JonesCold snap by Thom JonesDoe season by David Michael KaplanPatriotic by Janet KauffmanGirl by Jamaica KincaidTerritory by David LeavittThe kind of light that shines on Texas by Reginald McKnightYou're ugly, too by Lorrie MooreThe management of grief by Bharati MukherjeeMeneseteung by Alice MunroGhost girls by Joyce Carol OatesThe things they carried by Tim O'BrienThe shawl by Cynthia OzickBrokeback Mountain by Annie ProulxStrays by Mark RichardIntensive care by Lee SmithThe way we live now by Susan SontagTwo kinds by Amy TanFirst, body by Melanie Rae ThonAble, Baker, Charlie, Dog by Stephanie VaughnNineteen fifty-five by Alice WalkerFever by John Edgar WidemanTaking care by Joy Williams

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    These are funny and poignant pieces, building a book that feels novelistic in sweep, yet true to the precision and direct aim of the short story. A real pleasure." —Antonya NelsonMothers and daughters ride the familial tide of joy, regret, loathing, and love in these stories of resilient and flawed women. In a battle between a teenage daughter and her mother, wheat bread and plain yogurt become weapons. An aimless college student, married to her much older professor, sneaks cigarettes while caring for their newborn son. On the eve of her husband’s fiftieth birthday, a pilfered fifth of rum, an unexpected tattoo, and rogue teenagers leave a woman questioning her place. And in a suite of stories, we follow capricious, ambitious single mother Ruby and her cautious, steadfast daughter Nora through their tumultuous life—stray men, stray cats, and psychedelic drugs—in 1970s California.Gimlet-eyed and emotionally generous, achingly real and beautifully written, these unforgettable stories lay bare the connection and conflict in families. Shout Her Lovely Name heralds the arrival of a powerful new writer.www.natalieserber.com

    High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”In sum, American experience from the Depression to the aftermath of 9/11 finds reflection in these glittering pieces of observation, remembrance, and imagination.

    The cast of characters in The Evil B.B. Chow and Other Stories includes a wealthy family certain they have been abducted by space aliens, a sexy magazine editor who falls for a worldclass cad, and a beleaguered dentist who refuses to read his best friend’s novel. Michael Jackson and Abraham Lincoln make cameos, as do a variety of desperate and beautiful loonies, all of whom are laid bare, often literally. In these twelve stories, Almond refuses to let his characters off the hook, or to abandon them, until we have seen the full measure of ourselves within their struggle.

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

    It is like coffee and car alarms and a dim stairway and a stain and it's like smoke.' ('Placing a Call') How does love change us? And how do we change ourselves for love - or for lack of it? Ten stories by acclaimed author Deborah Levy explore these delicate, impossible questions. In Vienna, an icy woman seduces a broken man; in London gardens, birds sing in computer start-up sounds; in ad-land, a sleek copywriter becomes a kind of shaman. These are twenty-first century lives dissected with razor-sharp humour and curiosity, stories about what it means to live and love, together and alone.

    Across thirteen stories, this collection explores the thin border between magic and grief.

    From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories. In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.

    On the Massachusetts coast north of Boston, a controlling manager, Mark, discovers his wife's infidelity after twenty-five years of marriage. An overweight young woman, Marla, gains a romantic partner but loses her innocence. A philandering bartender/aspiring poet, Robert, betrays his pregnant wife. And in the stunning title novella, a teenage girl named Devon, fleeing a dirty image of her posted online, seeks respect in the eyes of her widowed great-uncle Francis and of an Iraq vet she’s met surfing the Web.Slivered by happiness and discontent, aging and death, but also persistent hope and forgiveness, these beautifully wrought narratives express extraordinary tenderness toward human beings, our vulnerable hearts and bodies, our fulfilling and unfulfilling lives alone and with others.

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

    A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald's in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.By turns haunting and hilarious, The Elephant Vanishes is further proof of Murakami's ability to cross the border between separate realities -- and to come back bearing treasure.

    She’s been married to Roy Tupkin for fifteen days, and she knows now that she should have listened to the folks who said he was trouble. But when a stranger sweeps in and knocks the world off-kilter for everyone in town, Sadie begins to think there might be more to life than being Roy’s wife.As stark and magnificent as Appalachia itself, If the Creek Don’t Rise is a bold and beautifully layered debut about a dusty, desperate town finding the inner strength it needs to outrun its demons. The folks of Baines Creek will take you deep into the mountains with heart, honesty, and homegrown grit.