A fascinating collection of six essays, written for the William Empson Lectures in Oxford, each exploring an aspect of writerly contemplation.

    An elegant creative writing guide, it’s also a goldmine for anyone hoping for insight into The Talented Mr Ripley – and its author."- The Guardian.

    The journey from beginning to end is rife with forks in the road and dead ends that lead many writers off course. With Writing Your Novel from Start to Finish: A Guidebook for the Journey, you'll navigate the intricacies of crafting a complex work of fiction and complete the journey with confidence and precision.To maximize your creativity and forward momentum, each chapter offers:Techniques to break down the elements of the novel--from character-building to plotting and pacingMile Markers to anticipate and overcome roadblocks like ineffective dialogue and "the unchanged protagonist"Guidelines for Going Deeper to explore and implement more nuanced aspects of storytelling, such as finding your voice and the role of themeTry-It-Out Exercises and 27 interactive worksheets that help elevate your writing.No matter your level of experience or where you are in your project, Writing Your Novel from Start to Finish provides the instruction, inspiration, and guidance you need to complete your journey successfully.

    A series of lessons on writing and creating non-fiction

    Forster's Aspects of the Novel is an innovative and effusive treatise on a literary form that, at the time of publication, had only recently begun to enjoy serious academic consideration. This Penguin Classics edition is edited with an introduction by Oliver Stallybrass, and features a new preface by Frank Kermode.First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists such as Proust and James, Dickens and Thackeray, Eliot and Dostoyevsky - the features shared by their books and the ways in which they differ. Written in a wonderfully engaging and conversational manner, this penetrating work of criticism is full of Forster's habitual irreverence, wit and wisdom.In his new introduction, Frank Kermode discusses the ways in which Forster's perspective as a novelist inspired his lectures. This edition also includes the original introduction by Oliver Stallybrass, a chronology, further reading and appendices.E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971.If you enjoyed Aspects of the Novel, you might like Forster's A Room with a View, also available in Penguin Classics.

    Whether you're writing a rags-to-riches tell-all memoir or literary journalism, telling true stories well is hard work. In You Can't Make This Stuff Up, Lee Gutkind, the go-to expert for all things creative nonfiction, offers his unvarnished wisdom to help you craft the best writing possible. Frank, to-the-point, and always entertaining, Gutkind describes and illustrates every aspect of the genre. Invaluable tools and exercises illuminate key steps, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding the genre, this practical guidebook will help you thoroughly expand and stylize your work.

    For without first considering the experience of reading stories--seriously, thoroughly, the way Sexton does--you can't possibly write one worth reading. --Tara McCarthy, author of Love Will Tear Us ApartMany writers believe that if they just find the right teacher or workshop, their writing will reach new heights of skill. But why not learn from the best? In his popular workshops in New York City, creative writing instructor Adam Sexton has found that the most effective way for any writer to grasp on the elements of fiction is to study the great masters. Master Class in Fiction Writing is your personal crash course in creative writing, with the world's most accomplished fiction writers as your guides.You will learn:The art of characterization from Jane AustenStyle and voice from Ernest HemingwayDialogue from Iris MurdochDescription from Vladimir NabokovThe timeless techniques of plotting in the work of Joseph ConradThe ingenious structure of James JoycePoint of view from Toni MorrisonOver the course of just ten chapters you can master all the components of great short story and novel writing. These are the most important lessons any writer can learn--a truly novel approach to writing that will enrich, inform, and inspire.

    Many writers waste time waiting for the day they can finally quit their day jobs and live the so-called writing dream. Don� (TM)t wait. You can do both � " and your writing will be the better for it.Balancing a full-time job and a productive writing life is no easy feat! This book offers writers advice, skill-building techniques, prompts, and exercises in every chapter, and strategies on how to get and keep writing while also working the 9 to 5 grind.Readers will discover tips and exercises for:- Setting and protecting personal writing goals - Creating a schedule that complements their stamina - Getting creative before and after work - and on their lunch hour - Finding inspiration in the most unlikely of spots and at the most impromptu of times - Writing proficiently in multiple forms (long and short) so that they don't get bogged down writing one long project - Becoming an active participant in writing communities so they have a solid support system at the ready - Figuring out how (if at all) to share their writing life with co-workers, friends, and family membersYou� (TM)ll also get quick, practical tutorials to help you master scenes, point of view, characters, settings, dialogue, and more.Writer With a Day Job gives you the strategies and motivation you need to work 40 hours a week (or more!) and achieve writing success.

    In this expanded new edition, Mel Helitzer, named the "funniest professor in the country" by Rolling Stone magazine, and funnyman Mark Shatz pack in even more insight and instruction, including:- Humor writing exercises to punch up your jokes- Extra information on writing for sitcoms and stand-up- Comedic brainstorming techniques using associations and listings- Exclusive tips for writing humor for specific markets like editorials, columns, speeches, advertising, greeting cards, t-shirts, and moreTap into your comedic genius with Comedy Writing Secrets, 2nd edition, and you'll always leave ?em laughing!

    Nancy Lamb can help you achieve that dream. She mixes insightful advice for mastering storytelling with dozens of examples that illustrate a variety of plot-building techniques.Nancy's instruction covers everything from format and content to setting and characterization. She also draws from a range of children's classics, including "Where the Wild Things Are," "Charlotte's Web" and "Bridge to Tarabithia" to explore and illuminate the unique nature of children's literature.Nancy also shares writing tips and tricks accumulated through years of successful storytelling–invaluable advice for crafting fiction that resonates with children of all ages, from 4 to 14 and beyond.

    Discover the difference between Ordinary Setting that bogs down your story, and Active Setting that empowers your story — creating a compelling story world, regardless of what you write.* See how to spin boring descriptions into engaging prose.* Learn to deepen the reader's experience of your story world through sensory details.* Notice how changing characters’ POV can change your setting.* Explore ways to maximize the setting possibilities in your story.WRITING ACTIVE SETTING is a powerful combination of fresh insights, practical examples, and how-to advice on the often overlooked but critical element of Setting ... written in a quick-to-read and easy-to-understand style, and packed with useful application exercises. ~~ Kelly L. Stone, author of THINKING WRITE: The Secret to Freeing Your Creative Mind

    Nor will it tell you how to market your stories. But it will take you through the problems facing any fiction writer and how some of the best writers in English have solved them. The chapters are clear and comprehensive: Finding Your Own Stories; One Good Sentence After Another; Setting; Character; Plot; The Architecture of Story; Point of View and Voice; Metaphors, Symbols and Allusions; Revising.As an award-winning novelist and short-story writer Jack Hodgins is uniquely qualified to preach what he practices. As a trained teacher, he has been giving creating writing lessons for more than forty years, at high schools and universities and to writers' summer schools. With its scores of examples of first-class writing this lively, truly fascinating book will almost certainly make you a better writer; it is guaranteed to make you a better reader.

    She has taught all kinds--the award winning, the struggling, and those who have been silenced by poverty and hardship. Her innovative methods have worked in classrooms from elementary tograduate level, in jail cells and public housing projects, in convents and seminaries, in youth at-risk programs, and with groups of the terminally ill.Now, in Writing Alone and with Others, Schneider's acclaimed methods are available in a single, well-organized, and highly readable volume. The first part of the book guides the reader through the perils of the solitary writing life: fear, writer's block, and the bad habits of the internal critic.In the second section, Schneider describes the Amherst Writers and Artists workshop method, widely used across the U.S. and abroad. Chapters on fiction and poetry address matters of technique and point to further resources, while more than a hundred writing exercises offer specific ways to jumpstartthe blocked and stretch the rut-stuck. Schneider's innovative teaching method will refresh the experienced writer and encourage the beginner. Her book is the essential owner's manual for the writer's voice.

    She remarks in the first chapter, "Save the blood and pain for real life, where tourniquets and ibuprofen can have some chance of helping. Do not be afraid to grab hold of the experience with both hands and take joy."Addressing topics all writers struggle with, Yolen discusses the writer's voice, beginnings and endings, dealing with rejection, the technical aspects of writing, and the process of coming up with an idea–and deals with each of them in a way that focuses on the positive and eliminates the negative.As Yolen says, "Be prepared as you write to be surprised by your own writing, surprised by what you find out about yourself and about your world. Be ready for the happy accident."Get ready to take joy in your writing once again.

    Addressed to copyeditors in book publishing and corporate communications, this thoughtful handbook explains what copyeditors do, what they look for when they edit a manuscript, and how they develop the editorial judgment needed to make sound decisions.This revised edition reflects the most recent editions of The Chicago Manual of Style (15th ed.), the Publication Manual of the American Psychological Association (5th ed.), and Merriam-Webster's Collegiate Dictionary (11th ed.).