All of Shakespeare's works are included here: (11 tragedies, 12 comedies, 10 histories, and 4 romances), plus his poetry. The Tragedies include Antony And Cleopatra, Hamlet, Coriolanus, Julius Caesar, King Lear, Macbeth, Othello, Romeo And Juliet, Timon Of Athens, Titus Andronicus, and Troilus And Cressida. The comedies are All's Well That Ends Well, As You Like It, The Comedy Of Errors, Love's Labour's Lost, Measure For Measure, The Merchant Of Venice, The Merry Wives Of Windsor, A Midsummer Night's Dream, Much Ado About Nothing, The Taming Of The Shrew, Twelfth Night, and The Two Gentlemen Of Verona. Histories are King John, king Richard II, king Henry IV part 1, King Henry IV, part 2, King Henry VI part 1, King Henry VI, part 3, King Richard III and King Henry VIII. Romances include Cymbeline, Pericles, Prince of Tyre, The Tempest, and The Winter’s Tale. Poetry includes Sonnets, A Lover’s Complaint, The Passionate Pilgrim, The Phoenix and The Turtle, The Rape of Lucrece, and Venus and Adonis.

    side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    She wrote about the world that she knew, bringing the idiom of the middle class to Urdu prose, and totally transformed the complexion of Urdu fiction. Lifting the Veil brings together Ismat Chughtai's fiction and non-fiction writing. The twenty-one pieces in this selection are Chughtai at her best, marked by her brilliant turn of phrase, scintillating dialogue and wry humor, her characteristic irreverence, wit and eye for detail.

    Vaishali, the capital of the Confederacy and that of the illustrious Lichchavis was not only a center of commerce and political activity but also the blessed motherland of Amrapali.The Legend of Amrapali is the story of mayhem and turmoil brought about by the obstinate desires of one man – a man blinded by the intoxication of power. It is a story of sinister plots and political wizardry, of chaste love and unbridled passion, of naked ambitions and dogged loyalties that lead to the transformation of an innocent young girl into one of the most revered, even worshipped, and occasionally feared personalities of her times. A gripping cocktail of fantasy, fiction, fable and history that retains its charismatic appeal through the centuries gone by!

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    His sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, and above all his inimitable-and often surprising-imagery have entertained his legions of fans over successive generations. It represents Gulzar's most memorable compositions of all time, and feature anecdotes about the composition of the lyrics as well as sketches by Gulzar.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Drawing on traditional sources, Narayana presents classic tales as narrated by animals, resulting in a work that is a fascinating blend of fable and satire.

    The famous verse that gives the title to this book is about “love”—but not the ordinary love we know from novels and movies.Speak to us of Love gives a taste of a contemporary mystic at work, trying to disrupt our dreams, illusions, and the state of unconsciousness that prevents us from enjoying life to the fullest.This is about and for the millions of people in the world who have killed their love with their own hands, and who are now miserable. They never wanted to kill it, there was no intention to kill their love, but in their unconsciousness they started possessing. Husbands possess their wives, wives possess their husbands, and parents possess their children. Teachers are trying in every possible way to possess their students. Politicians are trying to possess countries. Religions are trying to possess millions of people and control every aspect their lives.This book shows that life can only thrive in freedom. Love never allows anyone to possess it, because love is our very soul.For Osho, the basis of all our neuroses or psychoses is simple: our souls are not nourished. Love, the basic nourishment, is missing. Osho comprehensively trounces the so-called religious and philosophical approaches to life. All that is of worth is to be found, not in the extraordinary, but in the ordinary; not in fantastical ideas of the “other world” beyond death, but in this very world that we find ourselves in here and now. In short, this book shows that making a simple yet utterly basic shift in our lives will awaken the silence in our beings and bring joy into our every moment.

    R. K. Narayan provides a superb rendition in an abbreviated and elegant retelling of this great epic.

    Providing support material for teachers in the study of Shakespeare, this book is part of a series designed for students with special educational needs and those with English as a second or other language, which provides access to this challenging part of the English National Curriculum.

    Each Upanishad, or lesson, takes up a theme ranging from the attainment of spiritual bliss to karma and rebirth, and collectively they are meditations on life, death and immortality. The essence of their teachings is that truth can by reached by faith rather than by thought, and that the spirit of God is within each of us - we need not fear death as we carry within us the promise of eternal life.Older cover edition for ISBN 9780140441635.

    In this witty, acute and often painfully funny book Veena Venugopal follows eleven women through their marriages and explores why the mother-in-law is the dreaded figure she is.Meet Deepa, whose bikini-wearing mother-in-law wont let her even wear jeans, Carla whose mother-in-law insists that her son keep all his stuff in his family home although he can spend the night at his wifes, Rachna who fell in love with her mother-in-law even before she met her fiancee only to find both her romances sour and Lalitha who finds that despite having had a hard-nut mother-in-law herself, she is turning out to be an equally unlikeable Mummyji.Full of incisive observations and deliciously wicked storytelling, The Mother-in-Law is a book that will make you laugh and cry and understand better the most important relationship in a married womans life.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."