Perfect for fans of Liane Moriarty and Louise Jensen. Erin is devastated when her pregnant sister Claudia is left brain dead from a tragic accident. When Claudia’s boyfriend Ollie wants to switch off her life support, a desperate Erin finds herself fighting to give the baby a chance. As she starts to uncover things Claudia never shared with her, Erin turns to the people closest to her sister. But why is everyone refusing to talk about her? And just where has Ollie run off? Yearning for her sister, Erin grows close to Claudia’s friend Jon. She refuses to get involved with another married man but this is the least of her worries. The more people Erin meets, the less she can trust. And now, her life is in danger too …

    No more run-down flats in dodgy areas. But behind the exterior of this beautiful Victorian house, things are less than picture-perfect, and the tight-knit community is unwelcoming.When Hayley befriends the woman next door, no-one is pleased. Least of all the man from upstairs. The one who watches them all from behind his window. Then they receive an invite for a New Year's Eve party. But what seems like a friendly gesture, proves to be anything but...

    Diana is smart, beautiful, feisty and clearly out to cause trouble.Then an old photograph resurfaces that threatens to uncover a long-buried secret, one that Helen has taken great care to keep hidden in the past. Only one person could have that photograph – and she is dead.Helen immediately suspects that Diana is connected somehow, but before she can confront her, Diana is found dead and the entire family has motive.An addictive, page-turning thriller perfect for Lisa Jewell, BA Paris and Louise Candlish.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    For the grieving youngest sibling, Lacey, life is about to come crashing down as a deep secret is revealed. The fall-out affects every member and they struggle to regain the happy family unit they once shared. Each of the siblings, take the reader on a journey as they try to come to terms and learn to handle this huge revelation.

    Lily's family life is in turmoil, her brother left on the brink of ruin by a con man. Vittoria's philandering husband's latest mistress is pregnant. By the time they land, Vittoria and Lily have realised that they can help each other right the balance. But only one of them knows the real story...

    Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Can you ever forgive yourself?Some secrets are better off buried…With Grace’s son starting reception, it is the ideal time to apply for a new job. And when the perfect job lands in her lap, she can’t believe her luck.But soon the idyllic opportunity becomes a living nightmare, and she is catapulted back to a childhood tragedy; the day her little sister was killed in a hit-and-run.When Grace suspects she is being followed, she struggles to keep herself together for her family’s sake.Unable to sleep, she starts to wonder if she is losing her mind? Is she going mad, inheriting the schizophrenia from her grandmother that has become a macabre family myth?The perfect job is becoming the perfect nightmare, and Grace is running out of places to hide.

    Stone tries to adjust to her aimless new life in Rome. She is adjusting, too, to aging ("The knowledge that her beauty was lost had come upon her recently and it was still occasionally forgotten.") With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo: "As compelling, as fascinating, and as technically skilled as his plays." (Publishers Weekly)

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.