Society was so dependent on it, abolition was unthinkable.In 'Amazing Grace', Eric Mextas's gripping narrative paints a detailed portrait, not just of William Wilberforce himself and the Abolition Movement but also other contemporary concerns of the social reformers. Together with entries from Wilberforce's own diaries documenting his travels and the people he meets - from the paupers of Cheddar to Marie Antoinette - this age is brought vividly to life. From the author of the New York Times #1 Bestseller 'Bonhoeffer: Pastor, Martyr, Prophet, Spy'.

    At its heart are the three Cartier brothers whose motto was "Never copy, only create".Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family's history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more.

    She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party.This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics.This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.

    In her extraordinary follow-up memoir, The Arrogant Years, Lagnado revisits her first years in America, and describes a difficult coming-of-age tragically interrupted by a bout with cancer at age 16. At once a poignant mother and daughter story and a magnificent snapshot of the turbulent ’60s and ’70s, The Arrogant Years is a stunning work of memory and resilience that ranges from Cairo to Brooklyn and beyond—the unforgettable true story of a remarkable young woman’s determination to push past the boundaries of her life and make her way in the wider world.

    Of the three original members--Diana Ross, Mary Wilson, and Florence Ballard—two told their life stories in bestselling books. Only Florence Ballard, the spunky teenager who founded the group, remained silent. But, in the months before her 1976 death, Flo actually did tell her own side of the Supremes story—and the story of her entire life—to Peter Benjaminson, who recorded her words on tape. In this book, for the first time, is Flo Ballard’s entire heartbreaking tale, revealing: the suprising identity of the man who raped her before she entered the music business; the details of her love-hate relationship with Motown Records czar Berry Gordy—and an account of their first and only date; her serious drinking problem and ignored pleas for treatment; her never-ending desire to sing lead and how she was prevented from doing so; her attempts to get her life back on track after being brutally expelled from the Supremes; and much more. Flo Ballard traveled around the world in luxury, chatting with royalty and heads of state, applauded by millions. But when she died at the age of 32, she was a lonely mother of three just barely recovered from years of poverty and despair. Though we may mourn the extended silence of such a profound talent, at least now we can begin to understand how and why it happened.

    Rule-breakers and style-setters, demimondes and diplomats, these women were utterly diverse, yet all shared one common passion — Paris, the world’s headquarters of femininity.At a turning point in her life, Lucinda Holdforth journeys to Paris and takes a very personal tour through the lives, loves, and losses of its celebrated women. She evokes the city’s incarnations from Louis XIV through the French Revolution, two world wars and the Paris of the new millennium. As she walks in their footsteps, she draws inspiration from the fascinating women who created and nurtured the world’s most civilized city. Sophisticated, witty, and intelligent, this entrancing travelogue will seduce and inspire every woman in search of her own true pleasures.

     Hervé Le Tellier did not consider himself to have been an unhappy child--he was not deprived, or beaten, or abused. And yet he understood from a young age that something was wrong, and longed to leave. Children sometimes have only the option of escaping, and owe to that escape their even greater love of life.Having reached a certain emotional distance at sixty years old, and with his father and stepfather dead and his mother suffering from late-stage Alzheimer's disease, Le Tellier finally felt able to write the story of his family. Abandoned early by his father and raised in part by his grandparents, he was profoundly affected by his relationship with his mother, a troubled woman with damaging views on love. In this perceptive, deeply personal account, Le Tellier attempts to look back on trying times in his life without anger or regret, and even with humor.

    As Napoleon struggles for power on the battlefields of Europe, so Hortense charts her way through the French court -- a chessboard world where the motives are jealousy and greed and the prizes are thrones of conquered countries. Despite attempts to retain her individuality, Hortense finds herself married to Napoleon's brother Louis, but her heart is with Charles de Flahaut, a gallant young officer. Unwilling to cross her stepfather, Hortense must wait and see if time will take her to her lover.

    I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road, my country is the caravan, my life the most unexpected of voyages." Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.

    His career was a successful one albeit never in the full glare of the media. That all changed when, in 1998, the Festina doping scandal broke and Bassons shot to fame as one of the handful of clean riders in the peloton - and as the only professional who dared to speak openly about the topic.Having been seen as a possible champion, his instinctive and stubborn refusal to dope saw him outstripped in physique, stamina and speed by men he'd once equalled or exceeded. His willingness to denounce the doping culture set him against the entire ethos of professional cycling: owners, management and his peers - the likes of Lance Armstrong, Richard Virenque, Christophe Moreau. A year later, Bassons' career was over. Having clashed publicly with other riders - notably with Armstrong during the 1999 Tour de France - and written in French newspapers of his disbelief and disgust, Bassons found himself exhausted and exiled - chewed up and spat out by the sport he loved.First published in French in 2000 and now updated following recent revelations from Armstrong, Tyler Hamilton and other high-profile figures, A Clean Break is unmissable reading for all cycling fans. It offers a unique and heartbreaking take on the subject.

     Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar’s abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children – OTMA and the Tsarevitch – Grand Duchess Ella (the Empress’ sister), Ania Vyrubova (the Empress’ most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes ‘The Tragic Empress’ such an intriguing and compelling book.

    No other city in any of his travels was as significant, professionally or emotionally, as was Paris. And it remains there, all of the complexity, beauty, and intrigue that Hemingway described in the pages of so much of his work.It is all still there for the reader and traveler to experience—the history, the streets, and the city. Restaurants, hotels, homes, sites and favorite bars are all detailed here. The ninety-five black and white photographs in Hemingway’s Paris are of the highest caliber. The accompanying text reveals Wheeler’s deep understanding of the man; his torment, talent, obstacles and the places of refuge needed to nurture one of the preeminent writers of the twentieth century. Moved by the humanistic writing of the man—a writer capable of transcending his readers to foreign settings and into the hearts and minds of his protagonists—Wheeler was inspired to travel throughout France, Italy, Spain, Africa, and Cuba, where he has sought to gain insight into the motivation behind Hemingway’s books and short stories. As a teacher, lecturer, and photojournalist, he set out to capture and interpret the Paris that Ernest Hemingway experienced in the first part of the century. Through his journal and photographs, Wheeler portrays the intimate connection Hemingway had with the woman he never stopped loving, Hadley, and with the city he loved most, Paris.

    A peasant himself, Guillaumin was unique in that, after a few years of schooling, he continued to work his small farm in central France to the end of his life, reserving nights for study and writing. Guillaumin felt that the French peasant had been misrepresented in contemporary literature--either romanticized as in George Sand or depicted as a dumb victim of the forces of nature as in Zola--and wanted to correct the picture. The result is a moving first-person story that can be read as a fictional account, as well as the best kind of material for historians seeking to understand how nineteenth-century French peasants really lived.

    Set against the backdrop of the Soviet liberation and post–World War II communist rule of Czechoslovakia, Running—a bestseller in France—follows the famed career of Czech runner Emil Zátopek: a factory worker who, despite an initial contempt for athletics as a young man, is forced to participate in a footrace and soon develops a curious passion for the physical limits he discovers as a long-distance runner.Zátopek, who tenaciously invents his own brutal training regimen, goes on to become a national hero, winning an unparalleled three gold medals at the 1952 Helsinki Olympics and breaking countless world records along the way. But just as his fame brings him upon the world stage, he must face the realities of an increasingly controlling regime.Written in Echenoz’s signature style—elegant yet playful—Running is both a beautifully imagined and executed portrait of a man and his art, and a powerful depiction of a country’s propagandizing grasp on his fate.

    Edited and with a Preface by Gunther Stuhlmann