Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.

    Introduction by the Author.Contents:Isis by Zora Neale HurstonEconomics by Elizabeth Seydel MorganSarah by Tina McElroy AnsaStar in the valley by Mary Noailles MurfreeUgliest pilgrim by Doris BettsMusic by Ellen GilchristWide net by Eudora WeltyAfter Moore by Mary HoodWhite rat by Gayl JonesDare's gift by Ellen GlasgowFirst dark by Elizabeth SpencerShiloh by Bobbie Ann MasonGood country people by Flannery O'ConnorEveryday use by Alice WalkerYellow ribbons by Susie MeeTongues of fire by Lee SmithGospel song by Dorothy AllisonNew life by Mary Ward BrownGrave by Katherine Anne PorterAnd with a vengeance by Margaret GibsonThird of July by Elizabeth Cox

    The three novels--Young Lonigan, The Young Manhood of Studs Lonigan, and Judgment Day--offer a vivid sense of the textures of real life: of the institutions of Catholicism, the poolroom and the dance marathon, romance and marriage, gangsterism and ethnic rivalry, and the slang of the street corner. Cited as an inspiration by writers as diverse as Kurt Vonnegut and Frank McCourt, Studs Lonigan stands as a masterpiece of social realism in the ranks of John Steinbeck's The Grapes of Wrath and Theodore Dreiser's An American Tragedy.

    In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    In Anthem, Rand examines a frightening future in which individuals have no name, no independence, and no values. Equality 7-2521 lives in the dark ages of the future where all decisions are made by committee, all people live in collectives, and all traces of individualism have been wiped out. Despite such a restrictive environment, the spark of individual thought and freedom still burns in him--a passion which he has been taught to call sinful. In a purely egalitarian world, Equality 7-2521 dares to stand apart from the herd--to think and choose for himself, to discover electricity, and to love the woman of his choice. Now he has been marked for death for committing the ultimate sin. In a world where the great "we" reign supreme, he has rediscovered the lost and holy word--"I."

    Mrs. Miniver's adventures have charmed millions. This edition, published on the fiftieth anniversary of the book's orginal publication in the U.S., features a new introduction by Greer Garson, who won the Academy Award as best actress for her role as Mrs. Miniver.

    A story of 20th-century womanhood, of Gram, the Queen of Persia herself, who rules a house where five daughters and four granddaughters spin out the tragedies and triumphs of rural life in the 1950's.

    They include supernatural tales, slices of life from Warsaw and the shtetls of Eastern Europe, and stories of the Jews displaced from that world to the New World, from the East Side of New York to California and Miami.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    It remains as fresh as when it was first published.

    It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle--that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos, resulting in a novel where range and depth reveal a brilliant and innovative writers acutely alert to where the sacred lives and to where it does not.

    Was it an accident, a murder, a suicide? The circumstances of her death were never resolved, but O’Hara seized upon the tragedy to imagine the woman’s down-and-out life in New York City in the early 1930s. “O’Hara understood better than any other American writer how class can both reveal and shape character,” Fran Lebowitz writes in her Introduction. With brash honesty and a flair for the unconventional, BUtterfield 8 lays bare the unspoken and often shocking truths that lurked beneath the surface of a society still reeling from the effects of the Great Depression. The result is a masterpiece of American fiction.

    He interweaves the careers of his characters and the events of their time with a narrative verve and breathtaking technical skill that make U.S.A. among the most compulsively readable of modern classics.A startling range of experimental devices captures the textures and background noises of 20th-century life: "Newsreels" with blaring headlines; autobiographical "Camera Eye" sections with poetic stream-of-consciousness; "biographies" evoking emblematic historical figures like J.P. Morgan, Henry Ford, John Reed, Frank Lloyd Wright, Thorstein Veblen, and the Unknown Soldier. Holding everything together is sheer storytelling power, tracing dozens of characters from the Spanish-American War to the onset of the Depression.The U.S.A. trilogy is filled with American speech: labor radicals and advertising executives, sailors and stenographers, interior decorators and movie stars. Their crisscrossing destinies take in wars and revolutions, desperate love affairs and harrowing family crises, corrupt public triumphs and private catastrophes, in settings that include the trenches of World War I, insurgent Mexico, Hollywood studios in the silent era, Wall Street boardrooms, and the tumultuous streets of Boston just before the execution of Sacco and Vanzetti.

    Here is a stunning chronicle that begins with the Depression and ends with the Vietnam War, revealed in the thoughts, dreams, and memories of each family member. Mitch struggles to earn a living as Jeans becomes the main breadwinner, working to complete college and raise the family. While the couple fight to keep their marriage intact, their daughter Danner and son Billy forge a sibling bond of uncommon strength. When Billy goes off to Vietnam, Danner becomes the sole bond linking her family, whose dissolution mirrors the fractured state of America in the 1960s. Deeply felt and vividly imagined, this lyrical novel is "among the wisest of a generation to grapple with a war that maimed us all" (The Village Voice), by a master of contemporary fiction.