Scott, this book is not only a technical manual but a timeline of the events of the recent Star Trek movies.

    Latro, a mercenary soldier from the north, has suffered a head wound in battle and has been separated from his compatriots. He has not only lost the memory of who he is and where he is from, he has also lost the ability to remember from day to day and must live out of context in an eternal present, every day rediscovering the shreds of his identity and the nature of the world around him, aided only by a written record that he attempts to continue daily and must read every morning.But in recompense for his unhappy condition Latro has received the ability to see and converse with invisible beings, all the gods and goddesses, ghosts and demons and werewolves, who inhabit the land and affect the lives of others, all unseen. Everyone knows that supernatural creatures are constantly around them and sometimes, under special circumstances, can perceive them—but Latro is now constantly able to penetrate the veil of the supernatural, which is both a triumph and a danger.

    A true master tells all, revealing the strange secret of growing young and mad; opening a Witch Door that links two intolerant centuries; joining an ancient couple in their wild assassination games; celebrating life and dreams in the unique voice that has favored him across six decades and has enchanted millions of readers the world over.Contains: Unterderseaboat Doktor -- Zaharoff/Richter Mark V -- Remember Sascha? -- Another Fine Mess -- The Electrocution -- Hopscotch -- The Finnegan -- That Woman on the Lawn -- The Very Gentle Murders -- Quicker Than the Eye -- Dorian in Excelsis -- No News, or What Killed the Dog? -- The Witch Door -- The Ghost in the Machine -- At the End of the Ninth Year -- Bug -- Once More, Legato -- Exchange -- Free Dirt -- Last Rites -- The Other Highway -- Make Haste to Live: An Afterword

    A place where the princes and magicians were kind and wise beyond all imagination. A place where wine and song were always sweet, every purse was fat with gold, and every heart at ease. The Far Kingdoms...said to lie in the distant east, across the straits of the Narrow Sea, beyond the benighted Pepper Coast, in uncharted territory. The Far Kingdoms...a place no one could reach even if it were real - which surely it wasn't. Young, pampered Amalric Antero cared only for real places and possible dreams. The time had come to Find His Tradewind, to make the traditional journey seeking out new lands, new riches, new customers as his merchant father, and his father's father, had done before him. He meant only to do as all young traders did: travel to the known lands in the west and return home having proved himself able to deal well with his father's customers. Nothing more was expected. But then he met Janos Greycloak, a dashing soldier who dabbled in forbidden magic and who carried on him proof of riches and mysteries beyond imagination. And suddenly Amalric found himself setting out on the adventure of a lifetime, a daring and perilous quest through unknown lands peopled by nightmares, to seek the ultimate in fables...The Far Kingdoms!

    Far-reaching in scope and imagination, Lord of Snow and Shadows embarks on a journey like no other—into a shape-shifting world teeming with political intrigue, astonishing magic, and passions both dark and light.Raised by his protective mother in the sunny clime of the south, Gavril Andar knows nothing of his father—or the ominous legacy that awaits him. But his innocence is about to be shattered. The man who ruled the wintry kingdom of Azhkendir, a man infused with the burning blood of the dragon-warrior known as Drakhaoul, has been murdered by his enemies. It is his fiery, chameleonlike blood that pulses through Gavril’s veins. The news is Gavril’s first taste of death—but it will not be his last. For blood is the liquid that seals his fate.Expected by clan warriors from the north to avenge his father’s murder—and still his unquiet ghost—Gavril is kidnapped. He soon learns that becoming Drakhaon means not only ascending to the throne of Azhkendir but changing, in subtle ways at first, into a being of extraordinary power and might. A being that must be replenished with the blood of innocents in order to survive. Ensconced in Kastel Drakhaon with no means of escape from the icebound kingdom, and carefully watched by neighboring rulers waiting to move against him, the untested Gavril must fight to retain his human heart and soul in the face of impending war—and the dark instincts that threaten to overpower him.Man and beast, spymaster and insurgent, nature and the netherworld--all collide in phenomenal twists and turns. A masterwork of adventure fantasy, Lord of Snow and Shadows will leave you stunned—and longing for more.

    Here you will find Shangri-La and El Dorado; Utopia and Middle Earth; Wonderland and Freedonia. Here too are Jurassic Park, Salman Rushdie's Sea of Stories, and the fabulous world of Harry Potter. The history and behavior of the inhabitants of these lands are described in loving detail, and are supplemented by more than 200 maps and illustrations that depict the lay of the land in a host of elsewheres. A must-have for the library of every dedicated reader, fantasy fan, or passionate browser, Dictionary is a witty and acute guide for any armchair traveler's journey into the landscape of the imagination.

    Now, according to the stranger who met them on a road that wasn't there, they were due to die in nineteen minutes, eighteen seconds. But the ferryboat that waited to take them across the Sea of Dreams could bring them to a new and perhaps better life.There lay a world where fairies still danced by moonlight and sorcery became real. Joe could become a mighty-thewed barbarian warrior. Marge could be beautiful and find her magical self.And it was even as Throckmorton P. Ruddygore, the strange wizard, had promised. But there was a great deal more, as they soon learned.This was a world where Hell still strove to win its ancient war and demon princes sent men into battles of dark magic. It was a world where Joe and Marge must somehow help prevent the coming of Armageddon.

    The Servants of Wrath have deified Carlton Lufteufel and re-christened him the Deus Irae. In the small community of Charlottesville, Utah, Tibor McMasters, born without arms or legs, has, through an array of prostheses, established a far-reaching reputation as an inspired painter. When the new church commissions a grand mural depicting the Deus Irae, it falls upon Tibor to make a treacherous journey to find the man, to find the god, and capture his terrible visage for posterity.

    Featuring the stories "Deeper Than The Darkness", "Croatoan", "Repent, Harlequin!" Said the Ticktockman" - (formatted in 3-D and includes the 3-D glasses!), "The Discarded", "An Ellison Tapestry", "Riding the Dark Train Out", and "I'm Looking For Kadak"

    When an ambasador from the far-off Tamul Empire begged for help, Sparhawk, Ehlana's champion and Prince Consort, was the Emperor's last hope. For surely the knight who had killed the evil God Azash could prevail against the terror in Tamul. But waiting for him was a glittering court seething with corruption, treachery--and the greatest danger Sparhawk would ever face!

    He's no knight in shining armor. He's a hradani, a race known for their uncontrollable rages, bloodthirsty tendencies, and inability to maintain civilized conduct. None of the other Five Races of man like the hradani. Besides his ethnic burden, Bahzell has problems of his own to deal with: a violated hostage bond, a vengeful prince, a price on his head. He doesn't want to mess with anybody else's problems, let alone a god's. Let alone the War God's! So how does he end up a thousand leagues from home, neck-deep in political intrigue, assassins, demons, psionicists, evil sorcery, white sorcery, dark gods, good gods, bad poets, greedy landlords, and most of Bortalik Bay? Well, it's all the War God's fault.

    This lavish volume, studded with graphics and nuggets of information, is the pleasing result. Science Fiction : The Illustrated Encyclopedia showcases the prophecy and pageantry of science fiction. It weaves together world history with literary history and technical developments with SF trends, providing a cultural context to the Zeitgeist of the genre. Words truly cannot do justice to the visual delights of this colorful tome: time lines, charts, author biographies and bibliographies complete with photos and signatures, illustrated analyses of SF traditions, magazine covers, classic book covers, film and television snapshots, and historical photos. Use it as a reference, read it through, or pick it up and enjoy it in bits. Science Fiction : The Illustrated Encyclopedia will arouse curiosity, joy, and pride in the hearts of SF lovers. --Bonnie Bouman

    With architectural designs of the Enterprise, headquarters, detailed drawings of the weapons and equipment, official patterns for men's and women's uniforms, maps of orbit patterns and so much more, all your practical questions will finally be answered.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Isaac Asimov and science fiction are one and the same to millions of readers. He was the field's transcendent genius, its reigning prophet, its genial patriarch, and its most prolific author. But Asimov also wrote fantasy, and invariably of an enduring quality. Magic is his final original collection, containing all of his uncollected fantasy stories that have never before appeared in book form. Wry and witty, they carry his unique, personal stamp of rationalism and logic.These stories are fascinating musings of a wide-ranging intelligence, discussing everything from Tolkien to Spielberg, from unicorns to King Arthur. Magic is the last word on fantasy by the renowned science fiction author.Though Isaac Asimov had fun writing all his works, these are the stories he wrote for fun. They are an essential part of his irreplaceable legacy.