These stories are today.Following up on her first collection, Story Prize finalist Maureen F. McHugh explores the catastrophes, small and large, of twenty-first century life—and what follows after. What happens after the bird flu pandemic? Are our computers smarter than we are? What does the global economy mean for two young girls in China? Are we really who we say we are? And how will we survive the coming zombie apocalypse?

    talk show Arthur C. Clarke was once asked to name his favorite writer. His answer was "Larry Niven." Countless others agree. The Baltimore Sun and Kirkus Reviews have both dubbed Niven "the premier writer of hard SF," and Gregory Benford has hailed him as "the paradigm of SF personality of the last several decade."Now Larry Niven presents us with his undisputed masterwork. N-Space contains, very simply, the best SF of his career--marvelous fiction, a wealth of anecdotes and gossip, plus Niven's own special brand of wit and excitement.Contents:1 • Introduction: The Maker of Worlds • (1990) • essay by Tom Clancy3 • On Niven • (1992) • essay by Frederik Pohl and Steven Barnes and David Brin and John Hertz and Wendy All and Gregory Benford15 • Dramatis Personae • (1990) • essay by Larry Niven25 • Foreword: Playgrounds for the Mind • (1990) • essay by Larry Niven31 • From World of Ptavvs (excerpt) • (1990) • shortfiction by Larry Niven36 • Bordered in Black • (1966) • shortstory by Larry Niven56 • Convergent Series • (1967) • shortstory by Larry Niven (variant of The Long Night)62 • All the Myriad Ways • [Time Travel - Parallel Universe] • (1968) • shortstory by Larry Niven73 • From A Gift From Earth (Excerpt) • (1990) • shortfiction by Larry Niven90 • The Meddler • (1968) • novelette by Larry Niven112 • Passerby • [State] • (1969) • shortstory by Larry Niven126 • Down in Flames • (1969) • essay by Larry Niven139 • From Ringworld (Excerpt) • (1990) • shortfiction by Larry Niven148 • The Fourth Profession • (1971) • novelette by Larry Niven195 • "Shall We Indulge in Rishathra?" • (1978) • shortfiction by Larry Niven195 •  "Shall We Indulge in Rishathra?" • (1978) • interior artwork by William Rotsler199 • Man of Steel, Woman of Kleenex • (1969) • essay by Larry Niven208 • Inconstant Moon • (1971) • novelette by Larry Niven234 • What Can You Say About Chocolate Covered Manhole Covers? • (1971) • shortstory by Larry Niven245 • Cloak of Anarchy • [Known Space] • (1972) • shortstory by Larry Niven269 • From Protector (excerpt) • (1990) • shortfiction by Larry Niven279 • The Hole Man • (1974) • shortstory by Larry Niven293 • Night on Mispec Moor • [State] • (1974) • shortstory by Larry Niven305 • Flare Time • (1978) • novella by Larry Niven347 • The Locusts • (1979) • novelette by Larry Niven and Steven Barnes389 • From The Mote in God's Eye (excerpt) • (1990) • shortfiction by Larry Niven and Jerry Pournelle394 • Building the Mote in God's Eye • [A Step Farther Out] • (1976) • essay by Larry Niven and Jerry Pournelle420 • Brenda • (1988) • novella by Larry Niven465 • The Return of William Proxmire • (1989) • shortstory by Larry Niven475 • The Tale of the Jinni and the Sisters • (1988) • shortstory by Larry Niven491 • Madness Has Its Place • [Man-Kzin Wars] • (1990) • novelette by Larry Niven519 • Niven's Laws (1990 version) • (1990) • essay by Larry Niven528 • The Kiteman • [Integral Trees] • (1990) • novelette by Larry Niven571 • The Alien in Our Minds • (1987) • essay by Larry Niven580 • Space • (1990) • essay by Larry Niven597 • Bibliography of Larry Niven • (1990) • essay by uncredited

    For the ten short stories collected here, John Wyndham turns his imagination to, among other subjects, body-snatching, time-travel and mind-travel, and the the tricky business of interplanetary colonization.

    That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it's coming up hard against the speed of light - and, with it, the enormity of the universe - realising that terraforming a distant world is harder and more dangerous than you'd ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it's hard science-fiction where sense of wonder is most often found and where science-fiction's true heart lies.This exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Gwyneth Jones, Stephen Baxter and Charles Stross.Contents:- Beyond the Gernsback Continuum... by Jonathan Strahan- Malak by Peter Watts- Watching the Music Dance by Kristine Kathryn Rusch- Laika's Ghost by Karl Schroeder- The Invasion of Venus by Stephen Baxter- The Server and the Dragon by Hannu Rajaniemi- Bit Rot by Charles Stross- Creatures with Wings by Kathleen Ann Goonan- Walls of Flesh, Bars of Bone by Damien Broderick and Barbara Lamar- Mantis by Robert Reed- Judgement Eve by John C. Wright- A Soldier of the City by David Moles- Mercies by Gregory Benford- The Ki-anna by Gwyneth Jones- The Birds and the Bees and the Gasoline Trees by John BarnesCover illustration by Stephan Martiniere

    The longest, loneliest railroad on Earth. A North Korean nuke hitting Tokyo, a hollow asteroid full of automated rice paddies, and a specialist in breaking up “virtual” marriages. And yes, giant robots. These thirteen stories from and about the Land of the Rising Sun run the gamut from fantasy to cyberpunk, and will leave you knowing that the future is Japanese! Contributors:-Pat Cadigan-Toh EnJoe-Project Itoh-Hideyuki Kikuchi-Ken Liu-David Moles-Issui Ogawa-Felicity Savage-Ekaterina Sedia-Bruce Sterling-Rachel Swirsky-TOBI Hirotaka-Catherynne M. Valente

    Anderson * Doug Beason * M. Shayne Bell * David Bischoff * A.C.Crispin * Kenneth C. Flint * Barbara Hambly * Rebecca Moesta * Daniel KeysMoran * Jerry Oltion * Judith & Garfield Reeves-Stevens * Jennifer Roberson* Kathy Tyers * Tom Veitch & Martha Veitch * Dave Wolverton * TimothyZahn

    

    — Contents: — 1955: 13th Convention, Cleveland — 1- The Darfsteller by Walter M. Miller, Jr. (novelette) — 2- Allamagoosa by Eric Frank Russel (short story)— 1956: 14th Convention, New York — 3- Exploration Team by Murray Leinster (novelette) — 4- The Star by Arthur C. Clarke (short story)— 1958: 16th Convention, Los Angeles — 5- Or All the Seas With Oysters by Avram Davidson (short story)- 1959: 17th Convention, Detroit - 6- The Big Front Yard by Clifford D. Simak (novelette) - 7- The Hell-Bound Train by Robert Bloch (short story)- 1960: 18th convention, Pittsburgh - 8- Flowers for Algernon by Daniel Keyes (novelette)- 1961: 19th Convention, Seattle - 9- The Longest Voyage by Poul Anderson(novelette)

    Though most of Earth has already been evacuated, it’s Samantha’s job to catalog plant samples for the survivors’ unknowable journey beyond.Preparing to stay behind and watch the world end, she makes a final human connection.As certain doom hurtles nearer, the unexpected and beautiful potential for the future begins to flower.Veronica Roth’s Ark is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    The results are individual glimpses of a shared vision, and a reading experience unlike any you've had before.A strange man comes to an even stranger encampment...a bouncer becomes the linchpin of an unexpected urban movement...a courier on the run has to decide who to trust in a dangerous city...a slacker in a "zero-footprint" town gets a most unusual new job...and a weapons investigator uses his skills to discover a metropolis hidden right in front of his eyes.Welcome to the future of cities. Welcome to Metatropolis.Contents:Introduction (METAtropolis) - essay by John ScalziIn the Forests of the Night - novella by Jay LakeStochasti-city - novella by Tobias S. BuckellThe Red in the Sky Is Our Blood - novelette by Elizabeth BearUtere Nihil Non Extra Quiritationem Suis - novella by John ScalziTo Hie from Far Cilenia - novella by Karl Schroeder

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Compiling favored stories suggested by the author and his fans, this delightful treasury contains the most esteemed and beloved selections that de Lint has to offer. Innovative characters in unexpected places are the key to each plot: playful Crow Girls who sneak into the homes of their sleeping neighbors; a graffiti artist who risks everything to expose a long-standing conspiracy; a half-human girl who must choose between her village and her strange birthright; and an unrepentant trickster who throws one last party to reveal a folkloric tradition. Showcasing some of the finest offerings within the realms of urban fantasy and magical realism, this essential compendium of timeless tales will charm and inspire.Contents IntroductionIn Which We Meet Jilly Coppercorn Coyote Stories Laughter in the Leaves The Badger in the Bag And the Rafters Were Ringing Merlin Dreams in the Mondream Wood The Stone Drum Timeskip Freewheeling A Wish Named Arnold Into the Green The Graceless Child Winter Was Hard The Conjure Man We Are Dead Together Mr. Truepenny's Book Emporium and Gallery In the House of My Enemy The Moon Is Drowning While I Sleep Crow Girls Birds Held Safe by Moonlight and Vines In the Pines Pixel Pixies Many Worlds Are Born Tonight Sisters Pal o' Mine That Was Radio Clash Old Man Crow The Fields Beyond the Fields

    A ferocious riff on women in superhero comics.A series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.