Many of the events in his life, and the characters whom he knew, are described in his books: this is the story of the man who wrote them.

    Since the collapse of the Soviet Union and the emergence of newly independent republics, Central Asia--containing the magical cities of Bukhara and Samarkand, and terrain as diverse as the Kazakh steppes, the Karakum desert, and the Pamir mountains--has been in a constant state of transition. The Lost Heart of Asia takes readers into the very heart of this little visited, yet increasingly important region, delivering a rare and moving portrayal of a world in the midst of change.

    The key to the outbreak of violence, he argues, lies in St. Petersburg. Russian statesmen unleashed the war through policy decisions based on imperial ambitions in the Near East.

    But not until now has there been a memoir of life inside the camps written from the perspective of an actual employee of the Secret police. In this riveting memoir, superbly translated by Deborah Kaple, Fyodor Mochulsky describes being sent to work as a boss at the forced labor camp of Pechorlag in the frozen tundra north of the Arctic Circle. Only twenty-two years old, he had but a vague idea of the true nature of the Gulag. What he discovered was a world of unimaginable suffering and death, a world where men were starved, beaten, worked to death, or simply executed. Mochulsky details the horrific conditions in the camps and the challenges facing all those involved, from prisoners to guards. He depicts the power struggles within the camps between the secret police and the communist party, between the political prisoners (most of whom had been arrested for the generic crime of "counter-revolutionary activities") and the criminal convicts. And because Mochulsky writes of what he witnessed with the detachment of the engineer that he was, readers can easily understand how a system that destroyed millions of lives could be run by ordinary Soviet citizens who believed they were advancing the cause of socialism. Mochulsky remained a communist party member his entire life--he would later become a diplomat--but was deeply troubled by the gap between socialist theory and the Soviet reality of slave labor and mass murder. This unprecedented memoir takes readers into that reality and sheds new light on one of the most harrowing tragedies of the 20th century.

    But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in strings, winds, brasses, and combined groups. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc.; chords; progressions; and so on. The last two chapters deal with opera and include discussion of solo and choral accompaniment, instruments on stage or in the wings, technical terms, soloists (range, register, vocalization, vowels, etc.), voices in combination, and choral singing. Immediately following this text are some 330 pages of musical examples drawn from "Sheherazade," the "Antar Symphony," "Capriccio Espagnol," "Sadko," "Ivan the Terrible," "Le Coq d'Or," "Mlada," "The Tsar's Bride," and others of Rimsky-Korsakov's works. These excerpts are all referred to in the text itself, where they illustrate, far better than words, particular points of theory and actual musical practice. They are largely responsible for making this book the very special (and very useful) publication it is.This single-volume edition also includes a brief preface by the editor and extracts from Rimsky-Korsakov's 1891 draft and final versions of his own preface, as well as an appendixed chart of single tutti chords in the composer's works.

    The candour...is rare and gripping' Matt Dickinson, The TimesIt was the story that shocked the world: Russian athletics was revealed to be corrupt from top to bottom, with institutionalised doping used to help the nation's athletes win medals they did not deserve. But the full story of the couple who blew the whistle has never been told - until now. When Russian anti-doping official Vitaly Stepanov met the young 800m athlete Yuliya Rusanova, for him it was love at first sight. Within two months, they were married. But there was a problem – in fact, there were lots of problems. She admitted she was doping and that everyone else was doping, and she let him know that she came from a dark place …   It could all have brought a very swift end to a very hasty marriage, but gradually the Stepanovs began to realise that whatever you did, the system in Russia was stacked against you. In the end, the only ones they could rely upon were each other. Fully aware of the risks they were taking, they decided to turn the tables on those who had manipulated them and cheated the sporting world.   The result of their investigative work sent shockwaves around the planet and led to Russia’s athletes being banned from world sport, while the Stepanovs themselves had to go into hiding. The Russian Affair is a gripping true-life drama that at times reads like a spy novel and at others like an epic love story. But, at the centre of it all, is a quietly determined couple who knew that if they stood together they could shine a light on a corrupt system and bring it crashing to the ground.

    Some volunteered, but most were given no choice, in particular about whether to become a sniper or to fill some other combat role.After a few months of brutal training, the female snipers were issued with high-powered rifles and sent to the front. Almost without exception, their first kill came as a great shock, and changed them forever. But as the number of kills grew, many snipers became addicted to their new profession, some to the point of becoming depressed if a "hunt" proved fruitless.Accounts from the veterans of the female sniper corps include vivid descriptions of the close bonds they formed with their fellow soldiers, but also the many hardships and deprivations they faced: days and days in a trench without enough food, water, or rest, their lives constantly at risk from the enemy and from the cold; burying their friends, most of them yet to leave their teenage years; or the frequent sexual harassment by male officers.Although many of these young women were killed, often on their first day of combat, the majority returned from the front, only to face the usual constellation of trials with which every war veteran is familiar. Some continued their studies, but most were forced to work, even as they also started families or struggled to adjust to life as single parents. Nearly all of them were still in their early twenties, and despite the physical and mental scars left by the war, they had no time for complaints as the Soviet Union rebuilt following the war.Drawing on original interviews, diaries, and previously unpublished archival material, historian Lyuba Vinogradova has produced an unparalleled quilt of first-person narratives about these women's lives. This fascinating document brings the realities and hardships faced by the Red Army's female sniper corps to life, shedding light on a little-known aspect of the Soviet Union's struggles against Hitler's war machine.

    Generation after generation has thrilled to the story of Baba Yaga, the witch with iron teeth; the tale of the Little Daughter of the Snow, who melted for lack of love, and many others. Ransome visited Russia before the Revolution and heard these stories first-hand from the people he met there.

    This inviting picture book introduces a new generation of youngsters to the exciting story of the hungry wolf, the ill-fated duck, the fortunate cat, the fearless little bird, and the brave and cunning Peter, who helps save his friends from the wolf's jaws-and the wolf from the hunters' guns.

    In the light of the soviet collapse her penetrating but not unsympathetic criticism becomes a grave indictment and her fears for the Communists uncannily prophetic of events to come.

    It is the tale of seventy days and nights in which a young Red Army officer seized and held three apartment houses in Stalingrad. It defines, as well, the subtle ways in which patriotism and a desire for happiness have taken first importance in the minds and hearts of many Russian men and women. It has been called by critics the best novel of the Red Army and its long war against the Germans. Days and Nights is the first novel by Russia's most successful young reporter and playwright. It is an attempt to describe, without propaganda stereotypes, the new sense of themselves Russians have acquired during the war. So far as the publishers know, this is the first serious non-political novel to come out of the Soviet Union. The characters are simple, believable human beings, whose souls belong neither to Dostoevsky nor Marx, but to themselves and their country.

    Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience.Perhaps the primary reason for his trip was his affection for Asja Lācis, a Latvian Bolshevik whom he had first met in Capri in 1924 and who would remain an important intellectual and erotic influence on him throughout the twenties and thirties. Asja Lācis resided in Moscow, eking out a living as a journalist, and Benjamin's diary is, on one level, the account of his masochistic love affair with this elusive--and rather unsympathetic--object of desire. On another level, it is the story of a failed romance with the Russian Revolution; for Benjamin had journeyed to Russia not only to inform himself firsthand about Soviet society, but also to arrive at an eventual decision about joining the Communist Party. Benjamin's diary paints the dilemma of a writer seduced by the promises of the Revolution yet unwilling to blinker himself to its human and institutional failings.Moscow Diary is more than a record of ideological ambivalence; its literary value is considerable. Benjamin is one of the great twentieth-century physiognomists of the city, and his portrait of hibernal Moscow stands beside his brilliant evocations of Berlin, Naples, Marseilles, and Paris. Students of this particularly interesting period will find Benjamin's eyewitness account of Moscow extraordinarily illuminating.

    He was Stalin’s closest henchman. At one time he had a million armed men under his direct personal command. He was a sadist and a mass murderer. And he was also a vicious rapist with a compulsive appetite for young girls. This is possible: Beria may have kept a private diary in which he lovingly recorded his sexual activities, his murders, various scandals involving men now highly placed in the Soviet hierarchy — and the true facts of Stalin’s death. This is certain: The publication of Beria’s diary would cause the greatest political scandal the world has ever known — and set off a deadly manhunt for those responsible for its release … The private diaries of Beria — Stalin’s notorious chief of secret police — are a lurid, shattering indictment of Russian political methods and contain a new account of what really happened at Stalin’s death. They confirm Beria as one of the greatest human monsters of our time, both in his personal life and in his political manipulations of top Soviet politicians, some of whom are in power today. The Beria Papers are sold to an American publisher for three million dollars. On publication they are an immediate, sensational bestseller. They cause panic in Moscow and outrage everywhere — even in the upper echelons of the U.S. government, where there is fear that such revelations will create a dangerous precedent in smear campaigns against world leaders. So the world’s two most powerful secret services — the Soviet KGB and the American CIA — are ordered to track down the book’s origin. Their investigations range from New York to Washington, to London, Moscow, Munich, Budapest, Vienna and finally to a small island in the Indian Ocean where the activities of the two secret agencies come horrifically together. But can The Beria Papers possibly be a hoax? Praise for The Beria Papers: ‘Intriguing and gripping … compulsively exciting’ - Sunday Express ‘Both exciting and really convincing … fascinating. Part adventure, part thriller, part a documentary of might-have-been history, The Beria Papers is the best thing of its kind for a long time.’ - Sunday Times ‘The most interesting and original thriller since The Odessa File … a sharp and intelligent thriller that cries out for filming.’ - Daily Mail ‘Intriguing and gripping … not merely compulsively exciting entertainment, it is also so well researched and the background appears so absolutely authentic that the whole fantastic story could just be true.’ - Sunday Express Alan Emlyn Williams(born 1935) is an ex-foreign correspondent, novelist and writer of thrillers. He was educated at Stowe, Grenoble and Heidelberg Universities, and at King's College, Cambridge where he graduated in 1957 with a B.A. in modern languages. His father was the actor and writer Emlyn Williams.

    In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.

    Also included are fascinating primary sources and background materials, an annotated bibliography, and discussions of the work by leading scholars Robert Louis Jackson, Richard Tempest, and Dariusz Tolczyk. Combining scholarship with accessibility, this critical companion--part of the acclaimed AATSEEL series--illuminates a great work of literature and will enhance its appreciation by students and teachers.