I was too short.Would my feet even touch the ground if I sat on the throne?These are the words of lady Jane Grey, as imagined by celebrated author Ann Rinaldi. Jane would become Queen of England for only nine days before being beheaded at the age of sixteen. Here is a breathtaking story of English royalty with its pageantry, privilege, and surprising cruelty. As she did in her previous novel Mutiny's Daughter, Ms. Rinaldi uses powerful, evocative writing to bring to life a teenage girl caught in the grip of stirring times.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Henry was considered a demi-god by his subjects, so each woman he chose was someone who had managed to stand out in a crowd of stunning ladies. Looking good was not enough (indeed, many of Henry’s lovers were considered unattractive); she had to have something extra special to keep the King’s interest. And Henry’s women were every bit as intriguing as the man himself. In this book Henry’s mistresses are rescued from obscurity. The 16th century was a time of profound changes in religion and society across Europe—and some of Henry’s lovers were at the forefront of influencing these events.

    This radical reinterpretation focuses instead on the many intrigues that pervaded Henry's court.It looks at opinions only of Warnicke - for example, the idea that Anne Boleyn was deformed and had a sixth finger and a wen under her chin.

    From the taboo striped cloaks of the Middle Ages to the liberating stripes of the French and American flags, The Devil's Cloth chronicles the checkered past of this maligned and misunderstood pattern that has been linked to everything from medieval scandals to religious and political uprisings to contemporary fashion statements. The story begins nearly a thousand years ago, when the monks of the Carmelite Order were ordered by the Pope to surrender their striped garments--to superstitious minds a sure sign of the devil. Anti-stripe sentiment raged throughout the Middle Ages, becoming the de rigueur fashion for prostitutes, hangmen, lepers, court jesters, and disloyal Round Table knights. Over the centuries, the list expanded to include Jews, heretics, adulterous wives, madmen, convicts, and servants. Briefly rescued from ignominy by the Renaissance, the stripe enjoyed a resurgence in 1775, where its newly conferred status as an enduring symbol of freedom paved the way for a subsequent European comeback. With lively narrative style, Pastoureau traces the fascinating trajectory of the ubiquitous stripe from the stripe-related stress of biblical figures--Cain, Delilah, and Judas prominent among them--to the bathing suits, pinstripe suits, and pajamas of today. Not even the hapless zebra escapes the skewering lens of history. Whether its subject is horizontal or vertical, stylish or subversive, this richly informative book will appeal to readers of every stripe.

    His more rounded view of the circumstances in which she found herself and the expectations of her society allows the historical Katherine to emerge.Katherine has long been condemned by historians for being a promiscuous and frivolous consort who partied away her days and revelled in male attention, but Byrne's reassessment conveys the mature and thoughtful ways in which Katherine approached her queenship. It was a tragedy that her life was controlled by predators seeking to advance themselves at her expense, whatever the cost.

    In July 1553, the death of the childless Edward VI threw the Tudor dynasty into crisis. On Edward's instructions, his cousin Jane Grey was proclaimed queen, only to be ousted 13 days later by his half-sister Mary, and later beheaded. In this radical reassessment, Eric Ives rejects traditional portraits of Jane both as hapless victim of political intrigue or Protestant martyr. Instead, he presents her as an accomplished young woman with a fierce personal integrity. The result is a compelling dissection by a master historian and storyteller of one of history's most shocking injustices.

    The richest and most powerful noble family in Britain, after the king himself, they regarded themselves as the power behind the throne and regularly tried to act as 'kingmakers'.

    Fashions in the Era of Jane Austen is a pictorial of images collected from Ackermann's Repository of the Arts. Find splendid illustrations of morning, evening, riding, and walking dresses with the accompanying accessories: hats, shoes, scarves, jewelry, parasols and more. Over two hundred and seventy-five exquisite illustrations with the original accompanying descriptions as they were published over two hundred years ago. Discover the voice of the past through the written language of each narrative. Fashions in the Era of Jane Austen covers twelve years of fashion, the last two years of the Georgian period (1809-1810) and the entire ten years of the Regency period (1811-1820). The pictures alone make this a great book, even if one doesn't read a word of the fashion descriptions.

    'The Other Tudors' examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged.

    They were playmates as children, impetuous lovers as adults-and for thirty years were the center of each others' lives. Astute to the dangers of choosing any one man, the Virgin Queen could never give her Sweet Robin what he wanted most-marriage- yet she insisted he stay close by her side. Possessive and jealous, their love survived quarrels, his two disastrous marriages to other women, her constant flirtations, and political machinations with foreign princes.His Last Letter tells the story of this great love... and especially of the last three years Elizabeth and Dudley spent together, the most dangerous of her rule, when their passion was tempered by a bittersweet recognition of all that they shared-and all that would remain unfulfilled.

    Bess Hardwick, the fifth daughter of an impoverished Derbyshire nobleman, did not have an auspicious start in life. Widowed at sixteen, she nonetheless outlived four monarchs, married three more times, built the great house at Chatsworth, and died one of the wealthiest and most powerful women in English history.In 1527 England was in the throes of violent political upheaval as Henry VIII severed all links with Rome. His daughter, Queen Mary, was even more capricious and bloody, only to be followed by the indomitable and ruthless Gloriana, Elizabeth I. It could not have been more hazardous a period for an ambitious woman; by the time Bess's first child was six, three of her illustrious godparents had been beheaded.Using journals, letters, inventories, and account books, Mary S. Lovell tells the passionate, colorful story of an astonishingly accomplished woman, among whose descendants are counted the dukes of Devonshire, Rutland, and Portland, and, on the American side, Katharine Hepburn.

    She was both manipulator and pawn, a complex, misunderstood mélange of subtlety and fire. Her name was Anne Boleyn.In The Queen of Subtleties, Suzannah Dunn reimagines the rise and fall of the tragic queen through two alternating voices: that of Anne herself, who is penning a letter to her young daughter on the eve of her execution, and Lucy Cornwallis, the king’s confectioner. An employee of the highest status, Lucy is responsible for creating the sculpted sugar centerpieces that adorn each of the feasts marking Anne’s ascent in the king’s favor. They also share another link of which neither woman is aware: the lovely Mark Smeaton, wunderkind musician—the innocent on whom, ultimately, Anne’s downfall hinges.

    He takes a fresh look at the life and beliefs of the young king and of the ruthless politicians who jostled for power around him. He analyzes the single-minded strategy of the Protestant Revolution and assesses the support it had among the people of England.

    More than 200 photos depict aristocrats and the middle class as well as Oscar Wilde, Lillie Langtry, Winston Churchill, Queen Victoria, and others. Commentary and annotations describe and identify the costumes.