In his verse he sought to express 'not only what the experience felt like, but also a sense of living, with comprehension, inside the experience'. WINNER OF THE FIRST EUROPEAN TRANSLATION PRIZE

    Drawing on the black feminist tradition, including Audre Lourde’s invitation to use the erotic as power and Toni Cade Bambara’s exhortation that we make the revolution irresistible, the contributors to this volume take up the challenge to rethink the ground rules of activism. Writers including Cara Page of the Astraea Lesbian Foundation For Justice, Sonya Renee Taylor, founder of This Body Is Not an Apology, and author Alexis Pauline Gumbs cover a wide array of subjects— from sex work to climate change, from race and gender to sex and drugs—creating new narratives about how politics can feel good and how what feels good always has a complex politics of its own.Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!

    Included is a critical introduction, an account of variants, and an essay setting the context for the poem. Completely revised, updated edition of this now classic survey.

    As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.

    The wildly inventive imagery in these cinematic pieces lodges them somewhere between the surreal and the pure symbol, colorful and smooth like the lyrics of John Ashbery or Linda Pastan. In Chelotti’s poems, diamonds talk and sheriffs balance frogs on the tips of pens.The rain says, Listen to Debussy,go ahead, Debussy will fix you.—From “Migraine Cure”The secret to including everythingis to intricately divide your mindand then, all of a sudden,undivide it.—From “Still Life on a Scrolling Background”

    Published in France in 1970 (Gallimard), Eden, Eden, Eden was immediately banned and remained a proscribed text for the next 11 years. The orginal edition featured a preface by Michel Leiris, Roland Barthes and Philippe Sollers.Set in a polluted and apocalyptic zone of the Algerian desert in a time of civil warfare, this delirious, lacerating novel brings scenes of brutal carnage into intimate collision with relentless acts of prostitutional sex and humiliation.

    Few writers in poetry or prose have attained the lucid intelligence and limpid economy of style that are the trademarks of his work. His wry humor, gentle skepticism, and perpetual sense of history's dark possibilities have earned him a devoted international following. This collection, gracefully translated by Clare Cavanagh, finds the poet returning to the themes that have defined his career—moving meditations on place, language, and history. Unseen Hand is a luminous meeting of art and everyday life.

    Visual Poetry. Long-cherished in out-of-print editions, anthologies and text books, and more recently celebrated on the internet, Aram Saroyan's groundbreaking concrete and minimalist poems of the 1960s are gathered together here in a single, much-needed volume. COMPLETE MINIMAL POEMS includes the entire contents of Aram Saroyan (Random House, 1968), Pages (Random House, 1969), The Rest (Telegraph, 1971), as well as Saroyan's contribution, "Electric Poems," to the anthology All Stars (Goliard-Grossman, 1972), and a sequence, "Short Poems," which hasn't appeared previously. With ties to the work of such writers and artists as e.e. cummings, Andy Warhol, Gertrude Stein, Donald Judd, Ian Hamilton Finlay and Steve Reich, COMPLETE MINIMAL POEMS confirms Aram Saroyan's place among the most daring and engaging figures in modern poetry.

    She was busy training to be a psychologist. Then came Sammy - a mischievous and extremely loud bright pink Moluccan cockatoo who had been abandoned. It was love at first sight. But Sammy needed a companion. Enter Mango, lover of humans ("Hewwo"), inveterate thief of precious objects. Realizing that there were many parrots in need of new homes, Dr. Lindner eventually founded a sanctuary for them.Meanwhile, she began to meet homeless veterans on the streets of Los Angeles. Before long she was a full time advocate for these former service members, who were often suffering from Post-Traumatic Stress Disorder (PTSD) and finding it hard to navigate the large VA Healthcare System Ultimately, Dr. Lindner created a program for them, too.Eventually the two parts of her life came together when she founded Serenity Park, a unique sanctuary on the grounds of the Greater Los Angeles Veterans Administration Healthcare Center. She had noticed that the veterans she treated as a clinical psychologist and the parrots she had taken in as a rescuer quickly formed bonds. Men and women who had been silent in therapy would share their stories and their feelings more easily with animals. Now wounded warriors and wounded parrots find a path of healing together. Birds of a Feather is ultimately a love story between veterans and the birds they nurse back to health and between Dr. Lindner and her husband, a veteran with PTSD, who healed at Serenity Park. Full of remarkable people and colorful birds, this book reminds us that we all have the power to make a difference.

    The new version adds two sequences--"Give Me Back My Rage" and "Heaven's Ring"--as well as some previously unpublished sections of the justly famous series, "The Little Box." Simic and Popa are a perfect match. A book for surrealists, mythographers, postmodernists, scientists, and lovers of poetry and games. Winner of the PEN Translation Prize.

    Her poems are sculptures pieced together from bits of memory and a montage of American detritus. This cinematic and wildly original collection asks the big questions as it documents our private selves, playing out our lives in public.Before becoming a poet, Brenda Coultas was a farmer, a carny, a taffy maker, a park ranger, a waitress in a disco ballroom, and the second woman welder in Firestone Steel’s history. Her poetry has appeared in numerous publications, including Conjunctions, Epoch, Fence, and Open City. She lives one block from the Bowery in New York City.

    Knowing the Germans could invade their quiet home the resident children of Guernsey are evacuated. Among them are Amelia Ashton, and her older sister Evelyn.The promise to stay safe.Forced onto the boat by her older sister, seventeen-year-old Amelia Ashton arrives in Weymouth with hundreds of other children. Although she is placed with a kind and loving foster family in Derbyshire, her world is torn apart. With all her communication cut off from her family, and the boys at school joining to fight in the war, Amelia struggles with her own desire to help. On a whim, she lies about her age and boards a train headed to volunteer with the Woman’s Land Army. Finding solace in the work of farm life, she reconnects with William, a young man from Derbyshire, and who doesn’t waste any time asking for her hand in marriage. Can Amelia start a new life without looking over her shoulder at what she left behind in Guernsey or will the war change everything?The promise to survive.Fearing for her parents’ lives, nineteen-year-old, Evelyn Ashton stays behind, living through the German occupation plaguing her once beautiful home—the island of Guernsey. Living under German rule, the residents find a new meaning of desperation and despair, trying to survive on rations and evade the threats of being sent off to a death camp. After her parents die in a bombing, Evelyn is left alone to fend for herself against her enemy, and when German soldiers take over her house, she seeks refuge in the only family she believes she has left—Henry—the man once interested in her sister. Can they find comfort in each other or will the occupation claim not only their love but also their lives?Two sisters. Two promises. One bloody war that changes their lives forever.

    At the same time as climate change has assumed this status, it has become a topic more likely to be included in a church sermon. Indeed, while once considered the concern of scientific institutions, climate change is now increasingly incorporated into faith-based initiatives with even Pope Francis weighing in, issuing an encyclical on the subject as explained in chapter 16 by Paul Driessen. There are those who believe Pope Francis, and admire another climate change exponent, Al Gore – who marketed An Inconvenient Truth with comment, ‘the fact of global warming is not in question’ and that ‘its consequences for the world we live in will be disastrous if left unchecked’. And then there are the die-hard sceptics who dare to doubt. Many claim that these climate sceptics and their support base have an undue political influence, successfully thwarting attempts to implement necessary public policy change. This book is a collection of chapters by so-called climate sceptics. Each writer was asked to write on an aspect of the topic in which they are considered to have some expertise. None of them deny that climate change is real, but instead, they point out how extremely complex the topic of Earth’s climate is, with some of the contributors also querying the, often generally accepted, solutions. As you will see, this is not a book with just one message, except perhaps that there is a need for more scrutiny of the data, and of our own prejudices. This book’s reason for being is to give pause for thought, and to throw some alternative ideas and considerations into the mix.

    Hailed as “an essential book for those seeking self-love,” this heartfelt anthology lends voice to the heartbreak and healing of our soul’s quest to reunite with whom we always hoped we could be—ourselves.

    Impelled by metaphor and lilting repetition, Mulberry seeks a sense of the world, and ultimately, finds a sense of the Infinite. Affording continual discoveries, Mulberry is a major work for the new century by an assured and lavishly gifted poet. Dan Beachy-Quick is the author of North True South Bright and Spell, He is chair of the MFA Writing Program at the School of the Art Institute of Chicago and recipient of a Lannan Foundation Residency.