This refreshing approach reaches beyond the myths and stereotypes surrounding this monumental historical figure and encourages readers to reassess their perceptions of the great Tudor monarch who still manages to cast a spell over our imaginations.Richly illustrated with color images from the accompanying exhibition at the British Library—including many of Henry’s own annotated volumes—and including contributions from notable scholars such as Eamon Duffy and James Carley, this volume presents an unsurpassed firsthand outline of the revolutionary changes in ideas that took place during Henry’s reign—and above all, in his own mind.

    Mary Boleyn, 'the infamous other Boleyn girl', began her court career as the mistress of the king of France. Francois I of France would later call her 'The Great Prostitute' and the slur stuck. The bete-noir of her family, Mary was married her off to a minor courtier but it was not long before she caught the eye of Henry VIII and a new affair began. Although a bright star at Henry's court, she was soon eclipsed by her highly spirited and more accomplished sister, Anne, who rapidly took her place in the king's heart. However, the ups and downs of the Boleyn sisters were far from over. Mary would emerge the sole survivor of a family torn apart by lust and ambition, and it is in Mary and her progeny that the Boleyn legacy rests.

    In July 1553, the death of the childless Edward VI threw the Tudor dynasty into crisis. On Edward's instructions, his cousin Jane Grey was proclaimed queen, only to be ousted 13 days later by his half-sister Mary, and later beheaded. In this radical reassessment, Eric Ives rejects traditional portraits of Jane both as hapless victim of political intrigue or Protestant martyr. Instead, he presents her as an accomplished young woman with a fierce personal integrity. The result is a compelling dissection by a master historian and storyteller of one of history's most shocking injustices.

    Henry was considered a demi-god by his subjects, so each woman he chose was someone who had managed to stand out in a crowd of stunning ladies. Looking good was not enough (indeed, many of Henry’s lovers were considered unattractive); she had to have something extra special to keep the King’s interest. And Henry’s women were every bit as intriguing as the man himself. In this book Henry’s mistresses are rescued from obscurity. The 16th century was a time of profound changes in religion and society across Europe—and some of Henry’s lovers were at the forefront of influencing these events.

    So often viewed in her relationships with men, the Virgin Queen is portrayed here as the product of women: the mother she lost so tragically, the female subjects who worshiped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.In vivid detail, Borman presents Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations--which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor (“Bloody Mary”) envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.Elizabeth’s Women contains more than an indelible cast of characters. It is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself, long viewed as the embodiment of feminism, shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies.Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.

    The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women Margaret of Anjou, Anne Boleyn and Catherine Howard were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable "la belle dame sans merci." In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. "The Tudor Queens of England" is the first book of its kind to intimately examine these questions and more.

    1536 - focusing on a pivotal year in the life of the King - reveals a fuller portrait of this complex monarch, detailing the finer shades of humanity that have so long been overlooked. We discover that in 1536 Henry met many failures - physical, personal, and political - and emerged from them a revolutionary new king who proceeded to transform a nation and reform a religion. A compelling story, the effects of which are still with us today, 1536 shows what a profound difference can be made merely by changing the heart of a king.

    This is a page-turning, revisionist history of the villainised and misunderstood Mary Tudor, the first queen of England.

    Anne, having been promised the most handsome prince in Europe, was also destined to be disappointed in the elderly and corpulent king. Forced to proceed with their wedding for diplomatic reasons, Henry and Anne tried to make the best of the situation, but attempts to consummate the match were farcical. After only seven months of marriage Henry was so desperate to rid himself of Anne that he declared himself impotent in order to secure a divorce. Anne was also eager to end her marriage and, with her clever handling of Henry, obtained one of the biggest divorce settlements in English history. Following her divorce, Anne made good use of her many properties, including Richmond Palace, Hever Castle and the house at Lewes now known as Anne of Cleves House. Anne of Cleves is often portrayed as a stupid and comical figure. The real Anne was both intelligent and practical, ensuring that, whilst she was queen for the shortest period, she was the last of all Henry VIII's wives to survive. Henry's chief minister, Thomas Cromwell, lost his head for his role in the Cleves marriage, but Anne's shrewdness ensured she kept hers. Anne of Cleves led a dramatic and often dangerous life but, for all this, of Henry VIII's six wives, she is truly the wife that survived."

    When the young queen is smitten by the dashing Robert Dudley, Katherine must choose between duty and desire-as her secret passion for a handsome earl threatens to turn Elizabeth against her. Once the queen becomes a bitter and capricious monarch, another lady-in-waiting, Mistress Mary Rogers, offers the queen comfort. But even Mary cannot remain impervious to the court's sexual tension-and as Elizabeth gives her doomed heart to the mercurial Earl of Essex, Mary is drawn to the queen's rakish godson...

    The real Jane was a very different character, demure and submissive yet with a ruthless streak - as Anne Boleyn was being tried for treason, Jane was choosing her wedding dress. From the lowliest origins of any of Henry's wives her rise shows an ambition every bit as great as Anne's. Elizabeth Norton tells the thrilling life of a country girl from rural Wiltshire who rose to the throne of England and became the ideal Tudor woman.

    It was sensational in its day, and has exerted endless fascination over the minds of historians, novelists, dramatists, poets, artists and film-makers ever since.Anne was imprisoned in the Tower of London on 2 May 1536, and tried and found guilty of high treason on 15 May. Her supposed crimes included adultery with five men, one her own brother, and plotting the King's death.Mystery surrounds the circumstances leading up to her arrest. Was it Henry VIII who, estranged from Anne, instructed Master Secretary Thomas Cromwell to fabricate evidence to get rid of her so that he could marry Jane Seymour? Or did Cromwell, for reasons of his own, construct a case against Anne and her faction, and then present compelling evidence before the King? Or was Anne, in fact, guilty as charged?Never before has there been a book devoted entirely to Anne Boleyn's fall. Alison Weir has reassessed the evidence, demolished many romantic myths and popular misconceptions, and rewritten the story of Anne's fall, creating a richly researched and impressively detailed portrait of the dramatic last days of one of the most influential and important figures in English history.

    Abandoned and in danger, Elizabeth Tudor has one simple aim: survival. This is their story.[image]Video TrailerSet against the background of the English Reformation, and threatened by a vengeful and unforgiving Queen, the mysterious brotherhood of the Rose Lodge attempts to guide the nation towards enlightenment and stability. Here,the special alchemy of the Virgin and the Crab works its magic: growing from childhood friendship, through adolescent flirtation, to mutual respect and admiration as together they prepare to sacrifice everything for the world they wish to inherit.

    The houses still standing from that time are typified by black and white timber framed buildings and rambling rows of quaint cottages around a village green. This book explains the rich range of domestic houses built during the era. There are five separate sections, which deal with social change; structure and materials; styles and dating details; interiors; and gardens and landscapes. There is also a quick reference guide to identify the use of Tudor styles in more recent times. This is an invaluable, well illustrated guide for anyone interested in the history of Britain's domestic architecture.

    It surveys relevant pictorial sources, archaeological artefacts and archival information, and provides credible evidence for the clothes in a typical royal servant's wardrobe in the early year's of Henry VIII's reign. Detailed patterns, practical instructions, specially-commissioned line drawings and high-quality colour photographs provide guidance on reconstructing men's garments circa 1498 to 1511. An essential guide to ordinary men's dress in the early sixteenth century for researchers and costumiers working in museums, education, re-enactment, stage and screen. Dispatched direct from the publishers in the UK.

    The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.

    By some accounts Norfolk became known as the greatest soldier and aristocrat alive under Henry VIII's rule, in Britain a period of transition from medieval to modern and spanning the Renaissance and Reformation. In this first comprehensive biography of Norfolk David M. Head confronts the central paradox of Norfolk's career. Here was a man of enormous ambition and family pride whose talents never matched that ambition-a man whose military and political victories brought him only short-term rewards, often followed by personal disaster. A social and religious conservative, Norfolk was uncomfortable with reformation ideology and the "low-born" men of the court. The duke sought a primary position within the court like that earned by Cromwell and Wolsey but was unwilling to perform the sustained hard work required to achieve that stature. By the 1540s Norfolk was probably the richest man in England, but nonetheless, at the hands of Cromwell and Wolsey, he was repeatedly exiled from the court for emotional excesses as factional struggles swirled and political rivalries turned personal and bloody. Even when exiled from court, his military and diplomatic service repeatedly earned him a return to Henry's inner circle, a place he proved unable to hold, as family disasters undermined his position and the shifts of faction turned against him. To understand Thomas Howard is to grasp the intimate scale of Tudor England and its measurement of power as one's proximity to the crown. He serves as a symbol for this age of transition-a nobleman, a figure from the feudal past, adjusting to a changing age that he did not always understand and to which he could never completely accommodate himself.

     Katherine Ashley, the daughter of a poor country squire, happily secures an education and a place for herself in a noble household. But when Thomas Cromwell, a henchman for King Henry VIII, brings her to the royal court as a spy, Kat enters into a thrilling new world of the Tudor monarchs. Freed from a life of espionage by Cromwell's downfall, Kat eventually befriends Anne Boleyn. As a dying favor to the doomed queen, Kat becomes governess and surrogate-mother to the young Elizabeth Tudor. Together they suffer bitter exile, assassination attempts, and imprisonment, barely escaping with their lives. But they do, and when Elizabeth is crowned, Kat continues to serve her, faithfully guarding all the queen's secrets (including Elizabeth's affair with the dashing Robert Dudley) . . . and ultimately emerging as the lifelong confidante and true mother-figure to Queen Elizabeth.

    'My Tudor Queen' is the diary of Eva De Puebla who comes to England as lady-in-waiting to Catherine of Aragon. 'Anne Boleyn and Me' is the story of Elinor Valjean, Eva's daughter, who serves in Henry VIII's court.

    The English reformers of the 1530s, with Thomas Cromwell at their head, continued to have a strong belief in kingly rule and authority, in contrast to their radical approach to the power of the Pope and the Roman Cathoic Church. Resisting the king was tantamount to resisting God in their eyes, and even on a matter of conscience the will of the king should prevail. Yet just more than 100 years later, Charles I was called the "man of blood," and Oliver Cromwell famously declared that "we will cut off his head with the crown on it." This history explores how the deferential Reformation become a regicidal revolution.

    A stunning range of new imagery complements the text, presenting many of these pieces as they have never been seen before in glorious high definition.2009 saw the 500th anniversary of the accession of King Henry VIII to the English throne. In celebration of this historic occasion, an international exhibition, 'Henry VIII: Dressed to Kill', was held at the Tower of London in partnership between the Royal Armouries and Historic Royal Palaces.Published to coincide with the launch of the exhibition, this definitive publication illustrates and records over 90 Henrician treasures drawn from the Royal Armouries' own collections and from museums and institutions worldwide. Leading historians and specialists in arms and armour have contributed major essays on subjects which encompass the wide-ranging aspects of Henry's reign from war and politics to dress and dining.

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    This was not achieved through empire building, conquest, large armies, treaties, marriage alliances, trade or any of the other traditional means of exercising power. Indeed England was successful in few of these. Instead she based her power and eventual supremacy on the creation of a standing professional navy which firstly would control her coasts and those of her rivals, and then threaten their trade around the world. This emergence of a sea-power brought with it revolutionary ship designs and new weapon-fits, all with the object of making English warships feared on the seas in which they sailed. Along with this came the absorption of new navigational skills and a breed of sailor who fought for his living. Indeed, the English were able to harness the avarice of the merchant and the ferocity of the pirate to the needs of the state to create seamen who feared God and little else. Men schooled as corsairs rose to command the state's navy and their background and self-belief defeated all who came against them. This is their story; the story of how seizing command of the sea with violent intent led to the birth of the greatest sea borne empire the world has ever seen.