An ugly duckling spends an unhappy year ostracized by the other animals in the barnyard before he grows into a beautiful swan.

    

    Gallado whose talents in magazine, book design and illustrating were first honed in the old and defunct Philippines Herald and Manila Times. From there, he became Art Director of The Asia Magazine and subsequently a series of publishing firms in Hong Kong, including Asian Finance, Ltd., Pacific Communications, Ltd., Communication Management Ltd., and Flair Publishing Asia Ltd., before returning to Manila, where he has held several one-man exhibitions of his paintings, the most recent of which was a collection of pen and ink drawings. Bert Gallardo's flair for drawing recommends this book to young artists.These four stories as crafted by the country's foremost novelist are meant for children but in reality, they are also for adults. Readers will find in these stories the author's familiar themes as depicted in his longer fiction. F. Sionil Jose's latest distinction comes from Chile—The Pablo Neruda Centennial Award.

    Current estimates suggest that the rate of extinction is now thousands of times that counted in the fossil record before the emergence of modern man. At the same time, human societies themselves are in a cultural extinction crisis, with experts anticipating that of the world's nearly seven thousand languages as few as ten percent may survive into the next century. Melanie Challenger's extraordinary book is an exploration of how we might live to resist these extinctions and why such disappearances must be of concern to us. Adventurous, curious and passionate about her subject, Challenger takes us on a very personal journey as she tries to restore her own relationship with nature. The narrative unfolds through a series of landscapes haunted by extinction. From the ruined tin mines of Cornwall and the abandoned whaling stations of South Georgia to the Inuit camps of the Arctic and the white heart of Antarctica, she probes the critical relationship between human activities and environmental collapse. This is the first book to weave together the strands of cultural, biological and industrial extinctions into a meditation on the way we live beside nature in the modern world.

    invasion of Haiti in July 1915 marked the start of a military occupation that lasted for nineteen years--and fed an American fascination with Haiti that flourished even longer. Exploring the cultural dimensions of U.S. contact with Haiti during the occupation and its aftermath, Mary Renda shows that what Americans thought and wrote about Haiti during those years contributed in crucial and unexpected ways to an emerging culture of U.S. imperialism.At the heart of this emerging culture, Renda argues, was American paternalism, which saw Haitians as wards of the United States. She explores the ways in which diverse Americans--including activists, intellectuals, artists, missionaries, marines, and politicians--responded to paternalist constructs, shaping new versions of American culture along the way. Her analysis draws on a rich record of U.S. discourses on Haiti, including the writings of policymakers; the diaries, letters, songs, and memoirs of marines stationed in Haiti; and literary works by such writers as Eugene O'Neill, James Weldon Johnson, Langston Hughes, and Zora Neale Hurston.Pathbreaking and provocative, Taking Haiti illuminates the complex interplay between culture and acts of violence in the making of the American empire.

    

    One day an invitation arrives. Peyton has been selected to attend a luxurious all-expense-paid seminar in Iceland, where participants, billed as some of the greatest thinkers in the world, will be charged with answering one perplexing question. Meeting her diverse teammates--two neuroscientists, a philosopher, a dance teacher, a collage artist, and a farmer--Peyton wonders what she could ever have to contribute. The ensuing journey of discovery will transform the characters' work, their biases, and themselves. This suspenseful novel shows that the answers you seek can be found in the most unlikely places. It can be read for pleasure, is a great choice for book clubs, and can be used as unique and inspiring reading in qualitative research and other courses in education, sociology, social work, psychology, and communication.

    His short takes send us back to contemporary life refreshed and delighted.

    Western civilization is the envy of the globe. It has given to the world universally accepted understandings of human rights (rooted in Judeo-Christian principles), created standards for art, music, and literature that have never been equaled, and originated political and social systems that have spread all across the planet. Political correctness now obscures these and other truths about Western civilization. Leftists and Islamic jihadists find common cause in assailing Western "colonialism," "imperialism," and "racism" as its defining characteristics. Guilt-ridden Western leaders and public figures speak of their cultural patrimony in disparaging terms they would never dare to use about a non-Western culture. And in universities, "multicultural"-minded professors flatter students into believing they have nothing really to learn from Sophocles or Shakespeare. But now, Professor Anthony Esolen--one of the team-teachers of Providence College's esteemed Development of Western Civilization Core Curriculum--has risen to the West's defense. The Politically Incorrect Guide(TM) to Western Civilization takes on the prevailing liberal assumptions that make Western civilization the universal whipping boy for today's global problems - and introduces you to the significant events, individuals, nations, ideas, and artistic achievements that make Western civilization the greatest the world has ever known. Today, defending the West has become an urgent imperative: if we don't value what we have and what we have inherited, we will surely lose it. The Politically Incorrect Guide(tm) to Western Civilization is an essential sourcebook for that defense.

    In these pages, Lieutenant Joe Leaphorn and Sergeant Jim Chee of the Navajo Tribal Police are investigating perplexing and mystifying crimes. Leaphorn, Chee, and More is a must for all mystery fans.The Fallen Man reunites newly retired Navajo Tribal Policeman Joe Leaphorn with Acting Lieutenant Jim Chee to finally close a case involving a sniper, a skeleton, and eleven years of unanswered questions. In this evocative mystery, the past and the present join forces in a most unholy union.In The First Eagle, Jim Chee catches a Hopi poacher huddled over a butchered Navajo Tribal Police officer. Chee seems to have an open-and-shut case -- until Joe Leaphorn blows it wide open.Hunting Badger balances politics, outsiders, and fugitive armed bandits. After the Ute tribe's gambling casino is raided, FBI agents swarm the maze of canyons on the Utah-Arizona border. But Chee and Leaphorn find fatal flaws in the federal theory that accuses a wounded deputy sheriff as a suspect, and they are soon caught in the most deadly hunt of their lives.

    Gerry Hadden was training to become a Buddhist monk when opportunity came knocking: the offer of a dream job as NPR’s correspondent for Latin America. Arriving in Mexico in 2000 during the nation’s first democratic transition of power, he witnesses both hope and uncertainty. But after 9/11, he finds himself documenting overlooked yet extraordinary events in a forgotten political landscape. As he reports on Colombia’s drug wars, Guatemala’s deleterious emigration, and Haiti’s bloody rebellion, Hadden must also make a home for himself in Mexico City, coming to terms with its ghosts and chasing down the love of his life, in a riveting narrative that reveals the human heart at the center of international affairs.

    Coe, the noted Mayanist, and Mark Van Stone, an accomplished calligrapher, have made the difficult, often mysterious script accessible to the nonspecialist. They decipher real Maya texts, and the transcriptions include a picture of the glyph, the pronunciation, the Maya words in Roman type, and the translation into English. For the second edition, the authors have taken the latest research and breakthroughs into account, adding glyphs, updating captions, and reinterpreting or expanding upon earlier decipherments.After an introductory discussion of Maya culture and history and the nature of the Maya script, the authors introduce the glyphs in a series of chapters that elaborate on topics such as the intricate calendar, warfare, royal lives and rituals, politics, dynastic names, ceramics, relationships, and the supernatural world. The book includes illustrations of historic texts, a syllabary, a lexicon, and translation exercises.

    Placing the West's failure to acknowledge the most successful slave revolt in history alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.

    Written in the exuberant, enthusiastic style of Richard Halliburton's The Royal Road to Romance, this epic memoir captures the splendor of nowvanished civilizations, the excitement of unearthing ancient monuments, the chilling terrors of snow-clogged mountain passes, and the parching agony of the desert. Hedin climbs accursed mountains in China, infiltrates Tibet, outwits Torgut bandits, and of course becomes close friends with royalty from Peking to London, including the rulers of both the Russian and British empires. A worldwide bestseller in the 1920s, it today introduces a new generation to a man of exceptional daring and accomplishment. The book is illustrated with 160 of Hedin's own drawings.

    Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, renowned social scientist James C. Scott offers a penetrating discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage—what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, Scott examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects.