Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which “the human” is universalized and “freed” by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.

    In one bloody day more than 800 British troops, 500 of their allies, and at least 2,000 Zulus were killed in a staggering defeat for the British empire. The consequences of the battle echoed brutally across the following decades as Britain took ruthless revenge on the Zulu people. In Zulu Rising Ian Knight shows that the brutality of the battle was the result of an inevitable clash between two aggressive warrior traditions. For the first time he gives full weight to the Zulu experience and explores the reality of the fighting through the eyes of men who took part on both sides, looking into the human heart of this savage conflict. Based on new research, including previously unpublished material, Zulu oral history, and new archaeological evidence from the battlefield, this is the definitive account of a battle that has shaped the political fortunes of the Zulu people to this day.

    The Baltimore Sun declared Eprile's "horrifying yet heartrendingly beautiful" prose to be "comparable to his fellow authors of Apartheid Andre Brink and Nadine Gordimer." As the novel builds to a harrowing conclusion, the protagonist, a veteran of the secret war in Angola and Namibia, is forced to appear before the Truth and Reconciliation Committee with astonishing results. Nobel Prize-winning author J. M. Coetzee calls The Persistence of Memory "a story of coming to maturity in South Africa in the bad old days. Always warm-hearted, sometimes comic, ultimately damning."

    Facing Mount Kenya is not only a formal study of life and death, work and play, sex and the family in one of the greatest tribes of contemporary Africa, but a work of considerable literary merit. The very sight and sound of Kikuyu tribal life presented here are at once comprehensive and intimate, and as precise as they are compassionate.

    Moreover, the achievements of the early people of Africa are as amazing and inspiring as the achievements of any other people.This history is much older than the Trans-Atlantic Slave Trade.The author introduces his readers to the early civilizations of Africa that existed long before the coming of the Europeans. Among these were the Songhai Empire, the Benin Empire, the Kanem-Borno Empire, the Monomotapa Empire, the Swahili Confederation, the Medieval Nubian kingdoms and the Axumite Empire.The author also introduces the ancient civilizations of Africa particularly those of the Nile Valley such as Nubia and Ancient Egypt.The book is illustrated with 18 images and maps. Finally, the book recommends other books for more in depth study.

    Unique in his belief that the destiny of African Americans could not be separated from that of oppressed people the world over, Carmichael's Black Power principles insisted that blacks resist white brainwashing and redefine themselves. He was concerned not only with racism and exploitation, but with cultural integrity and the colonization of Africans in America. In these essays on racism, Black Power, the pitfalls of conventional liberalism, and solidarity with the oppressed masses and freedom fighters of all races and creeds, Carmichael addresses questions that still confront the black world and points to a need for an ideology of black and African liberation, unification, and transformation.

    Black music and with it the private black self were suddenly grossly public—tossed onstage, dressed in clown white, and bandied about with a gleeful arrogance that just yesterday had chosen to ignore and condescend.Blacks, it seemed, had lost the battle for mythological ownership of rock, as future events would prove.Written more than 40 years ago with astonishing prescience, celebrated critic and memoirist Margo Jefferson’s Ripping Off Black Music—her first published essay—is at once unflinchingly honest and dead-on in its critique of appropriation in popular music, from Chuck Berry to Elvis, Jimi Hendrix to the Beatles. Features an introduction by the author.Ripping Off Black Music was originally published in Harper’s, January 1973. Cover design by Adil Dara.

    and much more—with essential lessons for today’s struggles.In the 40 years since the civil rights movement, many gains have been made—but there is still far to go to win genuine change. Here is a badly needed primer on the history and future of the struggle against racism.Ahmed Shawki is the editor of the International Socialist Review. A member of the National Writers Union, he is also a contributor to The Struggle for Palestine (Haymarket). He lives in Chicago, Illinois.

    A work that rethinks gender as a Western construction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Author Oyeronke Oyewumi reveals an ideology of biological determinism at the heart of Western social categories-the idea that biology provides the rationale for organizing the social world. And yet, she writes, the concept of OC woman, OCO central to this ideology and to Western gender discourses, simply did not exist in Yorubaland, where the body was not the basis of social roles. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed and that the subordination of women is universal. The Invention of Women demonstrates, to the contrary, that gender was not constructed in old Yoruba society, and that social organization was determined by relative age. A meticulous historical and epistemological account of an African culture on its own terms, this book makes a persuasive argument for a cultural, context-dependent interpretation of social reality. It calls for a reconception of gender discourse and the categories on which such study relies. More than that, the book lays bare the hidden assumptions in the ways these different cultures think. A truly comparative sociology of an African culture and the Western tradition, it will change the way African studies and gender studies proceed. "

    Her pa was once a famed Texas Ranger and the list of those who want to see him dead is long. When the Anthony brothers gun him down in a cold-blooded act of revenge, the sixteen-year-old didn’t play the game as well as she could have when the outlaws escape with their lives, and she’s left injured and on her own. Afraid they’ll come back for her, a wounded Randy plans on leaving the New Mexico Territory to head west with her temperamental horse Al, her gun Pearl, and the ashes of her family as her only companions. A Horse Thief with Heart: All Trevor wants is a decent horse. When he sees the best-looking horse he's ever laid eyes on and tries to steal it, he finds himself in an awful predicament when he discovers he wasn’t fighting a boy but a very sick girl with a mean punch. He decides to save her life instead and he is smitten. The Real Journey Begins: Randy has a new traveling companion but finds she is in over her head when they run into an old family friend that knows she’s a great shot, a skilled sharpshooter of the likes of Annie Oakley. He exploits her amazing skill and her name quickly rises to fame as they cross the West. Because no one knows her pa is gone, the mob of outlaws on their tail is growing and they’re dead set on revenge She might be a prodigy with a gun but becoming legendary as Miranda Carter was not what she wanted. Neither was falling in love. What must Randy sacrifice to find the peace she was looking for?

    In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South. Slavery is shown to be a parasitic relationship between master and slave, invariably entailing the violent domination of a natally alienated, or socially dead, person. The phenomenon of slavery as an institution, the author argues, is a single process of recruitment, incorporation on the margin of society, and eventual manumission or death.Distinctions abound in this work. Beyond the reconceptualization of the basic master-slave relationship and the redefinition of slavery as an institution with universal attributes, Patterson rejects the legalistic Roman concept that places the "slave as property" at the core of the system. Rather, he emphasizes the centrality of sociological, symbolic, and ideological factors interwoven within the slavery system. Along the whole continuum of slavery, the cultural milieu is stressed, as well as political and psychological elements. Materialistic and racial factors are deemphasized. The author is thus able, for example, to deal with "elite" slaves, or even eunuchs, in the same framework of understanding as fieldhands; to uncover previously hidden principles of inheritance of slave and free status; and to show the tight relationship between slavery and freedom.Interdisciplinary in its methods, this study employs qualitative and quantitative techniques from all the social sciences to demonstrate the universality of structures and processes in slave systems and to reveal cross-cultural variations in the slave trade and in slavery, in rates of manumission, and in the status of freedmen. "Slavery and Social Death" lays out a vast new corpus of research that underpins an original and provocative thesis.

    No Dirty Little Secrets about Black History, Heroes & Other Troublemakers Read a customer review or write one .

    Now she has seamlessly turned her hand to fiction and delivers a novel that is lush and beautiful, a touching and intimate portrait of several generations of African women. In Ancestor Stones, a young woman from West Africa, who has lived in England for many years and is married to a British man, returns to visit her family after years of civil war. Her four aunts have decided to leave her the family coffee plantation, as she is the last person in the family with the means to revive its fortunes. And on this trip home she is given an unprecedented look into the lives of the women in her family as her aunts Mary, Hawa, Asana, and Serah— women who were mysterious and a bit intimidating to her younger self—begin to tell her their stories. They are timeless tales of rivalrous co-wives, patriarchal society, and old religions challenged by Islamic and Christian incursions; they are modern stories of European-owned mining companies, the repressive influence of mission schools, corrupt elections, and the postcolonial African elite. Through their voices a family history interwoven with the history of a country emerges—one of a society both ancient and modern, of a family of strong women refusing to live as second-class citizens. In her debut foray into fiction, Forna has created a powerful, sensuously written novel that, through the lives of women, beautifully captures Africa’s past and present, and the legacy that her daughters take with them wherever they live. It is a wonderful achievement that recalls The God of Small Things and The Joy Luck Club, and establishes Forna as a gifted novelist.

    Beginning with first-hand accounts of the reaction to Chamberlain's declaration of war in 1939, Kershaw portrays the many aspects of war through the words of those who were there, from the sailors of the little ships of Dunkirk to German soldiers preparing for Operation 'Sea Lion'. He takes us from the nightly horrors of the Blitz to battles in the limitless desert of North Africa, and from jungle war in Burma to Lancaster bombers over Germany and the beaches of Normandy. Featuring new interviews with veterans and civilians from Britain, the Commonwealth and Germany as well as diaries, letters, and first-hand accounts, this is a testimony to the remarkable men and women who lived through the Second World War -- whose refusal to surrender changed them, and Britain, forever.

    Born and raised in Zimbabwe, Douglas Rogers is the son of white farmers living through that country’s long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe’s president Robert Mugabe launched his violent program to reclaim white-owned land and Rogers’s parents were caught in the cross fire, everything changed. Lyn and Ros, the owners of Drifters–a famous game farm and backpacker lodge in the eastern mountains that was one of the most popular budget resorts in the country–found their home and resort under siege, their friends and neighbors expelled, and their lives in danger. But instead of leaving, as their son pleads with them to do, they haul out a shotgun and decide to stay. On returning to the country of his birth, Rogers finds his once orderly and progressive home transformed into something resembling a Marx Brothers romp crossed with Heart of Darkness: pot has supplanted maize in the fields; hookers have replaced college kids as guests; and soldiers, spies, and teenage diamond dealers guzzle beer at the bar. And yet, in spite of it all, Rogers’s parents–with the help of friends, farmworkers, lodge guests, and residents–among them black political dissidents and white refugee farmers–continue to hold on. But can they survive to the end? In the midst of a nation stuck between its stubborn past and an impatient future, Rogers soon begins to see his parents in a new light: unbowed, with passions and purpose renewed, even heroic. And, in the process, he learns that the "big story" he had relentlessly pursued his entire adult life as a roving journalist and travel writer was actually happening in his own backyard.