NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    Now, from the whole range of a lifetime's work, Ashbery has chosen his own selection of 138 poems, including short lyrics, haiku, prose poems, and many of his major long poems. Seeing these great works together in one volume, readers will be able to savor a distillation of John Ashbery's work and appreciate fully how remarkable is his achievement.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    It contains his only novel, The Portrait of Dorian Gray as well as his plays, stories, poems, essays and letters. Illustrated with many photographs, the book includes introductions to each section by Wilde's grandon, Merlin Holoand, Owen Dudley Edwards, Declan Kibertd and Terence Brown. A comprehensive bibliography of works by and about Oscar Wilde together with a chronological table of his life and work are also included.

    From THE WHORE OF MENSA, to GOD (A Play), to NO KADDISH FOR WEINSTEIN, old and new Woody Allen fans will laugh themselves hysterical over these sparkling gems.

    Opens all the doors. You can walk through any one that suits you." -- Jim MorrisonAs the lead singer and song writer for The Doors, Jim Morrison brought the poetry of the damned to rock'n'roll. As a poet, he infused verse with the wild lyricism and mesmerizing beat of rock. By the time of his death in 1971, Morrison had become one of the most haunting voices in the collective unconscious of America, echoed by performers such as Patti Smith.This book, compiled from the Morrison literary estate by his beloved friends, presents Morrison's unpublished work for the first time--poems that celebrate the juju of sex, the touring musician's labyrinth of highways, airports, and motel corridors, and the shamanistic power of rock'n'roll, as well as photographs, drawings, facsimiles from Morrison's diaries, and a self-interview that reveals him as he has never been revealed before. A genuine literary event, Wilderness is the last testament of a writer of liberating ferocity and tenderness whose tremendous impact on an entire generation is still being felt.Cover photo by Frank LisciandroCover design by Wendy Bass

    Winner of the Nobel Prize in LiteratureFrom Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realmsBound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.

    Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

    Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers.In Stephen Mitchell’s versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke’s poetry more accurately and convincingly than has ever been done before.Mr. Mitchell is impeccable in his adherence to Rilke’s text, to his formal music, and to the complexity of his thoughts; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness.Originally published: New York : Random House, 1982.

    Deciding that his battalion has been 'doping off', Colonel Templeton calls for a 36-mile forced march to inculcate discipline. The Long March is a searing account of this ferocious ordeal - and of the two officers who resist.

    Juno and the Paycock has been produced throughout the world and offers a compelling look at the family conflicts of struggling Irish matriarch Juno Boyle's Herculean attempts to keep her children safe and her husband "Captain" Jack Boyle sober despite his foolish schemes and the ongoing "troubles" in early 20th century Dublin.

    This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

    Yeats laid the foundations for an Irish literary revival, drawing inspiration from his country's folklore, the occult, and Celtic philosophy. A writer of both poems and plays, he helped found Dublin's famed Abbey Theatre. The poems here provide an example of his life's work and artistry, beginning with verses such as "The Stolen Child" from his debut collection "Crossways "(written when he was 24) through "Why Should Not Old Men Be Mad?" from "On the Boiler," published a year prior to his death.