Max Ernst's early-twentieth-century collage-novel calls upon the reader to interpret captions and surrealistic illustrations—created from old picture books and journals—to create a story.

    . .A classic and influential story, Emil and the Detectives remains an enthralling read.

    They are known as the Whistlers, as all were shot in the throat and their breathing results in a sound "like the squeaking of mice." The author vividly captures the strong young men the soldiers used to be and the battered, wounded people they have become. Pointner, whose obstinacy in holding onto an English sniper's cap means he is mistaken for the enemy, is the worst injured of the trio. Kollin continually dreams that he is cured, and for a brief, heartbreaking moment his breathing appears to be free when he awakes. The precarious balance of life in the hospital shifts when Harry, an English prisoner of war, becomes another whistler. His initial reception by the other patients, and his eventual acceptance into their group, reminds us of what must be so blatant day-in day-out in a hospital: men are all the same regardless of the country they fight for.The story progresses through a simple series of vignettes which are delicately presented without demanding empathy or flinging the reader into a maelstrom of emotion. It is all the more rare, precious and powerful as a result.