A darkly surreal, drug-coated romance, We are Wormwood tells an inhuman love story, and the transformation that results from affection among monsters.

    In the wake of a wildly disastrous affair with her married archeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town. As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

    The little girl saw it, saw the evil that had been bequeathed her by the house that had bedeviled her ancestors. And there was no escaping it. It lived at the lonely mansion off the New England coast.. it followed her.. possessed her.. and it would not

    . .Paul Kelly had a very big temper for such a small boy. When he tired of his toys he smashed them. When a dog or cat got in his way, he kicked them. And when other children told on him, he made sure they were very, very sorry . . .CHILD’S PLAY . . .But that was nothing compared to what Paul discovered next. Which was that if he didn’t like certain people, he could make it so he’d never have to see them again. Ever. And no one would suspect such a little boy of such a horrible deed. Of such monstrous powers. No one would ever guess that killing could be much more fun than playing with dump trucks and sandboxes. Especially the way Paul did it . . .

    A young girl is bleeding from her hands and feet and claims to be talking to the Virgin Mary. But Nightingale soon realises that all is not as it seems - and the girl is in mortal danger. Still Bleeding is about 14,000 words, about forty pages, perfect if you have half an hour to spare. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels. Before becoming a novelist he was a journalist for more than ten years on newspapers such as The Times, the Daily Mirror, the Glasgow Herald, the Daily Mail and the South China Morning Post in Hong Kong. He is one of the country’s most successful ebook authors and his ebooks have topped the Amazon Kindle charts in the UK and the US. In 2011 alone he sold more than 500,000 eBooks and was voted by The Bookseller magazine as one of the 100 most influential people in the UK publishing world. Born in Manchester, he began writing full time in 1992. His bestsellers have been translated into fifteen languages. He has also written for television shows such as London's Burning, The Knock and the BBC's Murder in Mind series and two of his books, The Stretch and The Bombmaker, were filmed for TV. You can find out more from his website www.stephenleather.com and you can follow him on Twitter at twitter.com/stephenleather

    We meet a school teacher, his wife, and their young son, Billy. One thing, one seemingly minor thing, goes wrong. And all that was safe and ordinary slowly unravels into nightmare. This familiar premise for the contemporary horror novel has rarely, if ever, been developed so brilliantly as in Bentley Little's The Mailman. A tall, pale postal carrier with carrot-red hair may seem an unlikely candidate for the embodiment of evil, but Little reveals the personality behind the mailman's ever-present smile with such finesse, you'll be more than happy to fall under his spell. By the time the frightened town folk are chanting, "No mail! No mail! No mail! No mail!"--and Billy ends up half-naked in a dark room, next to a soiled wedding dress--you'll be jumping right out of your skin.

    The anthology assembles twenty-five rare mythos tales, dating from the Thirties through the Nineties, from writers as diverse as Jorges Luis Borges, Gustav Meyrink, Manly Wade Wellman, and Neil Gaiman. Gahan Wilson provides the cover art. Publisher's Weekly says, "Searchers after Lovecraftian horror need look no further than Acolytes of Cthulhu, edited by Robert M. Price. This reprint anthology features 28 tales by mostly minor disciples, though there are a couple of big names (Borges, Neil Gaiman), plus a rare youthful offering from leading HPL scholar S.T.Joshi. The prolific Price provides his usual entertaining and erudite introduction, while the Gahan Wilson jacket is a delight." Contents: Introduction--Robert M. Price Doom of the House of Duryea--Earl Pierce The Seventh Incantation--Joseph Payne Brennan Black Noon--Clifford M. Eddy The Letters of Cold Fire--Manly Wade Wellman Horror at Vecra--Henry Hasse Out of the Jar--Charles A. Tanner The Earth Brain--Edmund Hamilton Legacy in Crystal--James Causey The Will of Claude Ashur--C. Hall Thompson The Final War--David H. Keller The Dunstable Horror--Arthur Pendragon The Crib of Hell--Arthur Pendragon The Last Work of Pietro of Apono--Steffan B. Aletti The Eye of Horus--Steffan B. Alletti Mythos--John S. Glasby There Are More Things--Jorges Luis Borges The Horror out of Time--Randall Garrett The Recurring Doom--S. T. Joshi Necrotic Knowledge--Dirk W. Mosig Night Bus--Donald R. Burleson The Pewter Ring--Peter H. Cannon John Lehman Alone--David Kaufman The Purple Death--Gustav Meyrink Mists of Death--Richard F. and Frank Searight Shuggoths Old Peculiar--Neil Gaiman

    A Hellraiser Companion, first in a 4 volume set.

    A young genius desperately isolated in a world of theories and formulae few can understand. Until he meets shy and loving Samantha. The friend he never had. The love he only dreamed of. He loves her so much, he cannot let her go.And when suddenly, tragically, Samantha is lost, he makes a solemn vow -- to use his gifts of genius to keep his beloved Samantha. For just a little while longer....A modern day Frankenstein story that was the basis for a Sci-Fi horror movie of the same name by Wes Craven.

    Steel your nerves, reach into your weapons locker, and tie tight your running shoes as humanity takes up arms against the monsters and gods of H. P. Lovecraft’s Cthulhu Mythos. Grab your pistols, your knives, your gearpunk grenades. Confront deep ones, mi-go, and flying polyps. Fight in the past, present and future, from the birth of the shotgun to the end of the world. Escape by car, carriage, and hot air balloon. Above all, remember to count your bullets...you may need the last one for yourself.

    Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft. 9 • Introduction (Lovecraft Unbound) • essay by Ellen Datlow 11 • The Crevasse • short story by Dale Bailey and Nathan Ballingrud 31 • The Office of Doom • [Dust Devil] • short story by Richard Bowes 43 • Sincerely, Petrified • short fiction by Anna Tambour 73 • The Din of Celestial Birds • (1997) • short story by Brian Evenson 85 • The Tenderness of Jackals • short fiction by Amanda Downum 99 • Sight Unseen • short fiction by Joel Lane 113 • Cold Water Survival • short story by Holly Phillips 139 • Come Lurk With Me and Be My Love • short fiction by William Browning Spencer 161 • Houses Under the Sea • (2006) • novelette by Caitlín R. Kiernan 195 • Machines of Concrete Light and Dark • short story by Michael Cisco 213 • Leng • short fiction by Marc Laidlaw 239 • In the Black Mill • (1997) • short story by Michael Chabon 267 • One Day, Soon • short fiction by Lavie Tidhar 277 • Commencement • (2001) • novelette by Joyce Carol Oates 305 • Vernon, Driving • short fiction by Simon Kurt Unsworth 315 • The Recruiter • short fiction by Michael Shea 331 • Marya Nox • short fiction by Gemma Files 347 • Mongoose • [Boojum] • novelette by Elizabeth Bear and Sarah Monette 375 • Catch Hell • short fiction by Laird Barron 413 • That of Which We Speak When We Speak of the Unspeakable • short fiction by Nick Mamatas

    Add to this a group of wonderful eccentrics—archaeologists, astronomers, a civil servant, a stand-up comic, local rustics—who converge on the site to disturb the quiet seclusion of Pilgrin Valley.Someone (or something) is trying to sabotage the best efforts of the excavators, headed by Mark Clare, to unearth the dormant secrets of the burial ground. Meanwhile, at the nearby observatory, astronomer Damien Fall, his telescope focused on the red star Aldebaran, is unnerved by the deeper significance he imputes to the celestial sophistication of the region’s ancient inhabitants. And Joey Hanover, a retired music-hall and TV entertainer searching for his own past, has learned secrets from Farmer Mint and his son, Boy, the weirdly cryptic guardians of their ancestral home in the valley. What do all these, among others, have in common?All is masterfully woven into an immensely engaging and entertaining novel—a suspenseful reflection on life, nature, and the cosmos, and above all an illuminating and enchanting story.

    C. Andrews, Flowers in the Attic and Petals on the Wind.

    Also of note are "Children of the Black Meadow" where a bereaved mother resurrects her deceased kids as blackberry bramble homunculi; cyclical damnation tale "The Coal Man and the Creature" and the paranoia-inducing sucker punch "The Watcher From the Village" ... this is a collection that strongly invites a second reading.." - STARBURST MAGAZINE "A banquet of weirdness..." - Hypnobobs"...visceral dread slowly rises from its mustiness..." - Mythogeography"A fine piece of British Hauntology" - Gareth Rees Author of Marshland"Properly spooky and really well written." - Sebastian Baczkiewicz - Creator of Radio 4's Pilgrim"Tales from the Black Meadow" features a blend of weird and disturbing short stories. This collection is well worth checking out for its originality and chilling tone." - Phil Syphe Author of Cash 'n' Carrots and other capers"very atmospheric black and white illustrations courtesy of Mr Nigel Wilson" - Hypnobobs"Lambert manages to create genuine atmosphere and spine-tingling moments... but he also injects some black humour and much appreciated wit." Steevan Glover - Author of The Frog and the ScorpionWhen Professor R. Mullins of the University of York went missing in 1972 on the site of the area known as Black Meadow atop of the North Yorkshire Moors, he left behind him an extensive body of work that provided a great insight into the folklore of this mysterious place.Writer Chris Lambert has been rooting through Mullins' files for over ten years and now presents this collection of weird and macabre tales.Marvel at tales such as The Rag and Bone Man, The Meadow Hag, The Fog House, The Land Spheres and The Children of the Black Meadow.What is the mystery surrounding The Coalman and the Creature?Who or what is The Watcher in the Village?What is the significance of the Shining Apples?Why is it dangerous to watch the Horsemen dance?Beautifully illustrated by Nigel Wilson these tales will haunt you for a long time to come."Can you tell me, maiden fair Can you tell me if or where I shall see my child again Walk upon the fields of men? Will she ever stumble back From the meadow all a'black?

    After months of accepting his lame excuses and strange behavior, his wife has had enough. She demands that he see a therapist, and George, desperate to save his unraveling marriage and redeem himself as a father and husband, reluctantly agrees. As he delves into his childhood memories, he begins to recall things he hasn’t thought of in twenty years. Events, people, and strange situations come rushing back. The odd, rambling letters his father sent home before he died. The jovial mother who started dating too soon after his father’s death. A boy who appeared one night when George was lonely, then told him secrets he didn’t want to know. How no one believed this new friend was real and that he was responsible for the bad things that were happening. Terrified by all that he has forgotten, George struggles to remember what really happened in the months following his father’s death. Were his ominous visions and erratic behavior the product of a grief-stricken child’s overactive imagination (a perfectly natural reaction to the trauma of loss, as his mother insisted)? Or were his father’s colleagues, who blamed a darker, more malevolent force, right to look to the supernatural as a means to end George’s suffering? Twenty years later, George still does not know. But when a mysterious murder is revealed, remembering the past becomes the only way George can protect himself–and his young family.A psychological thriller in the tradition of Donna Tartt’s The Secret History–with shades of The Exorcist–the smart and suspenseful A Good and Happy Child leaves you questioning the things you remember and frightened of the things you’ve forgotten.From the Hardcover edition.