Everything Anne touches seems to turn to gold, and Mary is certain Anne will one day become Queen. But Mary has also seen the King's fickle nature and how easily he discards those who were once close to him. . . Discovering that she is a pawn in a carefully orchestrated plot devised by her father, the duke of Norfolk, Mary dare not disobey him. Yet despite all of her efforts to please him, she too falls prey to his cold wrath. Not until she becomes betrothed to Harry Fitzroy, the Duke of Richmond and son to King Henry VIII, does Mary find the love and approval she's been seeking. But just when Mary believes she is finally free of her father, the tides turn. Now Mary must learn to play her part well in a dangerous chess game that could change her life--and the course of history.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

     One of today's premier historical novelists, Margaret George dazzles here as she tackles her most difficult subject yet: the legendary Elizabeth Tudor, queen of enigma-the Virgin Queen who had many suitors, the victor of the Armada who hated war; the gorgeously attired, jewel- bedecked woman who pinched pennies. England's greatest monarch has baffled and intrigued the world for centuries. But what was she really like? In this novel, her flame-haired, lookalike cousin, Lettice Knollys, thinks she knows all too well. Elizabeth's rival for the love of Robert Dudley, Earl of Leicester, and mother to the Earl of Essex, the mercurial nobleman who challenged Elizabeth's throne, Lettice had been intertwined with Elizabeth since childhood. This is a story of two women of fierce intellect and desire, one trying to protect her country, and throne, the other trying to regain power and position for her family and each vying to convince the reader of her own private vision of the truth about Elizabeth's character. Their gripping drama is acted out at the height of the flowering of the Elizabethan age. Shakespeare, Marlowe, Dudley, Raleigh, Drake-all of them swirl through these pages as they swirled through the court and on the high seas. This is a magnificent, stay-up-all-night page-turner that is George's finest and most compelling novel and one that is sure to please readers of Alison Weir, Philippa Gregory, and Hilary Mantel.

    In this captivating opening volume, Weir brings to life the tumultuous tale of Katherine of Aragón. Henry's first, devoted, and "true" queen.A princess of Spain, Catalina is only sixteen years old when she sets foot on the shores of England. The youngest daughter of the powerful monarchs Ferdinand and Isabella, Catalina is a coveted prize for a royal marriage - and Arthur, Prince of Wales, and heir to the English throne, has won her hand. But tragedy strikes and Catalina, now Princess Katherine, is betrothed to the future Henry VIII. She must wait for his coming-of-age, an ordeal that tests her resolve, casts doubt on her trusted confidantes, and turns her into a virtual prisoner. Katherine's patience is rewarded when she becomes Queen of England. The affection between Katherine and Henry is genuine, but forces beyond her control threaten to rend her marriage, and indeed the nation, apart. Henry has fallen under the spell of Katherine's maid of honor, Anne Boleyn. Now Katherine must be prepared to fight, to the end if God wills it, for her faith, her legitimacy, and her heart.

    To that end, he married six wives, became the subject of the most notorious divorce case of the sixteenth century, and broke with the pope, all in an age of international competition and warfare, social unrest and growing religious intolerance and discord.Henry fathered four living children, each by a different mother. Their interrelationships were often scarred by jealously, mutual distrust, sibling rivalry, even hatred. Possessed of quick wits and strong wills, their characters were defined partly by the educations they received, and partly by events over which they had no control.Henry Fitzroy, Duke of Richmond, although recognized as the king's son, could never forget his illegitimacy. Edward died while still in his teens, desperately plotting to exclude his half-sisters from the throne. Mary's world was shattered by her mother's divorce and her own unhappy marriage. Elizabeth was the most successful, but also the luckiest. Even so, she lived with the knowledge that her father had ordered her mother's execution, was often in fear of her own life, and could never marry the one man she truly loved.Henry's children idolized their father, even if they differed radically over how to perpetuate his legacy. To tell their stories, John Guy returns to the archives, drawing on a vast array of contemporary records, personal letters, and first-hand accounts.

    Ignorant of her past, seeing only her youthful exuberance and believing that she could make him happy, he married her—only to discover, too late, that her heart belonged to his gentleman usher Tom Culpeper. As the net of court intrigue tightens around her, and with the Tudor succession yet again in peril because of Prince Edward's severe illness, Queen Catherine struggles to give the angry, bloated and impotent king a son. But when her relations turn against her, she finds herself doomed, just as her cousin Anne Boleyn was, to face the executioner. The Unfaithful Queen lays bare the dark underbelly of the Tudor court, with its sugared rivalries and bitter struggles for power, where a girl of noble family could find herself sent to labor among the turnspits in the kitchens or—should fortune favor her—be exalted to the throne.

    A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis on Western women's clothing, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing a vast selection of skilled photographs from the Institute's archives, depicting the clothing expertly displayed and arranged on custom-made mannequins, Fashion is a fascinating excursion through the last three centuries of clothing trends.From a rare treasure such as a 17th century iron corset with embroidered bodice to modern-day outfits by such designers as Yves Saint Laurent and Calvin Klein, the collection provides an extensive overview of the evolution of women's fashion. The KCI believes that "clothing is an essential manifestation of our very being" and their passion and dedication positively radiate from every page of this book. It offers an opportunity to see how our ancestors dressed, to consider the amazing accomplishments of contemporary fashion, and to imagine how our descendants may dress in the distant future as clothing design continues on its tireless evolutionary path.

    From her glittering debut in the Chateau Vert pageant to her final walk to the scaffold, everything is right there in the historical record. We may never know what Anne Boleyn truly looked like, but we can peek into her coffers and chests to admire her furs, velvets, satins and damasks, her headdresses, girdles and slippers—even her nightgowns—allowing us to effectively re-imagine the clothes worn by this fascinating queen, and to re-imagine the woman herself. Sit comfortably in your armchair and take a cup of tea; you are about to experience the story of England's most controversial Queen consort from a very intimate perspective.

    And on learning the truth about her lascivious and despotic father, Henry VIII, she vows never to relinquish control to any man. But this avowal doesn't prevent Elizabeth from pursuing a torrid love affair with her horsemaster, Robin Dudley -- described with near-shocking candor -- as too are Anne's graphic trysts with a very persistent and lustful Henry. Blending a historian's attention to accuracy with a novelist's artful rendering, Maxwell weaves compelling descriptions of court life and devastating portraits of actual people into her naughty, page-turning tale. The result is a masterpiece of historical fiction -- so prophetic of our time that one would think it were ripped from today's headlines.

    The Last Boleyn tells the story of the rise and fall of the Boleyns, one of England’s most powerful families, through the eyes of the eldest daughter, Mary.Although her sister, Anne, the queen; her brother, George, executed alongside Anne; and her father, Thomas, are most remembered by history, Mary was the Boleyn who set into motion the chain of events that brought about the family’s meteoric rise to power, as well as the one who managed to escape their equally remarkable fall. Sent away to France at an extraordinarily young age, Mary is quickly plunged into the dangerous world of court politics, where everything is beautiful but deceptive, and everyone she meets is watching and quietly manipulating the events and people around them. As she grows into a woman, Mary must navigate both the dangerous waters ruled by two kings and the powerful will of her own family in order to find a place for herself and the love she so deeply desires.

    Featuring beautiful color photographs of the exhibition’s installation, details of the garments, and supplementary historical material, the book demonstrates how the extravagant clothing of the period reiterated the splendor of Rococo and Neoclassical interiors.

    This is a page-turning, revisionist history of the villainised and misunderstood Mary Tudor, the first queen of England.

    Features include: health and safety practices in the costume shop; chapters on pattern drafting and sewing operations; and an expanded section on alterations.

    It was the most naked period since Ancient Greece and before the 1960s, and for the first time England became a fashion influence, especially for menswear, and became the toast of Paris. With the ancient regime deposed, court dress became secondary and the season by season flux of fashion as we know it came into being, aided and abetted by the proliferation of new ladies' magazines. Such an age of revolution and innovation inspired a flood of fashions taking influence from everything including the newly discovered treasures of the ancient world, to radical new ideas like democracy. It was an era of contradiction immortalized by Jane Austen, who adeptly used the newfound diversity of fashion to enliven her characters, Wickham's military splendor, Mr. Darcy's understated elegance, and Miss Tilney's romantic fixation with white muslin.

    With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an authoritative visual guide to women's fashion across five centuries. Each entry includes annotated colour images of historical garments, outlines important features and highlights how styles have changed (whether in shape, fabric choice, trimming, undergarments) from those shown previously. Readers will learn how garments were constructed and where their inspiration stemmed from at key points in history, as well as the differences between dress types for various occasions, variations in detailing, cut, and popularity, and the class, age and social status of the wearer.This beautifully illustrated guide equips students, researchers, curators and anyone interested in historical fashion with the tools to 'read' a dress. Using this book, readers are able to identify specific period styles, and will really know their cartridge pleats from their Récamier ruffles. - See more at: http://www.bloomsbury.com/au/how-to-r...