It includes examples of the Haystacks, Poplars, Morning on the Seine, Japanese Footbridge and Water Lilies series, an account of Monet's life at Giverny and photographs of Monet and his house and garden.

    Forty years later, Deneuve is still widely regarded as one of the grande dames of French cinema. Despite her international appeal, however, Denueve has always chosen to avoid the ferocious glare of Hollywood and seldom allows the public into her private life. In these memoirs, Deneuve takes the reader behind the scenes of her life and career in this fascinating collection of seven previously unpublished diaries that she kept while filming abroad. In her own words, Deneuve charts the shooting of films such as The April Fools; Tristana, directed by Luis Bunuel; Indochine; and Dancer in the Dark. Including a never before published interview with famed director Pascal Bonitzer, this memoir is an intimate look into Deneuve's life both on and off screen, and is every bit as riveting as her movie persona.

    Illustrated with hundreds of photographs, this visual documentary of Michael Jackson presents all the facts and includes his records, concerts, videos and awards, his public appearances and performances, memorabilia and records you never knew existed.

    He recounts how the studio system rose out of the ashes of Thomas Edisons trust to create the handful of companies that have dominated global screens and imaginations for more than 100 years. Throughout, he reveals that the elements we take to be a natural part of the Hollywood experience--stars, genre-driven storytelling, blockbuster franchises, etc.--are really the product of cultural, political, and commercial forces. In many ways, Hollywood has remained the same for over a century. It has always been a global industry based in the U.S., and its storytelling has always unfolded across media, adapting plays, book, and comics and spinning off product tie-ins, television series, and social media campaigns. But major events have also continually remade Hollywood. The studios have weathered wars, disruptive new technologies, and competition by adopting a strategy of risk management and assimilation. This book explores the challenges of new technologies, including sound, home video, and computer graphics. And it examines Hollywoods responses to World War II, independent film movements, and regulations imposed by Washington. Hollywood: A Very Short Introduction is filled with discussions of well-known movies, stars, and directors, encapsulating the past century of research on Hollywood while adding many original insights and stories. It is the perfect introduction for readers who want to better understand the history and functioning of our screen-saturated world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

    ● In-depth pieces that illuminate such treasures of the City of Light as the bridges on the Seine; Parisian train stations; cobbled streets and hidden gardens; the peculiarities of the French language; the delights of French bread, chocolate, and wine; and much more.● Enticing recommendations for further reading, including novels, histories, memoirs, cookbooks, and guidebooks.● An A–Z Miscellany of concise and entertaining information on special shops, hotels, and museums not to be missed; French phrases and customs; boat trips on the Seine; Jewish history; antiques; spas; tips for shopping; and the most romantic spots in Paris.● Recommendations for excursions to Chartres, Fontainebleau, Burgundy, Brittany, and Champagne.● More than 150 photographs and illustrations.

    The result is a highly entertaining book on Hollywood's extravagant relationship with the past, a celebration of the cinema as an illuminator of the story of mankind. By the author of the bestselling Flashman novels. 200 photos.

    Hundreds of thousands of pianos are bought and sold each year, yet most people buy a piano with only the vaguest idea of what to look for as they make this major purchase. The Piano Book evaluates and compares every brand and style of piano sold in the United States. There is information on piano moving and storage, inspecting individual new and used pianos, the special market for Steinways, and sales gimmicks to watch out for. An annual supplement, sold separately, lists current prices for more than 2,500 new piano models.

    A study of the artist and illustrator, Norman Rockwell, which reproduces 600 of his best illustrations, providing a panorama of nearly 60 years of American social history.

    Fans of finer films have to count on catching up with them on video and DVD, but even the most hard-core devotees have trouble remembering what sounded good when a film was originally released. Never Coming to a Theater Near You will remedy that situation. This selection of renowned film critic Kenneth Turan's absorbing and illuminating reviews, now revised and updated to factor in the tests of time, point viewers toward the films they can't quite remember, but should not miss.Moviegoers know they can trust Turan's impeccable taste. His eclectic selection represents the kind of sophisticated, adult, and entertaining films intelligent viewers are hungry for. More importantly, Turan shows readers what makes these unusual films so great, revealing how talented filmmakers and actors have managed to create the wonderful highs we experience in front of the silver screen.

    Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike.In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that film culture today is dominated by advertising executives, sixty-second film reviewers, and other players in the Hollywood publicity machine who champion mediocre films at the expense of genuinely imaginative and challenging works. He proposes specific definitions of excellence in film art through the creation a personal canon of both well-known and obscure movies from around the world and suggests ways in which other canons might be similarly constructed.Essential Cinema offers in-depth assessments of an astonishing range of films: established classics such as Rear Window, M, and Greed; ambitious but flawed works like The Thin Red Line and Breaking the Waves; eccentric masterpieces from around the world, including Irma Vep and Archangel; and recent films that have bitterly divided critics and viewers, among them Eyes Wide Shut and A.I. He also explores the careers of such diverse filmmakers as Robert Altman, Raúl Ruiz, Frank Tashlin, Elaine May, Sam Fuller, Terrence Davies, Edward Yang, Hou Hsiao-hsien, and Orson Welles. In conclusion, Rosenbaum offers his own film canon of 1,000 key works from the beginning of cinema to the present day. A cogent and provocative argument about the art of film, Essential Cinema is also a fiercely independent reference book of must-see movies for film lovers everywhere.

    80 black-and-white photos.

    Among the many subjects it discusses: working with non-traditional forms; maintaining a consistent and ongoing storyline; developing a personal cinematic style; finding a script's audience; keeping an audience's attention; developing subtexts; utilising psychology and philosophy; creating realism; polishing scenes; creating memorable dialogue.

    It immediately became very popular and this first handhistory of the Buccaneers of America was soon translated into theprincipal European languages. The first English edition was printed in1684.Of the author, John Esquemeling, very little is known although it isgenerally conceded that he was in all probability a Fleming orHollander, a quite natural supposition as his first works were writtenin the Dutch language. He came to the island of Tortuga, theheadquarters of the Buccaneers, in 1666 in the employ of the French WestIndia Company. Several years later this same company, owing tounsuccessful business arrangements, recalled their representatives toFrance and gave their officers orders to sell the company's land and allits servants. Esquemeling then a servant of the company was sold to astern master by whom he was treated with great cruelty. Owing to hardwork, poor food and exposure he became dangerously ill, and his masterseeing his weak condition and fearing to lose the money Esquemeling hadcost him resold him to a surgeon. This new master treated him kindly sothat Esquemeling's health was speedily restored, and after one year'sservice he was set at liberty upon a promise to pay his benefactor, thesurgeon, 100 pieces of eight at such a time as he found himself infunds.Once more a free man he determined to join the pirates and was receivedinto their society and remained with them until 1672. Esquemeling servedthe Buccaneers in the capacity of barber-surgeon, and was present at alltheir exploits. Little did he suspect that his first hand observationswould some day be cherished as the only authentic and true history ofthe Buccaneers and Marooners of the Spanish Main.From time to time new editions of this work have been published, but inmany cases much new material, not always authentic, has been added andthe result has been to mar the original narrative as set forth byEsquemeling. In arranging this edition, the original English text onlyhas been used, and but few changes made by cutting out the long andtedious description of plant and animal life of the West Indies of whichEsquemeling had only a smattering of truth. But, the history of CaptainMorgan and his fellow buccaneers is here printed almost identical withthe original English translation, and we believe it is the first timethis history has been published in a suitable form for the juvenilereader with no loss of interest to the adult.The world wide attention at this time in the Isthmus of Panama and thegreat canal connecting the Atlantic with the Pacific Ocean lends to thisnarrative an additional stimulus. Here are set forth the deeds of daringof the wild freebooters in crossing the isthmus to attack the cities,Puerto Bellow and Panama. The sacking and burning of these placesaccompanied by pillage, fire, and treasure seeking both on land and onsea form exciting reading. _The Buccaneers and Marooners of America_well deserves a place on the book shelf with those old world-widefavorites _Robinson Crusoe_ and the _Swiss Family Robinson_.

    Ultimate troubleshooters equipped with state-of-the-art firepower, capable of power projection across the vast expense of deep space. They can sharpshoot a man at a thousand meters or obliterate an entire world from the safety of orbit. They reckon they are unbeatable.But on a dirtball colony planet known only as LV-426 the unthinkable happened.The marines lost.The ALIENS COLONIAL MARINES TECHNICAL MANUAL is your official guide to the equipment and organisation of the United States Colonial Marines Corps. Packed with never-before-published diagrams, technical schematics and plans, the manual takes a detailed look at the guns, vehicles and ships of the USCMC, and the men and women who use them.A must for all ALIENS fans, this book examines the technology of the film's futuristic nightmare in every detail, and tries to discover exactly what went wrong on LV-426.

    This revised edition includes analyses of the latest trends in Japanese cinema, such as the revival of the horror genre, and introduces today's up-and-coming directors and their works.As Paul Schrader writes in his perceptive foreword, Richie's accounting of the Japanese film "retains his sensitivity to the actual circumstances of film production (something filmmakers know very well but historians often overlook) . . . and shows the interweave of filmmaking-the contributions of directors, writers, cinematographers, actors, musicians, art directors, as well as financiers."Of primary interest to those who would like to watch the works introduced in these pages, Richie has provided capsule reviews of the major subtitled Japanese films commercially available in DVD and VHS formats. This guide has been updated to include not only the best new movie releases, but also classic films available in these formats for the first time.