His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to discover his identity and to hunt him down.

    In 1547 Lymond is returning to his native Scotland, which is threatened by an English invasion. Accused of treason, Lymond leads a band of outlaws in a desperate race to redeem his reputation and save his land.

    When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    With their stepfather’s looming death, the two sisters will soon be on their own—without family, a home, or a penny to their names. When an invitation arrives to join a house party at Lakeshire Park, Amelia grasps at the chance. If she can encourage a match between Clara and their host, Sir Ronald, then at least her sister will be taken care of.Little does she know that another guest, the arrogant and overconfident Mr. Peter Wood, is after the same goal for his own sister. Amelia and Peter begin a rivalry that Amelia has no choice but to win. But competing against Peter—and eventually playing by his rules—makes Amelia vulnerable to losing the only thing she has left to claim: her heart.

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    The Far Pavilions is a story of 19th Century India, when the thin patina of English rule held down dangerously turbulent undercurrents. It is a story about and English man - Ashton Pelham-Martyn - brought up as a Hindu and his passionate, but dangerous love for an Indian princess. It's a story of divided loyalties, of tender camaraderie, of greedy imperialism and of the clash between east and west. To the burning plains and snow-capped mountains of this great, humming continent, M.M. Kaye brings her quite exceptional gift of immediacy and meticulous historical accuracy, plus her insight into the human heart.

    For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

    The dowager, no less, has invited her for a season in London, where she will attempt to catch a husband.Thus begins our heroine’s tale as she attempts to tackle the London season with all her rustic finesse. Unfortunately, her rustic finesse turns out to be as delicate as a fat bear trying to rip apart a honeycomb infested with buzzing bees.What follows is a series of misadventures, love affairs, moonlit balls, fancy clothes, fake moustaches, highwaymen, sneering beauties, pickpockets, and the wrath of a devilishly handsome duke.

    She does not ride astride. She does not fence or attend duels. She does not fire a pistol, and she never gambles at a gentlemen's club.Lady Calpurnia Hartwell has always followed the rules, rules that have left her unmarried—and more than a little unsatisfied. And so she's vowed to break the rules and live the life of pleasure she's been missing.But to dance every dance, to steal a midnight kiss—to do those things, Callie will need a willing partner. Someone who knows everything about rule-breaking. Someone like Gabriel St. John, the Marquess of Ralston—charming and devastatingly handsome, his wicked reputation matched only by his sinful smile.If she's not careful, she'll break the most important rule of all—the one that says that pleasure-seekers should never fall hopelessly, desperately in love.

    But that’s the least of the surprises awaiting her new employer when he arrives at the estate of Fairleigh Park following the unexpected death of his brother.To rising political star Stuart Somerset, Verity Durant is just a name and food is just food, until her first dish touches his lips. Only one other time had he felt such pure arousal–a dangerous night of passion with a stranger, who disappeared at dawn. Ten years is a long time to wait for the main course, but when Verity Durant arrives at his table, there’s only one thing that will satisfy Stuart’s appetite for more. But is his hunger for lust, revenge–or that rarest of delicacies, love? For Verity’s past has a secret that could devour them both even as they reach for the most delicious fruit of all.…

    That is, until she is left a vast fortune payable only upon her marriage to the very respectable Mr. Barkworth—a match that offers little chance of discovering exactly what her aunt means by "untoward attentions."But the same can't be said when the Duke of Preston happens along Tabitha's path. He spies a rebellious streak in her that matches his own and he makes it his mission to save her from such a passionless match, interfering in her life at every turn. All too soon, Preston—whose very name spells ruin—has Tabitha caught between the good fortune that guarantees her security, and his kiss, which promises an entirely different kind of happily-ever-after.

    No one dreamed this scandalous rake would ever take a bride. And as society mamas swooned at the loss of England′s most eligible bachelor, Devil′s infamous Cynster cousins began to place wagers on the wedding date.But Honoria wasn′t about to bend society′s demands and marry a man "just" because they′d been found together virtually unchaperoned. No, she craved adventure, and while solving the murder of a young Cynster cousin fit the bill for a while, she decided that once the crime was solved she′d go off to see the world. But the scalding heat of her unsated desire for Devil soon had Honoria craving a very different sort of excitement. Could her passion for Devil cause her to embrace the enchanting peril of a lifelong adventure of the heart?

    Thanks to some deliciously scandalous—and infamous—stories, she has a pretty good idea of what she's missing as a spinster. Is even a short flirtation too much to ask for?Tristan, Lord Burke, recognizes Joan at once for what she is: trouble. Not only is she his best friend's sister, she always seems to catch him at a disadvantage. The only way he can win an argument is by kissing her senseless. He'd give anything to get her out of her unflattering gowns. But either one of those could cost him his bachelor status, which would be dreadful—wouldn't it?

    Four years ago, they had a fight to end all fights, and have barely spoken since.Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She’s outraged. He’s confused. And the distance between them has never been more apparent.Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them?

    . . A Lady Awakened.Newly widowed and desperate to protect her estate and beloved servants from her malevolent brother-in-law, Martha Russell conceives a daring plan. Or rather, a daring plan to conceive. After all, if she has an heir on the way, her future will be secured. Forsaking all she knows of propriety, Martha approaches her neighbor, a London exile with a wicked reputation, and offers a strictly business proposition: a month of illicit interludes . . . for a fee.Theophilus Mirkwood ought to be insulted. Should be appalled. But how can he resist this siren in widow’s weeds, whose offer is simply too outrageously tempting to decline? Determined she’ll get her money’s worth, Theo endeavors to awaken this shamefully neglected beauty to the pleasures of the flesh—only to find her dead set against taking any enjoyment in the scandalous bargain. Surely she can’t resist him forever. But could a lady’s sweet surrender open their hearts to the most unexpected arrival of all . . . love?