She meets and falls in love with Bassem, a former Free Syrian Army fighter and together they decide to leave behind the hardship and harassment they face in Egypt to flee for Europe, joining the ranks of the thousands of refugees who make the dangerous journey across the Mediterranean on overcrowded and run-down ships to seek asylum overseas and begin a new life. After four days at sea, their boat is sunk by another boat filled with angry men shouting threats and insults. With no land in sight and surrounded by bloated, floating corpses, Doaa is adrift with a child’s inflatable water ring around her waist, while two little girls cling to her neck. Doaa must stay alive for them. She must not lose strength. She must not lose hope.

    Always gossip." — Eden Lipson, "Special Edition," WNET/Thirteen

    The author provides an enlightening and in-depth exploration into an empire's golden age, its downfall and the numerous debates that now surround it.

    A dramatic departure from Jiji’s previous novel, Diamonds Take Forever, Sweet Dates in Basra brilliantly captures the atmosphere of a volatile Middle East during the previous century and pays tribute to the lost traditions of a once-idyllic world.

    "A rare voice that is both relatable and unafraid to examine the complexities of her American identity.” —Reza Aslan, #1 New York Times bestselling author of Zealot: The Life and Times of Jesus of NazarethYou know that feeling of being at the wrong end of the table? Like you’re at a party but all the good stuff is happening out of earshot (#FOMO)? That’s life—especially for an immigrant.What happens when a shy, awkward Arab girl with a weird name and an unfortunate propensity toward facial hair is uprooted from her comfortable (albeit fascist-regimed) homeland of Iraq and thrust into the cold, alien town of Columbus, Ohio—with its Egg McMuffins, Barbie dolls, and kids playing doctor everywhere you turned?This is Ayser Salman’s story. First comes Emigration, then Naturalization, and finally Assimilation—trying to fit in among her blonde-haired, blue-eyed counterparts, and always feeling left out. On her journey to Americanhood, Ayser sees more naked butts at pre-kindergarten daycare that she would like, breaks one of her parents’ rules (“Thou shalt not participate as an actor in the school musical where a male cast member rests his head in thy lap”), and other things good Muslim Arab girls are not supposed to do. And, after the 9/11 attacks, she experiences the isolation of being a Muslim in her own country. It takes hours of therapy, fifty-five rounds of electrolysis, and some ill-advised romantic dalliances for Ayser to grow into a modern Arab American woman who embraces her cultural differences.Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity.

    Homesick and heartbroken, Raihana bravely attempts to start a new life, trying hard not to ponder the fate of her husband, who was taken prisoner by the Taliban and never heard from again.Soon after arriving, Raihana finds herself in a language school, struggling to learn Danish, which she thinks sounds like the buzzing of bees. To improve her speaking skills, Raihana apprentices herself to Gunnar, a recent widower who is steadily withdrawing from the world around him, even neglecting the bee colonies he worked so hard to cultivate with his late wife. Over the course of the bee season, Raihana and Gunnar forge an unlikely relationship, despite the disapproval of their friends and relatives. But when the violence Raihana thought she had left behind in Afghanistan rears its head, she and Gunnar are forced to confront the ghosts of the past as they navigate the uncertain future. Praise for Song of the Cuckoo Bird“Mesmerizing... a sprawling, gorgeous intergenerational saga.”–Jacquelyn Mitchard.“An intelligent, absorbing novel.”–The Boston Globe

    How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn't even think about what he was saying, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.--from Kiffe Kiffe Tomorrow "A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence. A funny, heartfelt story from a wise guy who happens to be a girl. If you've ever fallen in love, if you've ever had your heart broken, this story is your story." -- Sandra Cisneros, author of THE HOUSE ON MANGO STREET The Paradise projects are only a few metro stops from Paris, but here it's a whole different kind of France. Doria's father, the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub—their destiny—alone. They have a little help-- from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud.It seems like fate’s dealt them an impossible hand, but Doria might still make a new life. She'll prove the projects aren't only about rap, soccer, and religious tension. She’ll take the Arabic word kif-kif (same old, same old) and mix it up with the French verb kiffer (to really like something). Now she has a whole new motto: KIFFE KIFFE TOMORROW."Moving and irreverent, sad and funny, full of rage and intelligence. [Guène's] characters are unforgettable, her voice fresh, and her book a delight." -- Laila Lalami, author of Hope and Other Dangerous PursuitsFaïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.

    Rushdie’s crime? Blasphemy or “Islamophobia,” as it has come to be known. Since then we have seen worldwide violent Muslim protests over cartoons, blasphemy laws in Europe, prosecutions of notable opponents of Islamic terror like Oriana Fallaci and Geert Wilders, and the demonization of courageous opponents of Islamic imperialism and terror in the West. David Horowitz and Robert Spencer describe the origins of the word “Islamophobia” as a coinage of the Muslim Brotherhood and show how the Brotherhood launched a campaign, by ginning up “Islamophobia” as a hate crime, to stigmatize mention of such issues as radical Islam’s violence against women and murder of homosexuals, and the constant incitement of many imams to terrorism. The authors make the case that “Islamophobia” is a dagger aimed at the heart of free speech and also at the heart of our national security.

    Divides among citizens aren't just about power but are products of fundamental disagreements over the very nature and purpose of the modern nation state—and the vexing problem of religion’s role in public life. Hamid argues for a new understanding of how Islam and Islamism shape politics by examining different models of reckoning with the problem of religion and state, including the terrifying—and alarmingly successful—example of ISIS.With unprecedented access to Islamist activists and leaders across the region, Hamid offers a panoramic and ambitious interpretation of the region's descent into violence. Islamic Exceptionalism is a vital contribution to our understanding of Islam's past and present, and its outsized role in modern politics. We don't have to like it, but we have to understand it—because Islam, as a religion and as an idea, will continue to be a force that shapes not just the region, but the West as well in the decades to come.

    The story begins on a blustery day in London, when Maryam Mazar’s dark secrets and troubled past surface violently with tragic consequences for her pregnant daughter, Sara. Burdened by guilt, Maryam leaves her comfortable English home for the remote village in Iran where she was raised and disowned by her father. When Sara decides to follow her she learns the price that her mother had to pay for her freedom and of the love she left behind. Poetic, haunting, and brilliantly crafted, The Saffron Kitchen is sure to entrance fans of Jhumpa Lahiri’s The Namesake and Amy Tan’s The Joy Luck Club.

    In Djamila Ibrahim’s powerful story collection, women, men, and children who’ve crossed continents in search of a better life find themselves struggling with the chaos of displacement and the religious and cultural clashes they face in their new homes. A maid who travelled to the Middle East lured by the prospect of a well-paying job is trapped in the Syrian war. A female ex-freedom fighter immigrates to Canada only to be relegated to cleaning public washrooms and hospital sheets. A disillusioned civil servant struggles to come to grips with his lover’s imminent departure. A young Muslim Canadian woman who’d married her way to California realizes she’s made a mistake.Things Are Good Now is about remorse and the power of memory, and about the hardships of a post-9/11 reality that labels many as suspicious or dangerous because of their names or skin colour alone. Most importantly, it’s about the compromises we make to belong.

    It is a place where Mullahs visit prostitutes, gangs sell guns supplied by corrupt Revolutionary Guards, cosmetic surgeons restore girls' virginity and homemade porn is bought and sold in the bazaars. It is also the home of our eight protagonists, drawn from across the spectrum of Iranian society: the gun runner, the aging socialite, the porn star, the assassin and enemy of the state who ends up working for the Republic, the volunteer religious policeman who undergoes a sex change, and the dutiful housewife who files for divorce. These are ordinary people forced to live extraordinary lives. plotted around the city's pulsing central thoroughfare, Vail Asr Street, City of Lies is an energetic, intimate and unforgettable portrait of modern Tehran and of what it is to live, love and survive under one world's most brutally repressive regimes.

    This book should be required reading for the Left in the West who have mistakenly started believing that Islamists represent some sort of anti-imperialism.

    With her Muslim hijab and down-turned gaze, Najwa is invisible to most eyes, especially to the rich families whose houses she cleans in London. Twenty years ago, Najwa, then at university in Khartoum, would never have imagined that one day she would be a maid. An upper-class Westernized Sudanese, her dreams were to marry well and raise a family. But a coup forces the young woman and her family into political exile in London. Soon orphaned, she finds solace and companionship within the Muslim community. Then Najwa meets Tamer, the intense, lonely younger brother of her employer. They find a common bond in faith and slowly, silently, begin to fall in love. Written with directness and force, Minaret is a lyric and insightful novel about Islam and an alluring glimpse into a culture Westerners are only just beginning to understand.