The Tailor of Gloucester


Beatrix Potter - 1903
    Her passion for the natural world lay behind the creation of her famous series of little books. A particular source of inspiration was the English Lake District where she lived for the last thirty years of her life as a farmer and land conservationist, working with the National Trust.She described The Tailor of Gloucester as her own favourite among her books. It was based on the true story of a tailor who left the unsewn pieces of a coat in his shop and found that the garment had been mysteriously finished for him in the night. It turned out that the real tailor's assistants were his apprentices, but in Beatrix Potter's version of the story the secret helpers are skilful little brown mice.

McElligot's Pool


Dr. Seuss - 1947
    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

Corduroy


Don Freeman - 1968
    When all the shoppers have gone home for the night, Corduroy climbs down from the shelf to look for his missing button. It's a brave new world! He accidentally gets on an elevator that he thinks must be a mountain and sees the furniture section that he thinks must be a palace. He tries to pull a button off the mattress, but he ends up falling off the bed and knocking over a lamp. The night watchman hears the crash, finds Corduroy, and puts him back on the shelf downstairs. The next morning, he finds that it's his lucky day! A little girl buys him with money she saved in her piggy bank and takes him home to her room. Corduroy decides that this must be home and that Lisa must be his friend. Youngsters will never get tired of this toy-comes-alive tale with a happy ending, so you may also want to seek out Dan Freeman's next creation, A Pocket for Corduroy. (Ages 3 to 8)

Beauty and the Beast


Jan Brett - 1989
    This retelling of the classic fairy tale will appeal to children because of its mystery, suspense, and romance, and to adults because of its exploration of the duality in human nature.

The Biggest Bear


Lynd Ward - 1952
    Johnny goes hunting for a bearskin to hang on his family's barn and returns with a small bundle of trouble.

Chicken Little


Steven Kellogg - 1985
    Steven Kellogg's hilarious retelling and irresistible illustrations bring fresh delight to this timeless classic of chain reaction panic.

We're Going on a Bear Hunt


Michael Rosen - 1989
    We’re going on a bear hunt. We’re going to catch a big one.. Will you come too? For more than twenty-five years readers have been swishy swashing and splash sploshing through this award-winning favorite. Join in the fun!

The Lion and the Mouse


Jerry Pinkney - 2009
    After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.

A Bargain for Frances


Russell Hoban - 1970
    Thelma always seems to get Frances into trouble. When she tricks Frances into buying her tea set, it's the last straw. Can Frances show her that it's better to lose a bargain than lose a friend?

Nightsong


Ari Berk - 2012
    It’s an adventure, but how will he find his way? And how will he find his way home? As the young bat discovers, navigating the world around him is easy as long as he uses his good sense.This beautiful and touching coming-of-age story, with mesmerizing artwork from New York Times bestselling illustrator Loren Long and lyrical text from Ari Berk, conveys a heartwarming and universal message: No matter how far away you go, you can always find your way home.

Finders Keepers


William Lipkind - 1951
    “Here is a perfect combination of rollicking story and pictures that have strength, life and humor in every line.”--The Horn Book

Sylvester and the Magic Pebble


William Steig - 1969
    But when a lion frightens him on his way home, Sylvester makes a wish that brings unexpected results.

The Three Billy Goats Gruff


Paul Galdone - 1841
    With plenty of repetition, this adventure is perfect for reading aloud and for joining in, and a satisfying ending provides a reassuring touch.

Outside Over There


Maurice Sendak - 1981
    With Papa off to sea and Mama despondent, Ida must go outside over there to rescue her baby sister from goblins who steal her to be a goblin's bride.

Frog Went a-Courtin'


John Langstaff - 1955
    . . . Illustrator Feodor Rojankovsky somehow manages to combine quaintness with sophistication and his doughty frog, the coy mouse . . . and others make charming company.”--The New York Times Book Review