As clues begin to surface, Coe starts to wonder about the exact nature of the killer he’s after. In a game of cat and mouse that could make or break his career, he’s forced to follow a trail that will lead him to places darker than he could have ever imagined...

    Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life.He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon's Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.

    A new beginning, a new house, a new town: Featherbank.But Featherbank has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man. And then Jake begins acting strangely. He hears a whispering at his window.

    Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    "That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all."Meet Chrissie... Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    At least until he finds an abandoned house at the end of a terrace on a quiet street. And when he discovers that he can access three other houses through the attic space, the real fun begins. Because the one thing that Brogan enjoys even more than killing, is playing games with his victims. And his new neighbours have more than enough dark secrets to make this game his best one yet...

    Now, years later, Jack is a changed man, with a head full of secrets driving him insane. His recent record of police brutality and a reputation for not following the rules has prompted his seniors to give him an ultimatum: take a few weeks off, relax, and find some way to let go of all the anger – or else find another job.That’s why Jack is about to board The Spirit of Kirkpatrick, a cruise liner built for relaxation and fun. Pretty soon, however, Jack realises that a little R&R is the last thing he’s ever going to get aboard the cursed ship. There’s a virus onboard, making people insane and bleeding from the eyes. The whole ship is overrun with blood and death, and there is nowhere to escape. Just when Jack thinks his number is up and his life is over, he wakes up. The day is exactly the same. In fact, everything is the same. Jack is forced to witness the viral outbreak again and again as it ravages the ship and its passengers over and over, day after day. Jack finds himself trapped in a repeating hell. It won’t be long before Jack realises there are others onboard just like him – and that some of them know more than they’re letting on.

    Two kids, a dog, and a tenure track professorship teaching art at the local university. Your name is Daniel Rineheart. You’ve got it all....BUT ALL DREAMS MUST END.For this autumn heralds the arrival of a mysterious painting. No name. No date. No signature or frame. A disturbing work of grotesque perfection: two children with cruel eyes, a window onto an endless field, and a dying tree on top of a hill.A work of art... that changes with each viewing.SO BEGINS THE NIGHTMARE......Where wretched children crawl from a canvas prison to stalk the quiet halls of this happy home....Where painted clocks tick-tock away in the dark hours before dawn, and a missing dog whimpers from between the walls....Where all answers lead to a dark artist and an impossible creation, a cursed canvas with a twisted past......AND A HORROR THAT WILL DEVOUR ALL.Curl up, if you dare, with a dark novel readers are calling: “Beautifully written” — “A Must Read!” — “Stunning” — “The Scariest book EVER!” FORSKEN is an intelligent blend of ghost story, suburban supernatural thriller, haunted house, and mystery. Perfectly written for fans of early Stephen King, Dean Koontz, and Peter Straub, it’s a terrifying tale of secrets and lies, of nightmares made flesh; where the scariest stories are the ones that coldly whisper into your ear until madness and death are a welcome rest.Lock your door.
Turn on the lights.
Do NOT read FORSAKEN late at night.

    I began to suspect something was wrong with the gothic building when its family fled in the middle of the night, the children screaming, the mother crying. They never came back to pack up their furniture. No family stays long. Animals avoid the place. Once, I thought I saw a woman's silhouette pacing through the upstairs room... but that seems impossible; no one was living there at the time. A new occupant, Anna, has just moved in. I paid her a visit to warn her about the building. I didn't expect us to become friends, but we did. And now that Marwick House is waking up, she's asked me to stay with her. I never intended to become involved with the building or its vengeful, dead inhabitant. But now I have to save Anna... before it's too late for the both of us.

    She has survived attacks by two different serial killers and devoted her life to studying the darker side of human history. A new killer is using medieval torture methods to slay his victims. She can give them a glimpse into his twisted world, but not without a cost. If she opens herself, she risks falling into the depths of her own darkness. Can she afford to help, knowing that the cost could be her own humanity? Aislinn Cain's life is a horror story.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    Palmer, the author of The New Husband.Grace never dreamt she’d visit her teenaged daughter Penny in the locked ward of a decaying state psychiatric hospital, charged with the murder of a stranger. There was not much question of her daughter’s guilt. Police had her fingerprints on the murder weapon and the victim’s blood on her body and clothes. But they didn’t have a motive.Grace blames herself, because that’s what mothers do—they look at their choices and wonder, what if? But hindsight offers little more than the chance for regret.None of this was conceivable the day Penny came into her life. Then, it seemed like a miracle. Penny was found abandoned, with a mysterious past, and it felt like fate brought Penny to her, and her husband Arthur. But as she grew, Penny's actions grew more disturbing, and different "personalities" emerged.Arthur and Grace took Penny to different psychiatrists, many of whom believed she was putting on a show to help manage her trauma. But Grace didn’t buy it. The personas were too real, too consistent. It had to be a severe multiple personality disorder. One determined psychiatrist, Dr. Mitch McHugh, helped discover someone new inside Penny—a young girl named Abigail. Is this the nameless girl who was abandoned in the park years ago? Mitch thinks Abigail is the key to Penny’s past and to the murder. But as Grace and Mitch dig deeper, they uncover dark and shocking secrets that put all their lives in grave danger.

    On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise.And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.

    . .Yeti. . .Sasquatch.But whatever it is, it's out there in the woods and leaving a trail of blood and severed heads behind it.For John Moon, a half-mad Indian, it is a spirit that holds the key to his inner self. He worships its power and he'll kill to protect it. Desperate, exhausted, half-starved, Moon will follow it wherever it goes.For Raymond Jason, killing it has become an obsession. He was the only survivor of a hunting trip to the Rockies where the hunters became the monster's prey. Now he is determined to track the creature down and destroy it.But when the two men finally corner their quarry they set loose a flood of terror and destruction that me leave no survivors. . .RUNNING TIME ➼ 7hrs. and 41mins.©2019 Thomas Page (P)2019 Valancourt Books LLC