There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    She becomes gradually more obsessed with the case, never imagining how close she herself is to danger. Includes an extract from Karin Slaughter’s gripping new novel, Pretty Girls.

    Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark, is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

    Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date.Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley. But the house is all they have, and Ree's father would never forfeit it to the bond company unless something awful happened. With two young brothers depending on her and a mother who's entered a kind of second childhood, Ree knows she has to bring her father back, dead or alive, or else see her family turned out into the unforgiving cold.Sixteen-year-old Ree, who has grown up in the harsh poverty of the Ozarks, learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. She perseveres past obstacles of every kind and finally confronts the top figures in the family's hierarchy.Along the way to a shocking revelation, Ree discovers unexpected depths in herself and in a family network that protects its own at any cost.

    That is, his specialty is opening safes. Every job is a little mystery, and he has yet to encounter a lock he can't break or a box he can't crack. But the day Holloway gets called in to open a rare, antique safe in a famous author's library, his skills open a door that should have remained closed.In this haunting and singular story, previously published anonymously, Michael Connelly proves once again that he is "superb at building suspense.... the reader can never be sure what sudden turns the plot may take" (Wall Street Journal).

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    According to their father, it's the devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot and they can't resist cooling off in the dark, bottomless water. Until the day six-year-old Pansy disappears. Not drowned, not lost . . . simply gone.After years with no sign, no hope of ever finding Pansy alive, Bert and Willet have tried to move on. But as surely as their mother died of a broken heart, they can't let go. So when clues surface drawing them to the remote tip of Florida, they drop everything and drive south. Deep in the murky depths of the Florida Everglades they may find the answer to Pansy's mysterious disappearance . . . but truth, like the past, is sometimes better left where it lies.Perfect for fans of Flannery O'Connor and Dorothy Allison, The Past Is Never is an atmospheric, haunting story of myths, legends, and the good and evil we carry in our hearts.

    His father runs a methodically organized meth ring, with local authorities on the dime to turn a blind eye to his dealings. Having dropped out of high school and cut himself off from his peers, Jacob has been working for this father for years, all on the promise that his payday will come eventually. The only joy he finds comes from reuniting with Maggie, his first love, and a girl clearly bound for bigger and better things than their hardscrabble town.Jacob has always been resigned to play the cards that were dealt him, but when a fatal mistake changes everything, he’s faced with a choice: stay and appease his father, or leave the mountains with the girl he loves. In a place where blood is thicker than water and hope takes a back seat to fate, Jacob wonders if he can muster the strength to rise above the only life he’s ever known.A Finalist for the Edgar Award for Best First Novel In the country-noir tradition of Winter's Bone meets 'Breaking Bad,' a savage and beautiful story of a young man seeking redemption.

    He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary—perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.More bears are killed on the preserve and Rice’s obsession with catching the poachers escalates, leading to hostile altercations with the locals and attention from both the law and Rice’s employers. Partnering with his predecessor, a scientist who hopes to continue her research on the preserve, Rice puts into motion a plan that could expose the poachers but risks revealing his own whereabouts to the dangerous people he was running from in the first place.James McLaughlin expertly brings the beauty and danger of Appalachia to life. The result is an elemental, slow burn of a novel—one that will haunt you long after you turn the final page.

    . .In the dark shadows of a sultry southern town, a serial killer strikes. It's an act of sinister precision that has happened many times before. . .every victim an offering to a hunger that can never be sated. . .Night After Night. . .The next morning, Caitlyn Montgomery Bandeaux wakes covered in blood. But Caitlyn has no memory of the night before, when her estranged husband was brutally murdered like so many others she has known. . . After Night. . .Wanted by the police and haunted by horrifying, fragmented memories, Caitlyn turns to Adam Hunt, the town's new psychologist. But how far can she really trust him? For as a twisted killer strikes again and again, Caitlyn's about to discover that those who appear the most innocent are usually the most evil. . .

    Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters–old men, witches, and families among them–who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairy tale while exploring the classic Southern themes of good and evil.

    Scarclaw Fell. The body of teenager Tom Jeffries is found at an Outward Bound center. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who embarked on that fateful trip, and the flimsy testimony of those living nearby. 2017. Enter elusive investigative journalist Scott King, whose podcast examinations of complicated cases have rivaled the success of Serial, with his concealed identity making him a cult internet figure. In a series of six interviews, King attempts to work out how the dynamics of a group of idle teenagers conspired with the sinister legends surrounding the fell to result in Jeffries’ mysterious death. As every interview unveils a new revelation, you’ll be forced to work out for yourself how Tom Jeffries died, and who is telling the truth.

    A long short story featuring Penn and Tom Cage that fills in a critical period in their past, one that helps to set up the action in the coming trilogy, Natchez Burning, The Bone Tree and Unwritten Laws.