Walter Faber is an emotionally detached engineer forced by a string of coincidences to embark on a journey through his past.

    With their democracy facing the wrecking ball, most well-off Germans turn inward, focusing on their own lives. Britta, a wife, mother, and successful businesswoman, ignores the daily news and concentrates on her family and her work running a clinic specializing in suicide prevention. But her legitimate business is connected to a secret and far more lucrative operation known as The Bridge, an outfit that supplies terrorist organizations looking to employ suicide bombers. Using a complex candidate-identifying algorithm designed by Babak, a brilliant programmer and Britta's only employee, The Bridge has effectively cornered the market, and terrorism almost never takes place without Britta's services--which is why news of a thwarted suicide attack in Leipzig comes as a shock. Then The Bridge's database is stolen and a colleague at the clinic murdered, driving Britta, Babak, and their latest recruit into hiding. On their heels is a new terrorist organization called Empty Hearts, a group unlike any they've encountered before. Part suspenseful thriller, part wickedly effective social satire, Empty Hearts is a novel for our times, examining urgent questions of morality, politics, and culture, and presenting a startling vision of a future where empathy is a thing of the past.

    Since their leader Petran died, the Guild of Dream Finders have been timid, and their ancient craft has fallen into disrepute. Petran's son Antyr, young, grief stricken and only part trained, could not begin to fill the vacuum left by his father. Increasingly he has become a bitter spectator, with neither the cynicism to become rich by pandering to the whims of the wealthy, nor the courage to offer them his skills honestly and without fear. His nightly visits to the alehouse have resulted in a dwindling of his customers, and the quarrels with his strange Companion have grown increasingly unpleasant. Then mysteriously one night, Antyr is taken to Duke Ibris of the City of Serenstadt, who has been troubled by mystifying and unsettling dreams. It is the beginning of a journey that leads inexorably to a terrible confrontation with a malevolent blind man possessed of a fearful otherworldly sight, and Ivaroth, a warrior chief determined to conquer the Duke's land and all beyond...

    Lenz is a dispassionate account on the nervous system of a schizophrenic, perhaps the first third-person text ever written from the “inside” of insanity. At his death at the age of 23 in 1837, Georg Büchner also left behind Leonce and Lena, Woyzeck, and Danton’s Death—psychologically and politically acute plays well ahead of their time.Richard Sieburth’s translations include Hölderlin’s Hymns and Fragments, Walter Benjamin’s Moscow Diary, Gérard de Nerval’s Selected Writings and Henri Michaux’s Emergences/Resurgences. His English edition of the Nerval writings won the 2000 PEN Book-of-the-Month-Club Translation Prize.

    The book celebrates Chicago’s Wicker Park in the late 1990’s, Coval’s home as a young artist, the ancestral neighborhood of his forebears, and a vibrant enclave populated by colorful characters. Allston’s illustrations honor the neighborhood as it once was, before gentrification remade it. The book excavates and mourns that which has been lost in transition and serves as a template for understanding the process of displacement and reinvention currently reshaping American cities.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    And that form is most suitable for the epic voyage Christoph Ransmayr relates: two brothers leave the south-west coast of Ireland on an expedition to Trans-Himalaya, the land of Kham, and the mountains of eastern Tibet—looking for an untamed, unnamed mountain that represents perhaps the last blank spot on the map.As they advance towards their goal, the brothers find their past, and their rivalry, inescapable, inflecting every encounter and decision as they are drawn farther and farther from the world they once knew. Only one of the brothers will return.Transformed by his loss, he starts a life anew, attempt to understand the mystery of love, yet another quest that may prove impossible. The Flying Mountain is thrilling, surprising and lyrical by turns; readers looking for something truly new will be rewarded for joining Ransmayr on this journey.Christoph Ransmeyer is an award-winning Austrian author whose books have been translated into over 30 languages. His prodigious travels provided the material for Atlas of an Anxious Man, published by Seagull Books in 2016.Simon Pare is a translator from the French and German who lives in Paris. His recent translations include the The Panama Papers and Atlas of an Anxious Man.

    It’s a shadow wrapped in a shadow and it screams, but it screams in harsh whispers. This collection explores the blackness within, the gritty underground that hides inside memories and cowers just outside fear. The poems, paired with illustrations from Matthias Matthies work in sync to create a collage of blunt sexuality, masochistic, and sometimes sadistic recollections of love, reflection, and self-exploration.Lindemann paints pictures with his poems, a slave to the vulnerability and sexuality that drives mankind. His words themselves are body modifications that settle on readers, piercing then slowly penetrating and pumping his audience full with a mix of pleasure and pain. A combination of longing, emotional depth, and bestial intuition, these pieces evoke an innate nature to seek pleasure, to ask for forgiveness, to instill blame.On Quiet Nights pulls back the curtains at night and asks readers to think about who they are. Lindemann holds a mirror to soul, capturing desire and need, with the courage to answer some of life’s biggest questions: Who am I? What am I? Why am I?

    Or a chance teenage meeting. Or maybe simply because the place touches us, embodying in its tribes, towers and history an aspect of our understanding of what it means to be human. Paris is about romantic love. Lourdes equates with devotion. New York means energy. London is forever trendy.Berlin is all about volatility.Berlin is a city of fragments and ghosts, a laboratory of ideas, the fount of both the brightest and darkest designs of history's most bloody century. The once arrogant capital of Europe was devastated by Allied bombs, divided by the Wall, then reunited and reborn as one of the creative centers of the world. Today it resonates with the echo of lives lived, dreams realized, and evils executed with shocking intensity. No other city has repeatedly been so powerful and fallen so low; few other cities have been so shaped and defined by individual imaginations.Berlin tells the volatile history of Europe's capital over five centuries through a series of intimate portraits of two dozen key residents: the medieval balladeer whose suffering explains the Nazis' rise to power; the demonic and charismatic dictators who schemed to dominate Europe; the genius Jewish chemist who invented poison gas for First World War battlefields and then the death camps; the iconic mythmakers like Christopher Isherwood, Leni Riefenstahl, and David Bowie, whose heated visions are now as real as the city's bricks and mortar. Alongside them are portrayed some of the countless ordinary Berliners who one has never heard of, whose lives can only be imagined: the Scottish mercenary who fought in the Thirty Years' War, the ambitious prostitute who refashioned herself as a baroness, the fearful Communist Party functionary who helped to build the Wall, and the American spy from the Midwest whose patriotism may have turned the course of the Cold War.Berlin is a history book like no other, with an originality that reflects the nature of the city itself. In its architecture, through its literature, in its movies and songs, Berliners have conjured their hard capital into a place of fantastic human fantasy. No other city has so often surrendered itself to its own seductive myths. No other city has been so shaped and defined by individual imaginations. Berlin captures, portrays, and propagates the remarkable story of those myths and their makers..

    One murderer. Which of them is guilty? A man is found dead on a beach on a small island off the coast of Germany. The gruesome discovery rocks the close-knit community of Amrum: in a town where nothing stays secret for long, who among them has a motive for murder?DI Lena Lorenzen is brought in to investigate. For her, it is an unwelcome homecoming to the isolated island she turned her back on fourteen years ago. But now her past – and the island’s – is catching up with her. As her investigation leads her to a children’s home, where rumours of abuse by the murder victim are rife, she learns that the town she thought she knew housed secrets darker than nightmares.When it becomes clear that this is just the beginning, Lorenzen is faced with an unenviable task: in a case where the victims have blood on their hands, can she bring the true criminal to justice?

    And before long The Wave, with its rules of "strength through discipline, community, and action", sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of The Wave and realize they must stop it before it's too late.

    Delving deep into the psyches of both East and West Germany, The Sleep of the Righteous reveals a powerful, apocalyptic account of the century-defining nation’s trajectory from 1945 to 1989.From a youth in a war-scarred industrial town to wearying labor as a factory stoker, surreal confrontations with the Stasi, and, finally, a conflicted escape to the West, Hilbig creates a cipher that is at once himself and so many of his fellow Germans. Evoking the eerie bleakness of films like Tarkovsky’s Stalker and The Lives of Others, this titan of German letters combines the Romanticism of Poe with the absurdity of Kafka to create a visionary, somber statement on the ravages of history and the promises of the future.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager empress Tzu Hsi, and the silk industry in Norwich.

    Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity.