She accepted that she would spend her life alone when she chose to live her life disguised as a man. After working in a brothel for three years, Nora Macauley has lost all illusions about love. She no longer hopes for a man who will sweep her off her feet and take her away to begin a new, respectable life. But now they find themselves married and on the way to Oregon in a covered wagon, with two thousand miles ahead of them.

    But beyond her massive professional success on the soccer field, Rapinoe has become an icon and ally to millions, boldly speaking out on the issues that matter most. In recent years, she's become one of the faces of the equal pay movement and her tireless activism for LGBTQ rights has earned her global support.In One Life, Rapinoe embarks on a thoughtful and unapologetic discussion of social justice and politics. Raised in a conservative small town in northern California, the youngest of six, Rapinoe was four years old when she kicked her first soccer ball. Her parents encouraged her love for the game, but also urged her to volunteer at homeless shelters and food banks. Her passion for community engagement never wavered through high school or college, all the way up to 2016, when she took a knee during the national anthem in solidarity with former NFL player Colin Kaepernick, to protest racial injustice and police brutality - the first high-profile white athlete to do so. The backlash was immediate, but it couldn't compare to the overwhelming support. Rapinoe became a force of social change, both on and off the field.Using anecdotes from her own life and career, from suing the United States Soccer Federation alongside her teammates over gender discrimination to her widely publicized refusal to visit the White House, Rapinoe discusses the obligation we all have to speak up, and reveals the impact each of us can have on our communities. As she declared during the soccer team's victory parade in New York in 2019, "[T]his is everybody's responsibility, every single person here, every single person who is not here, every single person who doesn't want to be here, every single person who agrees and doesn't agree.... It takes everybody. This is my charge to everybody. Do what you can. Do what you have to do. Step outside yourself. Be more. Be better. Be bigger than you've ever been before."

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    Thus has it been since before the physical and spirit worlds divided. There are five martial Forms inspired by the elements and humans have learned them, using them to defend themselves, for thousands of years. Ever since the Empire of Iron began using the Metal Form for conquest, the secrets of each Form have been guarded more closely. Few people learn more than one Form as they did in the past. In Avrilatha – an ordinary village in the Western Plains – lives Ayah. Daughter of the village healer, Ayah’s only genuinely remarkable features are a stubborn streak and a desire to master all five Elemental Forms. When she is forced to leave her village, Ayah sets out on her quest to find teachers. Accompanied by a fox with a secret, Ayah’s journey will take her all over the continent and involve her in politics, intrigue, and war. The Empire of Iron is on the move, and the only thing in its way is one stubborn girl.

    Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns war makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself.An exhilarating page turner and perceptive coming-of-age story, WHO IS VERA KELLY? introduces an original, wry and whip-smart female spy for the twenty-first century.

    Colonel Cammermeyer's dismissal from the U.S. Army has stirred debate all the way to the Presidency; now she writes of her decision to challenge official policy on homosexuality. 16-page photo insert.

    . . Other Girls.

    Things start looking up when Toria meets the funny and foul-mouthed Polly, who's the coolest girl that Toria has ever seen. Polly and the rest of the 'alternative' kids take Toria under their wing. And that's when she meets the irresistible Nico Mancini, lead singer of a local band - and it's instalove at first sight! Toria likes Nico, Nico likes Toria, but then there's Polly ... love and friendship have a funny way of going round in circles.

    Suddenly, a woman clad in full evening dress, from rhinestone tiara to high heels, takes a running leap off the wharf into the Mississippi. Cleo watches, astonished, then turns and runs, mistakenly assuming the jumper is dead — a suicide.But Madeline, it turns out, is not bent on suicide. She is irresistibly drawn to water, as is Cleo, who was conceived during the great flood in Florence in 1966. Perhaps it is this shared obsession with the murky depths that fuels Cleo’s determination to find Madeline. She pounds the quaint streets of New Orleans, city of cheap bourbon, rich turtle soup, the scent of magnolias and A Streetcar Named Desire.Spelling Mississippi is filled with all the bristling energy of Fall on Your Knees. Told with great humour and affection, it is a seductive, liberating story about ties that bind and those that simply restrain, and a lesson not in spelling but forgiveness.

    There, removed from the eyes of the world, they hoped to live out their quiet lives. But the world outside gradually came to claim the Ladies—first out of curiosity, but eventually on the basis of profound respect, and even love. Visited by such luminaries as Edmund Burke, William Wordsworth, Walter Scott, and Horace Walpole, among many others, Eleanor and Sarah became known throughout Britain and to history as the “Ladies of Llangollen.”

    Set in downtown New York City, Whores of Lost Atlantis features Julian Young, a performer and playwright who tells the story of his acting troupe's hilarious struggle to assemble an Off-Broadway production of Julian's play, Whores of Lost Atlantis, in which Julian acts in drag. The novel's unforgettable cast of characters includes Joel, a perfect English gentleman from Indiana; Roxie, an actress/librarian with moxie; Buster, a voluptuous young alcoholic; Camille, the fiery wig designer Julian considers having an affair with; Perry, Julian's best friend, with a weakness for plastic surgery and peroxide; and Kiko, the wonderfully wicked performance artist who tries to sabotage Julian's career. Getting his play produced proves to be a picaresque adventure with plenty of surprises, leaving the reader feverishly turning pages to see if the show can go on.

    It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist.Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.

    Ash Persaud is about to become a reaper in the afterlife, but she is determined to see her first love Poppy Morgan again, the only thing that separates them is death. Car headlights.The last thing Ash hears is the snap of breaking glass as the windscreen hits her and breaks into a million pieces like stars. But she made it, she's still here. Or is she?This New Year's Eve, Ash is gets an RSVP from the afterlife she can't decline: to join a clan of fierce girl reapers who take the souls of the city's dead to await their fate. But Ash can't forget her first love, Poppy, and she will do anything to see her again... even if it means they only get a few more days together. Dead or alive...NOT EVEN DEATH CAN TEAR THEM APART.

    Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.

    . . nevertheless, here it is: a learned, witty study of how our curious culture has managed to get everything wrong about sex."-Gore Vidal