It's a time when anything could happen, when any kind of story just might be true. That sense of the strange and wonderful guides Eclipse: New Science Fiction and Fantasy, the first volume in an exciting new annual anthology series edited by acclaimed anthologist Jonathan Strahan. Set to become a major event on the science fiction and fantasy calendar,Eclipse: New Science Fiction and Fantasy gathers together new science fiction and fantasy stories by the best writers working today. You can see that in Eclipse 1, which features extraordinary tales by Peter S. Beagle, Jack Dann & Paul Brandon, Terry Dowling, Andy Duncan, Jeffrey Ford, Kathleen Ann Goonan, Eileen Gunn, Gwyneth Jones, Ellen Klages, Maureen F. McHugh, Garth Nix, Lucius Shepard, Bruce Sterling and Ysabeau S. Wilce.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    Kevin Brockmeier's fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive--or, as it happens, not to be.

    Now Trick knows that his blood is poison to the bloodsuckers, and he will stop at nothing to eradicate them. Collects issues #1-#5 of the Dark Horse original series.

    In the most peculiar setting his widow and ex-wife live in their manse, where multiple mysteries abound and a fatal competition ensues between them.

      In 1948, when he was just a boy, Jimmy Kalmaku trained with his uncle to be the shaman of his Tlingit village in Alaska. There he learned the old legends, the old myths, the old secrets. Chief among them was that of a mask locked in a prison of ice, and of the faceless god imprisoned within: a cruel and vengeful god called T'Nathluk, dedicated to the infliction of pain and suffering.   Now all but forgotten in a Seattle retirement home, Jimmy finds his life turned upside down. For when an unwitting archaeologist pries the mask free of its icy tomb, he frees T’Nathluk as well. Stuck in spirit form, the Faceless One seeks a human to serve as a portal through which he can enter our reality. The Faceless One can control—and mercilessly torture—anyone who touches the mask, which means there is no shortage of slaves to ferry it across the country to its chosen host.   Yet the Faceless One has foes as well: Stan Roberts, a tough New York cop whose pursuit of justice will lead him into a dark abyss of the soul; Steven, Liz, and Bobby, the family of the doomed archaeologist; and Jimmy Kalmaku, who must at last become the shaman of his boyhood dreams.

    Wells were running dry, livestock suffered, great cracks crisscrossed farmers' fields, no crops could be planted. Rain had become more valuable than gold.Then a miracle happened: Dr. Dredd and his Wagon of Wonders came to town, and among his wonders was a young boy called Bufu the Rainmaker. At first the townspeople were skeptical — moments later they were dancing for joy, faces turned up into a driving rain. Then, as quickly as it had begun, the rain stopped.More rain! somebody yelled. Dr. Dredd's toothy smile grew wide. Yes, he could command Bufu to make more rain — but what it would cost Coven Tree, he wouldn't say. Not yet.Those who thought rain would be worth whatever it cost didn't know what Bufu knew. And when fourteen-year-old Ellen McCabe found Bufu cowering in her family's woodshed later that night, seeking sanctuary from his evil master, all of Coven Tree soon would know the terrible wrath — and frightening powers — of Dr. Hugo Dredd.

    Receiving an enormous responsibility as Physici for her people, the only individual in the Dubious Hills capable of experiencing and understanding pain, fourteen-year-old Arry seeks to protect her world from a wolf invasion.

    "Robert Aickman was a master of what he called 'strange stories,' and though his fiction has been categorized as horror, it's actually its own beast.As we move further away from the horror boom of the last century and its focus on the mainstream appeal of small town horrors, we are encountering successive generations of writers open to exploring new avenues of the subtly bizarre, an area Aickman frequently mastered.This book is a sampler of how Robert Aickman's work has beoome a significant source of inspiration for contemporary writers."

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    He may have been the greatest player the game has ever seen, but today no one remembers his name. He was the first--and only--player to have his existence completely removed from the record books. Even his team is long forgotten, barely a footnote in the game's history.Every effort was made to erase any evidence that William Blakely played professional baseball, and with good reason. Blockade Billy had a secret darker than any pill or injection that might cause a scandal in sports today. His secret was much, much worse... and only Stephen King, the most gifted storyteller of our age, can reveal the truth to the world, once and for all.

    Jessie meets hers when she and her friend Angela move into their new apartment--he lives in the rotten-smelling basement apartment--wet lips, whiny voice, eating Cheez Doodles with warm Coke. He's always waiting for her, inviting her down to his apartment ... he has 'things' to show her. When Jessie's obsession with this repulsive man turns to paranoia, it takes over more than just her life. Locus Poll Award Nominee, World Fantasy Award Nominee, Bram Stoker Award Winner

    Matt Franklin and his companions would rob the Securicor van. Simple. Until the job turned into a nightmare. Two of them are shot dead and another fatally wounded. But who is trying to wipe them out, killing not just them but their families too? How are the Government and the British army implicated? What lurks within a secret research establishment in the English countryside? Franklin has to find out. Finally the only one left alive, he tires of being the prey and decides to become the hunter. His quest will bring him into conflict with forces he cannot begin to imagine or understand but he is driven by a need for revenge that overrides his fear. Aided by a desperate detective, Franklin becomes embroiled in a series of events that lead to a terrifying climax in the London Underground where he comes face to face with the answers he has sought. Like all of us, Franklin was told monsters don't exist. He's about to find out someone was lying...

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.