girl has appeared. Sam sifts the earth looking for the cultural remains of an island people who were forcibly evicted by the state nearly a hundred years ago. Sam tells Rilla the island has a history no locals talk about—if they know about it at all—due to the shame the events brought to the working waterfront community. All Rilla knows for sure is that the island has always been there—an eerie presence anchored in the stormy sea. Now Sam’s work and the ghostly girl’s song lure Rilla to the island’s shores.As Rilla helps Sam to unearth the island’s many secrets, Rilla’s visions grow—until the two discover a tragedy kept silent for years. And it’s a tragedy that has everything to do with Rilla’s past.

    In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and New Age mantra they know by heart.Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beach-side paradise, threatening to erupt. As small disturbances escalate into outright horror, Remy and Alicia tumble into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what “self-actualization” looks like?Part millennial social comedy, part psychedelic horror, and all wildly entertaining, A Touch of Jen is a sly, unflinching examination of the hidden drives that lurk just outside the frame of our carefully curated selves.

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    When she finds a bruised, deaf boy hiding inside one of the rooms, she vows to lead him to safety . . . only to discover the front doors are now padlocked, and her friends are nowhere to be found. Kaylee is about to learn that not everything that goes "bump in the night" is imaginary, and sometimes there are worse things to fear than ghosts.

    There's a place for the girls whom no one wants--the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming--until one of them mysteriously disappears. . . . Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case.When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past--and a voice that won't be silenced. . . .

    Christopher Kellan spends his days at Loveland Psychiatric Hospital, overseeing a unit known as Alpha Twelve, home to the most deranged and psychotic killers imaginable. His newest patient, Donny Ray Smith, is accused of murdering ten young girls and making their bodies disappear. But during his first encounter with Donny, Christopher finds something else unsettling: the man looks familiar.The killer with a secret…Donny Ray knows things about Christopher—things he couldn’t have possibly learned at Loveland. As the psychologist delves deeper into the mysterious patient’s case, Christopher’s life whirls out of control. The contours of his mind are rapidly losing shape, and his grasp on reality is slipping even faster. Is he going mad, or is that what Donny Ray wants him to think?The terror that binds them…In this taut psychological thriller from Andrew E. Kaufman, bestselling author of The Lion, the Lamb, the Hunted, a tormented man must face his fear and enter the mind of a killer to find the truth…even if it costs him his sanity.

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.

    Sara, who knows no one in Northern Ireland, is jobless, carless, friendless—all but a prisoner in her own house. When a blood-soaked old woman beats on the door, insisting the house is hers before being bundled back to her care facility, Sara begins to understand the house has a terrible history her husband never intended for her to discover. Through the counterpoint voices of two women—one modern Englishwoman, one Northern Irish farmgirl speaking from half a century earlier—Stuart Neville offers a chilling and gorgeous portrait of violence and resilience in this truly haunting narrative.

    So do the landlord and his daughter…Ever since Lucy was two, she’s been on the run alongside her mother. She’s never understood the reason for a lifetime of paranoia, aliases, and lies. All she understands are the rules: never lock eyes with strangers, never let down your guard, and always be ready to move on.Finally, after thirteen years and eleven states, their next hideaway seems perfect. An isolated, fortresslike place in the New Hampshire woods is the new home they share with its owner, a gentlemanly pianist, and his lonely daughter, Gretchen. She’s Lucy’s age and soon becomes Lucy’s first real friend.But Gretchen and her father have secrets of their own—and an obsession with puzzles that draws Lucy into a terrifying new game of hide-and-seek. Lucy’s dark past is about to come calling. And this time, for her and her mother in the house on the hill, it might be too late to run.