James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    A 1930s Soviet censor painstakingly corrects offending photographs, deep underneath Leningrad, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners who settled their Siberian mining town. Two pairs of brothers share a fierce, protective love. Young men across the former USSR face violence at home and in the military. And great sacrifices are made in the name of an oil landscape unremarkable except for the almost incomprehensibly peaceful past it depicts. In stunning prose, with rich character portraits and a sense of history reverberating into the present, The Tsar of Love and Techno is a captivating work from one of our greatest new talents.The leopard --Granddaughters --The Grozny Tourist Bureau --A prisoner of the Caucasus --The tsar of love and techno --Wolf of White Forest --Palace of the people --A temporary exhibition --The end

    . . A man reading a mystery finds out too late that he is the murderer's victim . . . In the fifteen stories collected here—including "Blow-Up," which was the basis for Michelangelo Antonioni's film of the same name—Julio Cortazar explores the boundary where the everyday meets the mysterious, perhaps even the terrible.Axolotl House taken over Distances Idol of the Cyclades Letter to a young lady in Paris Yellow flower Continuity of parks Night face up Bestiary Gates of heaven Blow-up End of the game At your service Pursuer Secret weapons.

    A woman flees the scene of her husband's heart attack, leaving her entire past behind her. Striving to master colour and line, a painter discovers the resolution to his artistic problems when a beautiful and magical water snake appears in his pool. And a wealthy Englishwoman gradually loses her identity while wandering through a shopping mall. Elegantly crafted and suffused with boundless wisdom, these bewitching tales are a testament to a writer at the height of her powers.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition--and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    This mesmerizing collection features all of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon award finalists), “All the Flavors” (Nebula award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards).A must-have for every science fiction and fantasy fan, this beautiful book is an anthology to savor.

    The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.Birdsong / Chimamanda Ngozi Adichie --The warm fuzzies / Chris Adrian --Second Lives / Daniel Alarcón --The train of their departure / David Bezmozgis --The Erlking / Sarah Shun-lien Bynum --The pilot / Joshua Ferris --Here we aren't, so quickly / Jonathan Safran Foer --An arranged marriage / Nell Freudenberger --The entire northern side was covered with fire / Rivka Galchen --The young painters / Nicole Krauss --The science of flight / Yiyun Li --An honest exit / Dinaw Mengestu --What you do out here, when you're alone / Philipp Meyer --Twins / C.E. Morgan --Blue water djinn / Téa Obreht --Dayward / ZZ Packer --The dredgeman's revelation / Karen Russell --The kid / Salvatore Scibona --Lenny hearts Eunice / Gary Shteyngart --The landlord / Wells Tower

    In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?