An innocent abroad in New York City, he has a lot of problems: an anonymous job with Xerox; a childhood that vaguely troubles him; a hot date tonight with lascivious, one-handed Sarah Hughes. Then fate deals Latchmer a joker in the deck, and all his problems come down, apparently, to this: how to get rid of a dead dog. As Latchmer hits the night-time streets, his burden double-bagged in Hefties, little does he know what an incredible journey awaits him.It is an odyssey through hell and hilarity, guided by one Jean-Claude, a philosophically reckless Haitian cab driver who believes, quite rightly , that dogs have a far higher purpose in death than to enrich the soil. As his strange adventure unfolds, Latchmer suffers from a guilty and guileless compulsion to tell curious tales of betrayal. In the end, having sought to bury his shaggy charge in Central Park (all other options having proved unavailing), he finds himself face to face with his own unburied past.

    This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney's office. Lora's comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past. Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice's personal history and possibly jealous of Alice's hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder. Lora's fascination with Alice's "sins" increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice's secrets, the more her own life begins to resemble Alice's sinister past -- and present. Steeped in atmospheric suspense and voyeuristic appeal, Die a Little shines as a dark star among Hollywood lights.

    You white people just have affairs. You lie and cheat. At least we're honest.' Lenuta 'Hellen' Nadolu has led a tumultuous life. A strong willed free spirit, she was born and raised in communist Romania, where women were supposed to know their place. At the age of nineteen, her life changed when she began an affair with a handsome African doctor named Victor and fell pregnant.To avoid the wrath of Hellen's domineering father and an unforgiving community, the couple married and then, against everyone's advice, moved to Ghana. But Africa was nothing like Hellen had imagined: Victor considered her merely a possession with few rights and expected her to turn a blind eye to his affairs. Pushed to the brink, she made a desperate decision - she would get a divorce and smuggle her three children out of the country. But no Western woman had ever divorced a Ghanaian man - let alone been granted custody of the children - and Victor's powerful family would not give her up without a fight ... Give Me Courage is an astonishing true story of bravery, resilience and determination.

    Hold your breath. Justin wants a sex life, not a sex death. Rebecca has breasts but doesn't understand them. She needs to talk to Dostoevsky about erections, hairy armpits and firing squads. Life is difficult. Steve wants cash so he can enjoy his trendy body. He wants Carly too, but she just wants a never-ending orgasm. Johnny wants to be touched and, if possible, he'd like to seem happy. Colin wants to know why tits make his fists clench.This is their story. They try their best. They drag their feet through the fashions, the foul, the famous and the drunk of twenty-first century Britain. They're looking for happiness. What they find is friction.

    When Dick commits one crime and plans another, the police arrest him for a crime he actually did not commit. Dick attempts to reconcile with his family and find his way out of LA’s seedy underworld. You Play the Black and the Red Comes Up was a bestseller when originally published in 1938 and is a noir classic.

    In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress of pure motivation. She deceives everyone, is close to no one, and cares little for anything but her pleasure.

    . . . SaFranko’s prose is precise, flawless, and the work of a man who truly loves and understands great writing.” —Tony O'Neill, author of Sick City and Down and Out on Murder Mile “SaFranko writes from the heart, and the balls, crafting a furious and passionate piece of work that is entirely his own, with some scenes that would make even Bukowski blush.” —Susan Tomaselli, editor of Dogmatika.comHating Olivia is acclaimed underground author Mark SaFranko’s darkly twisted story of two people’s descent into sex, obsession, and mutual destruction. A gritty confessional tale, Hating Olivia is sure to appeal to fans of Charles Bukowski, John Fante, and Huburt Selby, Jr.

    Now, The Library of America collects On the Road together with four other autobiographical “road books” published during a remarkable four-year period.The Dharma Bums (1958), at once an exploration of Buddhist spirituality and an account of the Bay Area poetry scene, is notable for its thinly veiled portraits of Kerouac’s acquaintances, including Ginsberg, Gary Snyder, and Kenneth Rexroth. The Subterraneans (1958) recounts a love affair set amid the bars and bohemian haunts of San Francisco. Tristessa (1960) is a melancholy novella describing a relationship with a prostitute in Mexico City. Lonesome Traveler (1960) collects travel essays that evoke journeys in Mexico and Europe, and concludes with an elegiac lament for the lost world of the American hobo. Also included in Road Novels are selections from Kerouac’s journal, which provide a fascinating perspective on his early impressions of material eventually incorporated into On the Road.

    In the process she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to 'star' Adolf Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller's narrative pace, Running Dog is a bright star in the modern master's early career.

    In his search for the killer, Howard Cross digs deep into the Los Angeles underworld, finding along the way a beautiful, lost adolescent mourning a dead lover, a suitcase hidden under an aging sadist's bed, and a slovenly gentleman with an ice pick in his neck. Ross Macdonald has never written a story quite like this, and neither has anyone else.

    It's a black comedy set in San Francisco in 1942. The central character, C. Card, is no Sam Spade, but actually does do detective work of a sort, when he's not off dreaming of Babylon.

    With school behind him and a summer job at a brick works, Tom had his whole life before him. Years later, alone in a rented flat in Edinburgh and lost in memories, Tom recalls the intellectual and sexual awakening of his youth. In looking back, Tom discovers that only by understanding where he comes from can he make sense of his life as it is now.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    The Anarchists' Convention is his first short story collection, providing a prism of America through fifteen stories. These everyday people -- a kid on the road heading west, aging political activists, a lonely woman in Boston -- go about their business with humor and resilience, dealing more in possibility than fact. In the widely anthologized and O. Henry Award-winning "I-80 Nebraska," Sayles perfectly renders the image of a pill-popping trucker who has become a legend of the road.

    In the title novella, Brown Dog, a hapless Michigan Indian loved by Harrison's readers, is trying to parent his two step-children and take care of his family's health on meager resources - it helps a bit that his charms are irresistible to the new dentist in town. Republican Wives is a witty satire on the sexual neuroses of the Right, the mystery of why any person desires another, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. Tracking is a meditation on Harrison's fascination with place, telling his own familiar mythology through the places he has seen and the intellectual loves he has known in a vivid stream of consciousness that transfigures how we look at our own surroundings.