Buckell“The Deckhand, the Nova Blade, and the Thrice-Sung Texts” © 2017 by Becky Chambers“The Sighted Watchmaker” © 2011 by Vylar Kaftan. Originally published in Lightspeed“Infinite Love Engine” © 2017 by Joseph Allen Hill. Originally published in Lightspeed“Unfamiliar Gods” © 2017 by Adam-Troy Castro & Judi B. Castro“Seven Wonders of a Once and Future World” © 2015 by Caroline M. Yoachim. Originally published in Lightspeed“Our Specialty Is Xenogeology” © 2017 by Alan Dean Foster“Golden Ring” © 2017 by Karl Schroeder“Tomorrow When We See the Sun” © 2015 by A. Merc Rustad. Originally published in Lightspeed“Bring the Kids and Revisit the Past at the Traveling Retro Funfair!” © 2017 by Seanan McGuire“The Dragon That Flew Out of the Sun” © 2017 by Aliette de Bodard.“Diamond and the World Breaker” © 2017 by Linda Nagata“The Chameleon’s Gloves” © 2017 by Yoon Ha Lee“The Universe, Sung in Stars” © 2015 by Kat Howard. Originally published in Lightspeed“Wakening Ouroboros” © 2017 by Jack Campbell“Warped Passages” © 2017 by Kameron Hurley“The Frost Giant’s Data” © 2017 by Dan Abnett.

     Witch World The first book in the classic Witch World saga by beloved fantasy and science fiction author Andre Norton. Simon Tregarth, a man on the run, escapes from our world into another, where magic still has power. He finds new purpose in the service of Estcarp, whose witches use their ancient knowledge of magic to protect their home. But a new threat is rising: the mysterious Kolder, who possess powers and technology unlike anything known in the Witch World. It will take Simon and the forces of Estcarp all their might, their courage, and their magic to drive back the insurmountable enemy. Web of the Witch World Fantasy and science fiction Grand Master Andre Norton’s Witch World saga continues in Web of the Witch World. After repulsing the Kolder, the land of Estcarp is safe, until a sudden disappearance sends Simon Tregarth and his allies on a quest to stop an enigmatic new danger. Though the Kolder were defeated before, they rise again with a vengeance, and their plot is even more sinister than before. From Karsten in the south to the swamps of Tor to the Kolder’s impenetrable stronghold and beyond, Simon must fight to stop the invaders of his adopted home once and for all. Year of the Unicorn Year Of the Unicorn returns to Andre Norton’s Witch World with a tale of adventure and magic. The orphan Gillan grew up in an abbey in High Hallack, always knowing she was different and never feeling at home. When the lords of High Hallack pledge twelve brides to the Were Riders in exchange for their protection, Gillan is faced with an opportunity few would consider: to take the place of one of the twelve chosen women and go off to parts unknown to marry one of these strange wild men. But Gillan leaps at the chance to leave the only home she has ever known in the hopes of finding something she was meant to do. And her rare gift to see through illusions that fool others will prove vital in a journey where nothing is as it seems.

    Featuring the stories "Deeper Than The Darkness", "Croatoan", "Repent, Harlequin!" Said the Ticktockman" - (formatted in 3-D and includes the 3-D glasses!), "The Discarded", "An Ellison Tapestry", "Riding the Dark Train Out", and "I'm Looking For Kadak"

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Dunn, a literary artist of extraordinary vision and courage, comes a haunting exploration of life, death, responsibility, and the devastating power of choice--a gripping and provocative novel that shines a beacon of moral possibility into the darkest corners of the human soul.In the future--when the barriers of Time are barriers no longer--a woman of uncommon strength and character will be recruited to help preserve the integrity of past events; to keep the wheel of history turning so that what is to come remains uncompromised and uncorrupted. But Alma Levin will go renegade, vanishing somewhere into the most violent years of the mid-twentieth century. And it will be the responsibility of her mentor, Gasper James, to bring her back. For useless he can stop her, Alma Levin intends to change history--and the future--with a plan to prevent the slaughter of six million--a plan that is puling former teacher and protigi both into the most terrible place ever conceived by man: Auschwitz.

    Beam Piper) • (1983) • essay by John F. Carr9 • Time and Time Again • (1947) • shortstory by H. Beam Piper29 • The Mercenaries • (1950) • novelette by H. Beam Piper57 • Dearest • (1951) • shortstory by H. Beam Piper77 • Hunter Patrol • (1959) • novelette by H. Beam Piper and John J. McGuire111 • Flight from Tomorrow • (1950) • novelette by H. Beam Piper135 • Operation R.S.V.P. • (1951) • shortstory by H. Beam Piper147 • Genesis • [Paratime Police] • (1951) • novelette by H. Beam Piper171 • The Answer • (1959) • shortstory by H. Beam Piper185 • Crossroads of Destiny • (1959) • shortstory by H. Beam Piper199 • Day of the Moron • (1951) • novelette by H. Beam Piper

    A thorough summary of the year in science fiction and a long list of recommended reading round out this volume, rendering it the one book for every reader.

    Martin is a giant in the field of fantasy literature and one of the most exciting storytellers of our time. Now he delivers a rare treat for readers: a compendium of his shorter works, collected into two stunning volumes, that offer fascinating insight into his journey from young writer to award-winning master.Gathered here in Volume I are the very best of George R.R. Martin's early works, including never-before-published fan pieces, his Hugo, Nebula, and Bram Stoker Award-winning stories plus the original novella The Ice Dragon, from which Martin's New York Times bestselling children's book of the same title originated. A dazzling array that features extensive author commentary, Dreamsongs, Volume I, is the perfect collection for both Martin devotees and a new generation of fans.Contents:- Introduction by Gardner Dozois One: A Four-Color Fanboy (2003)- Only Kids Are Afraid of the Dark (1967)- The Fortress (2003)- And Death His Legacy (2003)Two: The Filthy Pro (2003)- The Hero (1971)- The Exit to San Breta (1972)- The Second Kind of Loneliness (1972)- With Morning Comes Mistfall (1973)Three: The Light of Distant Stars (2003)- A Song for Lya (1974)- The Stone City (1977)- This Tower of Ashes (1976)- And Seven Times Never Kill Man (1975)- Bitterblooms (1977)- The Way of Cross and Dragon (1979)Four: The Heirs of Turtle Castle (2003)- The Lonely Songs of Laren Dorr (1976)- The Ice Dragon (1980)- In the Lost Lands (1982)Five: Hybrids and Horrors (2003)- Meathouse Man (1976)- Remembering Melody (1981)- Sandkings (1979)- Nightflyers (1980)- The Monkey Treatment (1983)- The Pear-Shaped Man (1987)

    What if the nukes had flown that day over Cuba? What if Caesar had survived? Imagine the Tunguska meteor with a different outcome. What if there was a true story behind HG Wells' most famous tale? See the world as it might have been if China discovered the New World first. And what if all of this was never meant to be and dinosaurs ruled the Earth?Authors Jessica Holmes, Daniel M. Bensen, Terri Pray, Rob Edwards, Maria Haskins, Cathbad Maponus, Leo McBride, and collaborators Brent A. Harris and Ricardo Victoria show us the world that might have been - if the butterfly's wings had fluttered a different way, if the world changed between heartbeats, if a moment of decision saw another choice.This is the fourth anthology from Inklings Press, aiming to provide a platform for new and upcoming authors and to open the door onto different worlds.

     After the unfortunate events that took place in Britain, Jacob Hunter is no longer certain of many things, but this ill-fated truth is one he understands implicitly. Having spent months battling his addiction to the all-powerful blue orb, a device capable of traveling through time but equally adept at breaking a man’s mind, Jacob has finally succumbed to it. Once aided by loyal companions and the woman he loves, Jacob has abandoned everyone he has ever trusted, his mind warped by the orb’s influence. However, recently given new clues concerning the orb’s potential, Jacob departs for Rome, where he now knows a second orb lay hidden, waiting to be reunited with the orb he already possesses. Accompanied only by Rome’s manipulative empress, Agrippina the Younger, the pair journey to Rome where they hope to discover the secret to the orb’s power, but a destructive truth lies behind what they seek, one he may not be fully prepared to combat… But Jacob is not the only one about to embark on a daring quest. Having been abandoned and left without direction in the hinterlands of ancient Britain, Jacob’s sister, Diana, must find it in herself to rally Jacob’s jilted friends and corral an enraged Helena, the woman he loves, who carries her own mysterious secret after her life was miraculously saved at the brink of death. Unprepared for the responsibility suddenly thrust on her by Jacob's disappearance, Diana understands that she and her friends must find him before it's too late. Clouded and perverted though his mind may be, she knows her brother all too well. Jacob, tormented and driven beyond rationality, is prepared to sacrifice everything to find the lost orb. Including his life...

    The climactic engagement of this war, Operation Repulse, took place from August 2063 to February 2064, and was the most significant clash of arms on European soil in four hundred years.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    Le Guin40 • The Remoras • [The Great Ship Universe] • (1994) • novelette by Robert Reed65 • Nekropolis • (1994) • novelette by Maureen F. McHugh93 • Margin of Error • (1994) • shortstory by Nancy Kress98 • Cilia-of-Gold • (1994) • novelette by Stephen Baxter118 • Going After Old Man Alabama • (1994) • shortstory by William Sanders131 • Melodies of the Heart • (1994) • novella by Michael F. Flynn206 • The Hole in the Hole • [Wilson Wu and Irving • 1] • (1994) • novelette by Terry Bisson230 • Paris in June • (1994) • shortstory by Pat Cadigan243 • Flowering Mandrake • (1994) • novelette by George Turner273 • None So Blind • (1994) • shortstory by Joe Haldeman281 • Cocoon • (1994) • novelette by Greg Egan305 • Seven Views of Olduvai Gorge • [Birthright Universe] • (1994) • novella by Mike Resnick343 • Dead Space for the Unexpected • (1994) • shortstory by Geoff Ryman355 • Cri de Coeur • (1994) • novella by Michael Bishop402 • The Sawing Boys • (1994) • novelette by Howard Waldrop417 • The Matter of Seggri • (1994) • novelette by Ursula K. Le Guin446 • Ylem • (1994) • novelette by Eliot Fintushel465 • Asylum • (1994) • novella by Katharine Kerr492 • Red Elvis • (1994) • novelette by Walter Jon Williams507 • California Dreamer • (1994) • shortstory by Mary Rosenblum520 • Split Light • (1994) • shortstory by Lisa Goldstein531 • Les Fleurs Du Mal • [Biotech Revolution] • (1994) • novella by Brian Stableford585 • Honorable Mentions: 1994 • (1995) • essay by Gardner Dozois

    You can find this story in FOUNTAIN OF AGE by Nancy Kress.

    These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author’s note exploring the background and genesis of each story.   Howey’s incisive mind makes Machine Learning: New and Collected Stories a compulsively readable and thought-provoking selection of short works—from a modern master at the top of his game.