As ingenious at capturing the surreal as he is at documenting the very real social landscape of modern Cairo, Mahfouz guides these restless spirits as they migrate from the shadowy realms of other worlds to the haunted precincts of our own.

    . . THE PRESIDENT'S SHADOW There are stories no one knows. Hidden stories. I find those stories for a living. To most, it looks like Beecher White has an ordinary job. A young staffer with the National Archives in Washington, D.C., he's responsible for safekeeping the government's most important documents . . . and, sometimes, its most closely held secrets. But there are a powerful few who know his other role. Beecher is a member of the Culper Ring, a 200-year-old secret society founded by George Washington and charged with protecting the Presidency.Now the current occupant of the White House needs the Culper Ring's help. The alarming discovery of the buried arm has the President's team in a rightful panic. Who buried the arm? How did they get past White House security? And most important: What's the message hidden in the arm's closed fist? Indeed, the puzzle inside has a clear intended recipient, and it isn't the President. It's Beecher, himself. Beecher's investigation will take him back to one of our country's greatest secrets and point him toward the long, carefully hidden truth about the most shocking history of all: family history.

     Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar’s abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children – OTMA and the Tsarevitch – Grand Duchess Ella (the Empress’ sister), Ania Vyrubova (the Empress’ most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes ‘The Tragic Empress’ such an intriguing and compelling book.

    Tow ferocious, excruciating years later, his forces met a final devastating defeat in the frozen streets of Stalingrad. Now this entire campaign has been recreated so accurately and vividly by the author of The Foxes of the Desert that you can hear its noise, feel its exhaustion, gasp at the blunders on both sides, follow every movement of the great armies.

    

    Original.

    He leaves them for several, short minutes to make a secret phone call to his ex-mistress. When he returns, they have vanished without a trace. Their abandoned drinks are set upon their seats, right next to his wife's phone.He is forced to admit that they have gone, and calls the police for help. An investigation is launched, but it's immediately obvious to Clayton that the chief detective is determined to find him guilty...With no one to turn to and with the police case drawing focus around him, he is forced to start his own investigation.Clayton has been keeping secrets, but it soon becomes apparent that his wife has some disturbing secrets of her own...And the more he digs, the more he discovers that these secrets may just be the cause of her mysterious disappearance...

    By turns dreamlike and nightmarish, this heavily illustrated account of determination, courage, family loyalty, and the luck of coincidence is a true publishing event."

    1917-23 covers the period up to Lenin's first withdrawal from the political scene in the Spring of 1923.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    . . has written the outstanding history of the Soviet-German war in English, or, for that matter, any language. The research alone is breathtaking. Erickson has mastered all the Russian sources and compared them with the German records. . . . He has shed light on many heretofore murky matters.”—Reid Beddow, Washington Post Book World“Masterly. . . . A vividly detailed yet comprehensive account of the decisive Eastern-front battleground.”—Christopher Hudson, London Evening Standard“The outstanding book on the Soviet war in any language.”—A. J. P. Taylor, Observer“This authoritative book by a first-class military historian is easily read.”—Philip Warner, Daily Telegraph

    It is the natural way in which we interpret, predict, and participate in social behavior and communication. We ascribe mental states to people: states such as thoughts, desires, knowledge, and intentions.Building on many years of research, Baron-Cohen concludes that children with autism, suffer from "mindblindness" as a result of a selective impairment in mindreading. For these children, the world is essentially devoid of mental things.Baron-Cohen develops a theory that draws on data from comparative psychology, from developmental, and from neuropsychology. He argues that specific neurocognitive mechanisms have evolved that allow us to mindread, to make sense of actions, to interpret gazes as meaningful, and to decode "the language of the eyes."A Bradford Book

    

    An oceanfront house has been rented there for her, its closet stocked with designer clothes in her size. The mysterious correspondent promises that if she comes, she will find out what really happened to her sister Violet. Her death wasn't an accident. Immersing herself in a world of wealth and privilege, Emilia has nightmares about the Wainwright mansion next door. Her mother used to work there years ago. Recently, her sister also worked for the Wainwrights. Just looking at the house makes Emilia feel as if she can’t breathe. Her strongest memory of the place is her mother packing up her and her sister and fleeing in the hours before dawn. What happened all those years ago? Was Violet murdered? Who killed her? And who rented this house for Emilia?

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.