Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara’s lover. But one of them works for the secret police and is reporting on all of the group.One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it’s the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police—the fox was ever the hunter.Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it’s hard to tell victim from perpetrator.In The Fox Was Always a Hunter, Herta Müller once again uses language that displays the "concentration of poetry and the frankness of prose"—as the Swedish Academy noted upon awarding her the Nobel Prize—to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism.

    This small farm on the outer reaches of Cape Cod is a place that is as bewitching and alive as the characters we meet: Violet, a brilliant girl who is in love with books and with a man destined to betray her; Lysander Wynn, attacked by a halibut as big as a horse, certain that his life is ruined until a boarder wearing red boots arrives to change everything; Maya Cooper, who does not understand the true meaning of the love between her mother and father until it is nearly too late. From the time of the British occupation of Massachusetts to our own modern world, family after family’s lives are inexorably changed, not only by the people they love but by the lives they lead inside Blackbird House.These interconnected narratives are as intelligent as they are haunting, as luminous as they are unusual. Inside Blackbird House more than a dozen men and women learn how love transforms us and how it is the one lasting element in our lives. The past both dissipates and remains contained inside the rooms of Blackbird House, where there are terrible secrets, inspired beauty, and, above all else, a spirit of coming home.From the writer Time has said tells "truths powerful enough to break a reader’s heart" comes a glorious travelogue through time and fate, through loss and love and survival. Welcome to Blackbird House.

    War is imminent in central Europe, but the company of a special tomcat, a guardian angel of sorts, helps him to overcome all dangers. In Bucharest, Joseph will meet and fall in love with an attractive nanny, while the prince distances himself from the dentist, seeking to erase all stains from his past, particularly his involvement with a beautiful blind prostitute. But unbeknownst to him, she has given birth to a baby boy with a suspiciously aristocratic nose .  Nations are invented and dissolved overnight, kingdoms are for sale, Bucharest grows from a muddy pigsty into an elegant capital city, and love turns everything upside down inThe Days of the King.

    And another one under that.' Only very special people are chosen by children's author Laura White to join 'The Society', an elite group of writers in the small town of Rabbit Back. Now a tenth member has been selected: Ella, literature teacher and possessor of beautifully curving lips. But soon Ella discovers that the Society is not what it seems. What is its mysterious ritual, 'The Game'? What explains the strange disappearance that occurs at Laura's winter party, in a whirlwind of snow? Why are the words inside books starting to rearrange themselves? Was there once another tenth member, before her? Slowly, disturbing secrets that had been buried come to light... In this chilling, darkly funny novel, the uncanny brushes up against the everyday in the most beguiling and unexpected of ways.

    It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to a metaphysical revelation."No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."—Bill Marx, Boston Phoenix"The dark, existential despair of Romanian philosopher Cioran's short meditations is paradoxically bracing and life-affirming. . . . Puts him in the company of Nietzsche and Kierkegaard."—Publishers Weekly, starred review"This is self-pity as epigram, the sort of dyspeptic pronouncement that gets most people kicked out of bed but that has kept Mr. Cioran going for the rest of his life."—Judith Shulevitz, New York Times Book Review

    “I must create a myth,” he jotted in his diary, “and become its hero—that’s my idea! . . . [A] Judeo-German metaphysician, descended as if from the XVIIIth century (or that’s how he likes to think of himself) [who talks] about responsibility, about a dialogue of purity with God, about perplexity facing the void.” In the following years, Zacharias Lichter— madman, fool, philosopher, and the weirdest of rebels without a cause—would come to life in Calinescu’s fictional account of his life and opinions, a book written for his private amusement since he assumed the censors would never permit its publication. He was wrong about that, however. The censors were completely oblivious to the subversive humor and intent of his book, which became a cult classic.

    This miserable experience (being mistaken for another, dragged about a cold foreign place, appalled by a species’ end) is narrated— all in a single sentence—as a sad looping tale, a howl more or less, in a dreary wintry Berlin bar to a patently bored bartender.The Last Wolf is Krasznahorkai in a maddening nutshell—with the narrator trapped in his own experience (having internalized the extermination of the last creature of its kind and “ locked Extremadura in the depths of his own cold, empty, hollow heart ”)—enfolding the reader in the exact same sort of entrapment to and beyond the end, with its first full-stop period of the book.Herman, “a peerless virtuoso of trapping who guards the splendid mysteries of an ancient craft gradually sinking into permanent oblivion,” is asked to clear a forest’s last “noxious beasts.” In Herman I: The Game Warden, he begins with great zeal, although in time he “suspects that maybe he was ‘on the wrong scent.’” Herman switches sides, deciding to track entirely new game...In Herman II: The Death of a Craft, the same situation is viewed by strange visitors to the region. Hyper-sexualized aristocratic officers on a very extended leave are enjoying a saturnalia with a bevy of beauties in the town nearest the forest. With a sense of effete irony, they interrupt their orgies to pitch in with the manhunt of poor Herman, and in the end, “only we are left to relish the magic bouquet of this escapade...”

    A sumptuous feast of a novel, it relates the bizarre history of the all-female De La Garza family. Tita, the youngest daughter of the house, has been forbidden to marry, condemned by Mexican tradition to look after her mother until she dies. But Tita falls in love with Pedro, and he is seduced by the magical food she cooks. In desperation, Pedro marries her sister Rosaura so that he can stay close to her, so that Tita and Pedro are forced to circle each other in unconsummated passion. Only a freakish chain of tragedies, bad luck and fate finally reunite them against all the odds.

    After a nine-year affair with Jake, a married man, Kate Ennis decides to escape. She takes off, looking for something beautiful and quiet by the sea, but finds herself in a pitch dark and driving rain on a lonely Irish road. It is only months later that she learns that she may have committed a crime, but by then she is home, once more negotiating with Jake for time, for attention, and for love."

    Its solution will involve such unwitting detectives as a twelve-year-old mathematician, his mother, his beloved, a palmist named Miss Prentice, and a bureaucrat dubbed the Minister of Imponderabilia. The clues they unearth--drawing on logic, the occult, intuition, and everything in between--lead them far away from the tiny seaside town where they begin. We follow them to Majorca, Rome, Warsaw, and London, but in the end, the solution lies beyond even the furthest and most magical reaches of reason.

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    After shooting his brother's killer, young Gjorg is entitled to thirty days' grace - not enough to see out the month of April.Then a visiting honeymoon couple cross the path of the fugitive. The bride's heart goes out to Gjorg, and even these 'civilised' strangers from the city risk becoming embroiled in the fatal mechanism of vendetta.

    Shooting parties in great country houses, turbulent scenes in parliament, and the luxury of life in Budapest provide the backdrop for this gripping, prescient novel, forming a chilling indictment of upper-class frivolity and political folly, in which good manners cloak indifference and brutality. Abady becomes aware of the plight of a group of Romanian mountain peasants and champions their cause, while Gyeroffy dissipates his resources at the gaming tables, mirroring the decline of the Austro-Hungarian Empire itself. The first book in a trilogy published before World War II, it was rediscovered after the fall of Communism in Hungary and this edition contains a new foreword.

    Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

    Simultaneously satiric and philosophical, The Opportune Moment, 1855, opens with an Italian anarchist’s missive to his noble former mistress, an impassioned rejection of all of Europe’s latest and greatest advancements, from the Enlightenment to social reform to communist revolution. We then leap back in time half a century to the alternately somber and hilarious shipboard diary of a common Italian everyman sailing to Brazil with a motley, multinational band of idealists, to build a new society. A pitiless portrait of the often unbridgeable gap between theory and practice, The Opportune Moment, 1855 is another uproarious and unsettling attack on convention by one of literature’s great provocateurs.