It's at times downright virtuosic in the threads it weaves together."--NPR From the woman who gave the landmark testimony against Clarence Thomas as a sexual menace, a new manifesto about the origins and course of gender violence in our society; a combination of memoir, personal accounts, law, and social analysis, and a powerful call to arms from one of our most prominent and poised survivors.In 1991, Anita Hill began something that's still unfinished work. The issues of gender violence, touching on sex, race, age, and power, are as urgent today as they were when she first testified. Believing is a story of America's three decades long reckoning with gender violence, one that offers insights into its roots, and paths to creating dialogue and substantive change. It is a call to action that offers guidance based on what this brave, committed fighter has learned from a lifetime of advocacy and her search for solutions to a problem that is still tearing America apart.We once thought gender-based violence--from casual harassment to rape and murder--was an individual problem that affected a few; we now know it's cultural and endemic, and happens to our acquaintances, colleagues, friends and family members, and it can be physical, emotional and verbal. Women of color experience sexual harassment at higher rates than White women. Street harassment is ubiquitous and can escalate to violence. Transgender and nonbinary people are particularly vulnerable.Anita Hill draws on her years as a teacher, legal scholar, and advocate, and on the experiences of the thousands of individuals who have told her their stories, to trace the pipeline of behavior that follows individuals from place to place: from home to school to work and back home. In measured, clear, blunt terms, she demonstrates the impact it has on every aspect of our lives, including our physical and mental wellbeing, housing stability, political participation, economy and community safety, and how our descriptive language undermines progress toward solutions. And she is uncompromising in her demands that our laws and our leaders must address the issue concretely and immediately.

    Growing up in Iran, both refused to accept traditional Muslim mores, and dreamed of careers in literature and on the stage. Their lives changed abruptly when Pari was coerced by their father into marrying a wealthy and cruel suitor. Nahid narrowly avoided a similar fate, and instead negotiated with him to pursue her studies in America. When Nahid received the unsettling and mysterious news that Pari had died after falling down a flight of stairs, she traveled back to Iran-now under the Islamic regime-to find out what happened to her truest friend, confront her past, and evaluate what the future holds for the heartbroken in a tale of crushing sorrow, sisterhood, and ultimately, hope.

    That same year, she heard her first racial slur. At age eleven, when the United States had begun to invade Iraq and the television was flooded with anti-Muslim commentary, Amani felt overwhelmed with feelings of intense alienation from American society. At thirteen, her family took a trip to her father’s native homeland of Jordan, and Amani experienced firsthand a culture built on pure religion, not Islamic stereotypes. Inspired by her trip and after years of feeling like her voice as a Muslim woman was marginalized and neglected during a time when all the media could talk about was, ironically, Muslim women, Amani created a website called MuslimGirl. As the editor-in-chief, she put together a team of Muslim women and started a life dedicated to activism. This is the extraordinary account of Amani’s journey through adolescence as a Muslim girl, from the Islamophobia she’s faced on a daily basis, to the website she launched that became a cultural phenomenon, to the nation’s political climate in the 2016 election cycle with Donald Trump as the Republican nominee. While dispelling the myth that a headscarf makes you a walking target for terrorism, she shares both her own personal accounts and anecdotes from the “sisterhood” of writers that serve as her editorial team at MuslimGirl. Amani’s honest, urgent message is fresh, timely, and a deeply necessary counterpoint to the current rhetoric about the Middle East.

    Death becomes a companion in the camps, along with illness. Yet through the terror, the members of Chanrithy's family remain loyal to one another, and she and her siblings who survive will find redeemed lives in America.A Finalist for the Kiriyama Pacific Rim Book Prize.

    Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation’s spirit.Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Although they danced the Charleston, wore fashionable clothes and partied with the rest of their peers, they made themselves prominent among the artists, icons, and heroines of their age. Talented, reckless and willful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and tragic ways. And between them they blazed the trail of the New Woman around the world.

    O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation.Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.

    As a child Eunsun loved her country…despite her school field trips to public executions, daily self-criticism sessions, and the increasing gnaw of hunger as the country-wide famine escalated.By the time she was eleven years old, Eunsun's father and grandparents had died of starvation, and Eunsun too was in danger of starving. Finally, her mother decided to escape North Korea with Eunsun and her sister, not knowing that they were embarking on a journey that would take them nine long years to complete. Before finally reaching South Korea and freedom, Eunsun and her family would live homeless, fall into the hands of Chinese human traffickers, survive a North Korean labor camp, and cross the deserts of Mongolia on foot.Now, in A Thousand Miles to Freedom, Eunsun is sharing her remarkable story to give voice to the tens of millions of North Koreans still suffering in silence. Told with grace and courage, her memoir is a riveting exposé of North Korea's totalitarian regime and, ultimately, a testament to the strength and resilience of the human spirit.

    Stories and details culled from Alcott’s journals; her equally rich letters to family, friends, publishers, and admiring readers; and the correspondence, journals, and recollections of her family, friends, and famous contemporaries provide the basis for this lively account of the author’s classic rags-to-riches tale.Alcott would become the equivalent of a multimillionaire in her lifetime based on the astounding sales of her books, leaving contemporaries like Nathaniel Hawthorne, Herman Melville, and Henry James in the dust. This biography explores Alcott’s life in the context of her works, all of which are to some extent autobiographical. A fresh, modern take on this remarkable and prolific writer, who secretly authored pulp fiction, harbored radical abolitionist views, and completed heroic service as a Civil War nurse, Louisa May Alcott is in the end also the story of how the all-time beloved American classic Little Women came to be. This revelatory portrait will present the popular author as she was and as she has never been seen before.

    Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, “country music was foremost a language among women. It’s how we talked to each other in a place where feelings aren’t discussed.” And no one provided that language better than Dolly Parton. Smarsh challenged a typically male vision of the rural working class with her first book, Heartland, starring the bold, hard-luck women who raised her. Now, in She Come By It Natural, originally published in a four-part series for The Journal of Roots Music, No Depression, Smarsh explores the overlooked contributions to social progress by such women—including those averse to the term “feminism”—as exemplified by Dolly Parton’s life and art. Far beyond the recently resurrected “Jolene” or quintessential “9 to 5,” Parton’s songs for decades have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as “trailer trash.” Parton’s broader career—from singing on the front porch of her family’s cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from “girl singer” managed by powerful men to leader of a self-made business and philanthropy empire—offers a springboard to examining the intersections of gender, class, and culture. Infused with Smarsh’s trademark insight, intelligence, and humanity, She Come By It Natural is a sympathetic tribute to the icon Dolly Parton and—call it whatever you like—the organic feminism she embodies.

    Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged.    Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi.   Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.

    Leaving a successful career in the U.S., a father makes the fateful decision to settle his wife and two young daughters on an isolated beach in the Dominican Republic. He plants ten thousand coconut seedlings and declares they are the luckiest people alive.In reality, the family is in the path of hurricanes and in the grip of a brutal dictator. Against a backdrop of shimmering palms and kaleidoscope sunsets, a crisis causes the already fragile family to implode. "The Coconut Latitudes" is a haunting, lyrical memoir of surviving a reality far from the envisioned Eden, the terrible cost of keeping secrets, and the transformative power of truth and love.

    Best known in this country as the lawyer working tirelessly on behalf of Canadian photojournalist, Zara Kazemi - raped, tortured and murdered in Iran - Dr. Ebadi offers us a vivid picture of the struggles of one woman against the system. The book movingly chronicles her childhood in a loving, untraditional family, her upbringing before the Revolution in 1979 that toppled the Shah, her marriage and her religious faith, as well as her life as a mother and lawyer battling an oppressive regime in the courts while bringing up her girls at home. Outspoken, controversial, Shirin Ebadi is one of the most fascinating women today. She rose quickly to become the first female judge in the country; but when the religious authorities declared women unfit to serve as judges she was demoted to clerk in the courtroom she had once presided over. She eventually fought her way back as a human rights lawyer, defending women and children in politically charged cases that most lawyers were afraid to represent. She has been arrested and been the target of assassination, but through it all has spoken out with quiet bravery on behalf of the victims of injustice and discrimination and become a powerful voice for change, almost universally embraced as a hero. Her memoir is a gripping story - a must-read for anyone interested in Zara Kazemi's case, in the life of a remarkable woman, or in understandingthe political and religious upheaval in our world.

    As editor Charlotte Mosley notes, not since the Brontës have the members of a single family written so much about themselves, or have been so written about. The Mitfords offers an unparalleled look at these privileged sisters: Nancy, the scalding wit who transformed her family life into bestselling novels; Pamela, who craved nothing more than a quiet country life; Diana, the fascist jailed with her husband, Oswald Mosley, during World War II; Unity, a suicide, torn by her worship of Hitler and her loyalty to home; Jessica, the runaway Communist and fighter for social change; and Deborah, the genial socialite who found herself Duchess of Devonshire. Spanning the twentieth century, the magically vivid letters of the legendary Mitford sisters constitute not just a superb social and historical chronicle; they also provide an intimate portrait of the stormy but enduring relationships between six beautiful, gifted and radically different women who wrote to one another to confide, commiserate, tease, rage and gossip -- and above all, to amuse.

    An orphaned niece of President Theodore Roosevelt, she converted her Gilded Age childhood of denial and secrecy into an irreconcilable marriage with her ambitious fifth cousin Franklin. Despite their inability to make each other happy, Franklin Roosevelt transformed Eleanor from a settlement house volunteer on New York’s Lower East Side into a matching partner in New York’s most important power couple in a generation. When Eleanor discovered Franklin’s betrayal with her younger, prettier social secretary, Lucy Mercer, she offered a divorce and vowed to face herself honestly. Here is an Eleanor both more vulnerable and more aggressive, more psychologically aware and sexually adaptable than we knew. She came to accept FDR’s bond with his executive assistant, Missy LeHand; she allowed her children to live their own lives, as she never could; and she explored her sexual attraction to women, among them a star female reporter on FDR’s first presidential campaign, and younger men. Eleanor needed emotional connection. She pursued deeper relationships wherever she could find them. Throughout her life and travels, there was always another person or place she wanted to heal. As FDR struggled to recover from polio, Eleanor became a voice for the voiceless, her husband’s proxy in presidential ambition, and then the people’s proxy in the White House. Later, she would be the architect of international human rights and world citizen of the Atomic Age, urging Americans to cope with the anxiety of global annihilation by cultivating a “world mind.” She insisted that we cannot live for ourselves alone but must learn to live together or we will die together. Drawing on new research, Michaelis’s riveting portrait is not just a comprehensive biography of a major American figure, but the story of an American ideal: how our freedom is always a choice. Eleanor rediscovers a model of what is noble and evergreen in the American character, a model we need today more than ever.

    With warmth and wit, she takes readers from her Minnesota childhood, where she became a violin prodigy, through college at Stanford and her in-the-trenches years as a cub reporter on local television stations before becoming a national news reporter. She describes her rise to anchor of The Real Story with Gretchen Carlson on FOX News channel as a testament to personal strength and perseverance. Carlson addresses the intense competitive effort of winning the Miss America Pageant, the challenges she’s faced as a woman in broadcast television, and how she manages to balance work and family as the wife of high-profile sports agent Casey Close and devoted mother to their two children. An unceasing advocate for respect and equality for women, Carlson writes openly about her own struggles with body image, pageant stereotypes, building her career, and having the courage to speak her mind. She encourages women to strive for their goals, never give up, and always believe in themselves. In Getting Real, Carlson emerges as a living example of a woman not afraid to chase her dreams and embrace life fully.