Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he wishes to be reunited with his high school sweetheart Marika. What follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor—a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town—offers long rants and disquisitions on his own attempts to immunize himself from thought. Spectacular actions are staged, death and the abyss loom, until finally doom is brought down on the unsuspecting residents of the town.

    This miserable experience (being mistaken for another, dragged about a cold foreign place, appalled by a species’ end) is narrated— all in a single sentence—as a sad looping tale, a howl more or less, in a dreary wintry Berlin bar to a patently bored bartender.The Last Wolf is Krasznahorkai in a maddening nutshell—with the narrator trapped in his own experience (having internalized the extermination of the last creature of its kind and “ locked Extremadura in the depths of his own cold, empty, hollow heart ”)—enfolding the reader in the exact same sort of entrapment to and beyond the end, with its first full-stop period of the book.Herman, “a peerless virtuoso of trapping who guards the splendid mysteries of an ancient craft gradually sinking into permanent oblivion,” is asked to clear a forest’s last “noxious beasts.” In Herman I: The Game Warden, he begins with great zeal, although in time he “suspects that maybe he was ‘on the wrong scent.’” Herman switches sides, deciding to track entirely new game...In Herman II: The Death of a Craft, the same situation is viewed by strange visitors to the region. Hyper-sexualized aristocratic officers on a very extended leave are enjoying a saturnalia with a bevy of beauties in the town nearest the forest. With a sense of effete irony, they interrupt their orgies to pitch in with the manhunt of poor Herman, and in the end, “only we are left to relish the magic bouquet of this escapade...”

    All eight came from the same woebegone corner of prewar Hungary. Their biographies illuminate how the region's residents made sense of economic underdevelopment, ethnic diversity, and relations between Christians and Jews. Taken together, their stories create a unique picture of the troubled history of Eastern Europe, viewed not from the capital cities, but from the small towns and villages.Through these eight lives, Another Hungary investigates the wider processes that remade Eastern Europe in the nineteenth century. It asks: How did people make sense of the dramatic changes, from the advent of the railroad to the outbreak of the First World War? How did they respond to the army of political ideologies that marched through this region: liberalism, socialism, nationalism, antisemitism, and Zionism? To what extent did people in the provinces not just react to, but influence what was happening in the centers of political power? This collective biography confirms that nineteenth-century Hungary was no earthly paradise. But it also shows that the provinces produced men and women with bold ideas on how to change their world.

    She quickly embraces the beauty and history of the walled city, wishing for an alternate life where her grandpapa had never left in the first place. Her sense of homecoming increases when she meets Luca, a Romani dancer whose moves could melt her clothes off, and she yearns to get to know him more when she observes him caring for his dying sister. After a short summer fling, she agrees to an odd marriage proposal.Her grandpapa's brother visits right before the wedding, exposing the real reason his brother fled Hungary for America. Secrets open old wounds, revealing a connection with Luca's clan. Following the revelation, the Romani family, including her fiancE, rejects Amanda because of clan loyalties. Now she questions everything she knew about her beloved grandpapa and searches for a way to repair wounds she didn't intend to open.[Literary Fiction, Women's Fiction, Historical Fiction]BEHIND THE OPEN WALLS by Lanette KautenEvolved Publishing presents the story of a feud between two families, spanning two continents, with tentacles reaching back to World War II. [DRM-Free]Books by Lanette Kauten: Behind the Open Walls Cassia House of Thistles More Great Literary Fiction from Evolved Publishing: Hannah's Voice and Carry Me Away by Robb GrindstaffThe Daughter of the Sea and the Sky by David LitwackWhite Chalk by P.K. Tyler

    This demographic fact appears startling primarily because of its virtual absence from canonical histories of the city.Famed for its cosmopolitan culture and vibrant nightlife, Budapest owed much to its Jewish population. Indeed, it was Jews who helped shape the city's complex urban modernity between 1867 and 1914. Yet these contributions were often unacknowledged, leading to a metaphoric, if not literal, invisible status for many of Budapest's Jews.In the years since, particularly between the wars, anti-Semites within and outside Budapest sought to further erase Jewish influences in the city. Appellations such as the "sinful city" and "Judapest" left a toxic inheritance that often inhibited serious conversation or scholarly research on the subject.Into this breach strides Mary Gluck, whose goal is no less than to retrieve the lost contours of Jewish Budapest. She delves into the popular culture of the city's coffee houses, music halls, and humor magazines to uncover the enormous influence of assimilated Jews in creating modernist Budapest. She explores the paradox of this culture, which was Jewish-identified yet lacked a recognizable Jewish face. Because much of the Jewish population embraced and promoted a secular, metropolitan culture, their influence as Jews was both profound and invisible.

    Tracy shows how the Ottoman advance across Europe stalled in the western Balkans, where three great powers confronted one another in three adjoining provinces: Habsburg Croatia, Ottoman Bosnia, and Venetian Dalmatia. Until about 1580, Bosnia was a platform for Ottoman expansion, and Croatia steadily lost territory, while Venice focused on protecting the Dalmatian harbors vital for its trade with the Ottoman east. But as Habsburg-Austrian elites coalesced behind military reforms, they stabilized Croatia's frontier, while Bosnia shifted its attention to trade, and Habsburg raiders crossing Dalmatia heightened tensions with Venice. The period ended with a long inconclusive war between Habsburgs and Ottomans, and a brief inconclusive war between Austria and Venice. Based on rich primary research and a masterful synthesis of key studies, this book is the first English-language history of the early modern Western Balkans. More broadly, it brings out how the Ottomans and their European rivals conducted their wars in fundamentally different ways. A sultan's commands were not negotiable, and Ottoman generals were held to a time-tested strategy for conquest. Habsburg sovereigns had to bargain with their elites, and it took elaborate processes of consultation to rally provincial estates behind common goals. In the end, government-by-consensus was able to withstand government-by-command.