When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner's, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick's Cathedral and take the rest as it comes.

    Having left Restoration England in the midst of a messy scandal, she has been living in Louis XIV’s Baroque, mannered France for two years. Now she is returning home to England and anxious to re-establish herself quickly. First, she will regain her former position as a maid of honor to Charles II’s queen. Then she will marry the most celebrated duke of the Restoration, putting herself in a position to attain power she’s only dreamed of. As a duchess, Alice will be able to make or break her friends and enemies at will. But all is not as it seems in the rowdy, merry court of Charles II. Since the Restoration, old political alliances have frayed, and there are whispers that the king is moving to divorce his barren queen, who some wouldn’t mind seeing dead. But Alice, loyal only to a select few, is devoted to the queen, and so sets out to discover who might be making sinister plans, and if her own father is one of them. When a member of the royal family dies unexpectedly, and poison is suspected, the stakes are raised. Alice steps up her efforts to find out who is and isn’t true to the queen, learns of shocking betrayals throughout court, and meets a man that she may be falling in love with—and who will spoil all of her plans. With the suspected arrival of a known poison-maker, the atmosphere in the court electrifies, and suddenly the safety of the king himself seems uncertain. Secret plots are at play, and war is on the horizon—but will it be with the Dutch or the French? And has King Charles himself betrayed his country for greed? The long-awaited prequel to Koen’s beloved Through a Glass Darkly, Dark Angels is a feast of a novel that sparkles with all the passion, extravagance, danger, and scandal of seventeenth-century England. Unforgettable in its dramatic force, here is a novel of love and politics, of romance and betrayal, of power and succession—and of a resourceful young woman who risks everything for pride and status in an era in which women were afforded little of either.From the Hardcover edition.

    As the trial unfolds, May tells her version of events. In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement.  Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between. The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family? As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress.

    Ceinwen Reilly has just moved from Yazoo City, Mississippi, and she’s never going back, minimum wage job (vintage store salesgirl) and shabby apartment (Avenue C walkup) be damned. Who cares about earthly matters when Ceinwen can spend her days and her nights at fading movie houses—and most of the time that’s left trying to look like Jean Harlow?One day, Ceinwen discovers that her downstairs neighbor may have—just possibly—starred in a forgotten silent film that hasn’t been seen for ages. So naturally, it’s time for a quest. She will track down the missing reels, she will impress her neighbor, and she will become a part of movie history: the archivist as ingénue.As she embarks on her grand mission, Ceinwen meets a somewhat bumbling, very charming, 100 percent English math professor named Matthew, who is as rational as she is dreamy. Together, they will or will not discover the reels, will or will not fall in love, and will or will not encounter the obsessives that make up the New York silent film nut underworld.A novel as winning and energetic as the grand Hollywood films that inspired it, Missing Reels is an irresistible, alchemical mix of Nora Ephron and David Nicholls that will charm and delight.

    But what happens to human feeling in a completely commodified world? In The Post-Office Girl, Stefan Zweig, a deep analyst of the human passions, lays bare the private life of capitalism.Christine toils in a provincial post office in post–World War I Austria, a country gripped by unemployment. Out of the blue, a telegram arrives from Christine’s rich American aunt inviting her to a resort in the Swiss Alps. Christine is immediately swept up into a world of inconceivable wealth and unleashed desire. She feels herself utterly transformed: nothing is impossible. But then, abruptly, her aunt cuts her loose. Christine returns to the post office, where yes, nothing will ever be the same again.Christine meets Ferdinand, a bitter war veteran and disappointed architect, who works construction jobs when he can get them. They are drawn to each other, even as they are crushed by a sense of deprivation, of anger and shame. Work, politics, love, sex: everything is impossible for them. Life is meaningless, unless, through one desperate and decisive act, they can secretly remake their world from within.Cinderella meets Bonnie and Clyde in Zweig’s haunting and hard-as-nails novel, completed during the 1930s, as he was driven by the Nazis into exile, but left unpublished at the time of his death. The Post-Office Girl, available here for the first time in English, transforms our image of a modern master’s achievement.

    The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.Alternate cover for this edition.

    Soon after their arrival at Illyria, the Reniers’ rambling beachside home, Theron is sent on a diplomatic mission, leaving Stella alone with his family. As she tries to settle into her new life, Stella quickly discovers that the Reniers are not what they seem. Trapped in a world unlike anything she’s ever known, vulnerable Stella attempts to uncover her new family’s dangerous secrets—and stirs up a darkness that was meant to stay buried.

    Five years after the defeat of the Ottoman Empire at the Battle of Lepanto, a ship steals unnoticed into Venice bearing a deadly cargo. A man more dead than alive disembarks and staggers into Piazza San Marco. He brings a gift to Venice from Constantinople. Within days the city is infected with bubonic plague—and the Turkish Sultan has his revenge. But the ship also holds a secret stowaway—Feyra, a young and beautiful harem doctor fleeing a future as the Sultan's concubine. Only her wits and medical knowledge keep her alive as the plague ravages Venice. In despair the Doge commissions the architect Andrea Palladio to build the greatest church of his career—an offering to God so magnificent that Venice will be saved. But Palladio's own life is in danger too, and it will require all skills of medico Annibale Cason, the city's finest plague doctor, to keep him alive. But what Annibale had not counted on was meeting Feyra, who is now under Palladio's protection, a woman who can not only match his medical skills but can also teach him how to care.

    Not an intricately plotted "whodunit" or fiery passionate fury. But dirty, sad, disturbing actions from real people. That's what Truman Capote decided to use for IN COLD BLOOD—his bold experiment in the realm of the non-fiction "novel." Following in that legacy is CAPOTE IN KANSAS, a fictionalized tale of Capote's time in Middle America researching his classic book. Capote's struggles with the town, the betrayal, and his own troubled past make this book a compelling portrait of one of the greatest literary talents of the 20th century.

    But behind the sparkling social whirl, Vera is living a life of quiet desperation. Her days are an unbroken loop of empty, champagne-soaked socializing, while her nights are silent and cold, spent waiting alone in her cavernous apartment for a husband who seldom comes home.Then Emil Hallan arrives at The Angelus to paint a mural above its glittering subterranean pool. The handsome French artist moves into the building, shrouds his work in secrecy, and piques Vera’s curiosity, especially when the painter keeps dodging questions about his past. Is he the man he claims to be? Even as she finds herself increasingly drawn to Hallan’s warmth and passion, Vera can’t supress her suspicions. After all, she has plenty of secrets, too—and some of them involve art forgers like her bold, artistically talented former friend, Bea, who years ago, at Vassar, brought Vera to the brink of catastrophe and social exile.When the dangerous mysteries of Emil’s past are revealed, Vera faces an impossible choice—whether to cling to her familiar world of privilege and propriety or to risk her future with the enigmatic man who has taken her heart. A Fine Imitation explores what happens when we realize that the life we’ve always led is not the life we want to have.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    She meets Richard Baxton-Powell, and Jinnie, thrust into womanhood, also realizes that her maturity stems from life with the Shalemans.

    Among the guests of the hotel is Doctor Otternschlag, a World War I veteran whose face has been sliced in half by a shell. Day after day he emerges to read the paper in the lobby, discreetly inquiring at the desk if the letter he’s been awaiting for years has arrived. Then there is Grusinskaya, a great ballerina now fighting a losing battle not so much against age as against her fear of it, who may or may not be made for Gaigern, a sleek professional thief. Herr Preysing also checks in, the director of a family firm that isn’t as flourishing as it appears, who would never imagine that Kringelein, his underling, a timorous petty clerk he’s bullied for years, has also come to Berlin, determined to live at last now that he’s received a medical death sentence. All these characters and more, with all their secrets and aspirations, come together and come alive in the pages of Baum’s delicious and disturbing masterpiece.

      The autumn of 1922 found F. Scott Fitzgerald at the height of his fame, days from turning twenty-six years old, and returning to New York for the publication of his fourth book, Tales of the Jazz Age. A spokesman for America’s carefree younger generation, Fitzgerald found a home in the glamorous and reckless streets of New York. Here, in the final incredible months of 1922, Scott and Zelda Fitzgerald drank and quarreled and partied amid financial scandals, literary milestones, car crashes, and celebrity disgraces. Yet the Fitzgeralds’ triumphant return to New York coincided with another event: the discovery of a brutal double murder in nearby New Jersey, a crime made all the more horrible by the farce of a police investigation—which failed to accomplish anything beyond generating enormous publicity for the newfound celebrity participants. Proclaimed the "crime of the decade" even as its proceedings dragged on for years, the Mills-Hall murder has been wholly forgotten today. But the enormous impact of this bizarre crime can still be felt in The Great Gatsby, a novel Fitzgerald began planning that autumn of 1922 and whose plot he ultimately set within that fateful year.Careless People is a unique literary investigation: a gripping double narrative that combines a forensic search for clues to an unsolved crime and a quest for the roots of America’s best loved novel. Overturning much of the received wisdom of the period, Careless People blends biography and history with lost newspaper accounts, letters, and newly discovered archival materials. With great wit and insight, acclaimed scholar of American literature Sarah Churchwell reconstructs the events of that pivotal autumn, revealing in the process new ways of thinking about Fitzgerald’s masterpiece. Interweaving the biographical story of the Fitzgeralds with the unfolding investigation into the murder of Hall and Mills, Careless People is a thrilling combination of literary history and murder mystery, a mesmerizing journey into the dark heart of Jazz Age America.

    Outrageous, charming, and unforgettable, she’s been portrayed on stage and screen by Carol Channing and Marilyn Monroe and has become the archetype of the footloose, good-hearted gold digger, with an insatiable appetite for orchids, champagne, and precious stones. Here are her “diaries,” created by Anita Loos in the Roaring Twenties, as Lorelei and her friend Dorothy barrel across Europe meeting everyone from the Prince of Wales to “Doctor Froyd” – and then back home again to marry a Main Line millionaire and become a movie star. In this delightfully droll and witty book, Lorelei Lee’s wild antics, unique outlook, and imaginative way with language shine.